Valé Frank Hodges, late of Bicton, Radio Fremantle, and York Minster

This article appeared in edition 167 of Trad & Now magazine in December 2024.

It’s Stupid O’Clock on a Tuesday morning, a little after 3am, and I’m doing what I’ve done all my life when I need to process things beyond my ken and Barbie: writing it all down.

48 hours ago, my friend Frank Hodges died.

I was in the same city as him: Boorloo (Perth) at the time, but not permitted to see him nor even be given details of his condition by the staff in the palliative care unit of the hospital where only several weeks earlier I’d spent precious hours with him: Hollywood Private Hospital in Nedlands. A slightly weird-arse hospital, but that’s another story for another time.

The nurses on the Old MacDonald Had A Farm ward are aces.

Back in early October, I had just arrived in to Tarntanya (Adelaide) one Monday night after three weeks on the road to the east coast and back when I contacted Frank to see if he was on the radio that night: 107.9FM Radio Fremantle, in the spot where our media lives intersected for seven months on his show, Folking Around.

He was not, and over the space of the next hour of frantic phone calls and texts to several contacts, I got through to Frank and he told me he had five weeks to live.

In my first weeks in Walyalup (Fremantle, June 2022) I’d bowled up to the studio in Hamilton Hill, WA and offered my on-air services. I was keen to move away from folk in to more secular programming, but the station needed someone to operate the panel for Frank’s established folk show on Mondays at 9-11pm.

I was initially reluctant but agreed, and on Monday 13 June 2023 I met Frank.

4ft not a lot tall, he’d blow away in a stiff breeze, and I’m guessing he never ventured out much onto the Yorkshire moors or he would have caught an easterly wind into the Irish Sea ad never made it to Australia all those years ago. Or conversely, he could have saved his 10 pound fare, grabbed a parasol, Mary Poppins-styles, and aimed south towards the Roaring 40s.

On that first night, Frank offered me a lift back to where I was living in Melville and that started a seven month arrangement: I’d stand out on Williams Street, glancing nervously at my watch, wondering if we were going to make it in time to get to the studio in Hamilton Hill, and take the on-air baton from Alan Dawson and his now 37 or 38 years running Twilight Zone radio show highlighting local WA music (of which there is an embarrassment of riches).

You’ll never never know if you never never go, people. Western Australian local music is the duck’s nuts, the dog’s bollocks, and the bee’s knees. It’s stunning.

In my first year, I got late to the WAM Music Song Of The Year awards at Freo.Social and stood right up the back, tucked away in the corner in the only spot left, jammed up against the bar. The talent on-stage and the attention and fervour of the crowd was inspiring. You could have plugged a 240 volt cable into my earholes and lit up a small city with the energy I was taking in from that night. And I was there late.

Meanwhile, back on on-air Monday nights, a friendship developed. An ex of mine who worked as a counsellor to asylum seekers once clued me in on the value of driving with others. You don’t *have* to make eye contact, your voices and ears do the heavy lifting, and you’re both going in the same direction.

From Melville down Williams Street, up Marmion, past Woolies, turn left onto Cannington Road, all the way to Rockingham Road, turn left and turn right at the studio. Race up the stairs in time to do the football tips on air with Alan.

I treasured those rides so much because the real Frank came out as he’d light-heartedly mumble and grumble about the others on the road. Never mind the fact I often had to remind him to turn his lights on or turn his indicator off, he’d have a running patter on who was on the roads and all their ills.

It was on trip two or three that the five-star swear word tumbled out his wee mouth and I thought, right. Ok. A) Do you kiss your wife with that mouth? (Just jokes; I roll out the sailor-blushing blue words when needed.) and B) Now we’re getting to know the real Frank: plain speakin’, irreverent, and funny as [duck].

I ended up staying in Boorloo/ Walyalup (Perth/Fremantle) only 14.5 months, and I can honestly say I really only made one friend in that time. Sure, I met scores of people and went out often – up to five nights a week with various groups. But that was all superficial, and there was only one constant in my life: Frank Hodges.

Typical of many septuagenarians I’ve been privileged to know: they keep the live, original music scene going because they vote with their feet, their bum on a seat, and are keen to share their disposable income with independent artists.

We saw all sorts in that time. We went to two Albany International Folk and Shanty Festivals, one Nannup, and countless gigs north and south of the Swan. I never needed a gig guide: Frank kept me updated via phone and text and email multiple times during the week. He’d collect details of what was happening, and sometimes the first 20 minutes of our two hour show would be him, slowly reading out what I rebadged the ‘parish notices’ of who was playing where in the cities and the south west of the state.

I initially thought it went on a bit long but soon realised people loved it, whether it was to get the information or just to hear Frank’s mesmeric verging on somnambulistic voice in that gentle Yorkshire-Australian lilt. You can catch his last programs at www.radiofremantle.com.au/shows/folking-around while they’re still there.

Sadly, all our shows we did have now fallen off the publicly available rota. Those shows live in the mind’s eye and ear.

We had guests, we had live music, we bantered and carried on like a father and son – and called each other as such on air. At first it was genuine irritation at his scatter-brained habit of cutting across whatever I was saying with some random thought. Soon enough it became endlessly endearing and you might have been forgiven for thinking it was rehearsed like some radio version of The Last Of The Summer Wine.

My weeks and weekends were full of gigs and going out and going to festivals, but Monday nights were radio nights, and I treasure those half a dozen plus one short months dearly. I never once thought, oh stuff it; I’ll play hookey and give it a miss. I had to occasionally duck out with respiratory problems, and knowing Frank was ill and receiving ongoing treatment for his conditions, I didn’t play fast and loose with any viral germs I might have been harbouring.

Once I was struck down by a mystery men’s waterworks condition so savage I feared it was going to take me off the planet, and had to listen from my bed through gritted teeth with tears of pain streaming down my face as Frank (and Alan as stand-in) interviewed a constant in our musical time together: The Original Foc’s’le Firkins. We went to see their album launch in 2023, and I snuck in for the last song at their last gig only last month. Frank had broken himself out of Hollywood Private Hospital that evening just to be there.

It was the Firkins’ last gig and may have been Frank’s last gig too.

After I found out Frank was dying that fateful Monday night in early October, I immediately made plans to get to the west. I would have jumped on the first plane out of Tarntanya, but it was school holidays and a massive storm was ripping across the country from Albany to Malacoota. I waited it out then lassoed a relocation vehicle (a Renault motorhome) and set off up to Port Augusta via Port Germain, into Ceduna, across the Nullarbor, the Great Australian Bight, the Goldfields, the agricultural belt and slammed almost literally into Welshpool, taxi to Walyalup.

Seems like a long way there, but there’s something calming (for me) about hundreds of kilometres of open road matched with the novelty of crossing the open plains of the Nullarbor and further. Despite the four days’ drive I counter-intuitively arrived in the west rested and refreshed, and by and by I caught up four times with Frank in two weeks.

It wasn’t quantity but it sure was quality.

I will take to my own grave the memories of sitting by his hospital bed, watching two episodes of Would I Lie To You? which he’d never seen before, and then Akmal Saleh’s stand-up comedy show.

And hearing sounds of genuine laughter come from the man such as I’d never heard before.

He could chuckle at my or his own jokes, but to hear him in gaels of laughter at the comic inventions of Britain’s and Egypt’s finest minds was like warm treacle or golden syrup for the ears.

I would not trade those memories for all the tea in Tallahassee.

About two weeks before he died, I headed back across the continent, this time in a brand new Audi Q2 that the car company needed relocating to the west, and had a similar only very different trip. At some point on the Nullarbor, the contact with Frank dried up like the desert scrub. The calls and replies became as sparse and hard to find as open roadhouses off the highway.

And when I arrived in Perth on Wednesday 13 November 2024, noone was returning my calls. I finally called the hospital, but in his last days, they’d gone from chatty and obliging to, “If you’re not family, I can’t tell you anything except that he’s here”.

I hung up that last time in floods of tears, and in the very early hours of Monday morning 18 November in Adelaide, I awoke to the news via text that Frank had died 25 hours previously while I’d been sitting in a hotel room in Mundaring WA watching the UEFA Nations League and World Cup Qualifiers from Europe.

I really wish Frank’s Leeds United had gone that extra inch and made it back in the Premier League this season. They managed to do so in season 2024-2025.

Frank was a true friend to me in Perth. Maybe my one true Perth friend.

He was care, concern, a phone call when he hadn’t heard from me, an invitation most weeks to events new and old. He was fun, funny, had a turn of phrase that would charm the socks of a centipede or blast the clogs off a Dutchman. He could work blue and, like Billy Connolly, he was a joy to watch in full flight.

I’ll miss my friend but I feel truly privileged to have intersected with his life for the time I did. I’ve made eight trips back to WA this year, partly for singing and music, but in equal measure for Frank.

Rest easy, dear man.

I’ll see you when I’m looking at you.


Bill Quinn
Hyde Park, South Australia
04:17h Tuesday 19 November 2024 ACDT (followed by the usual several hundred edits)

FOLK ON THE ROAD – I’ll Take The Music To Go

FOLK ON THE ROAD – I’LL TAKE THE MUSIC TO GO
By Bill Quinn

The first draft of this article appeared in edition 166 of Trad & Now magazine in October 2024.

In December 2024, it will have been 18 years in elapsed time that I’ve been writing for the national publication: Trad & Now magazine.

It feels like a lot longer.

Which is ironic in some ways, as those 18 years have included some extended breaks for various reasons.

Mostly because there’s a chunk of life from April 2014 to March 2019 when I barely had two brass razoos* to rub together, and I was wandering like a gypsy up and down the east coast of Australia. (Chris Bath from Channel 10 news but then from ABC Sydney and NSW radio dubbed me ‘Bill The Gypsy’ when I called in from the 366th different location and she threw her hands up and gave me the sobriquet.)

* WordPress is suggesting I change that to ‘brass kazoos’.

For four of those years, I was doing what our former LNP government said that we unemployed ne’erdowells must do: if you can’t find a job, move to a location where you can. So I took these clueless, gormless, careless, charmless, unempathetic cretins at their word, and started being a hobo, Boxcar Willie styles at times.

From April 2014, when I left the house and bed of a well-meaning but slightly broken** woman in Greater Sydney, until late March 2019 when I tumbled off a plane in Garramilla (Darwin), I hit the roads and for a time, music took either a backseat or went missing in action all together.

** spinal injury and resultant depression

(Interesting parallel with the experiences of one Myf Warhurst who, in her quirky, music-laden autobiography of sorts, talks about eschewing all music for months and months during Covid lockdowns.)

I bummed around the country living on fumes and in housesits, or backpacker hostels, or couch-surfing on a few isolated occasions when I had to.

I’ll go out on a limb, dear reader, and take an educated guess that if you’re reading this now, music is something you may also turn to in times of great challenges and calls on your emotional resources.

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Pub Choir Perth (Roe Street) – Monday 14 October 2024, 5.30pm – Free* Tix by Overheard Productions – * Ts&Cs Apply

I didn’t seriously expect this to work, but it was a sort of good Samaritan act for a very nice bloke who had $400 worth of tickets he needed to shift with very little notice.

I did make some efforts via several platforms to offload them, and would have gladly stood outside the venue and tossed them around like confetti, a tactic I’ve used in the past. But I was settled quite nicely into the Irish pub around the corner and the Guinness was going down nicely.

I wrote it off as a donation to the pub choir people and a kindness to the very nice bloke which he did not need to know about.

Pub Choir Perth (Roe Street) – Monday 14 October 2024, 5.30pm – Free* Tix by Overheard Productions – * Ts&Cs Apply

http://www.OverheardProductions.com/Contact

  1. Fave colour
  2. Fave sporting person OR team
  3. A (NOT THE) but A fave (one (1) or three (3)**) musical recording artist who gets your motor running, picks you up when you’re done, gets you inspired when you’re flagging

Your time starts now.

NO HOLDS – TIX IN PERSON ONLY AT JOHNNY FOX’S FROM 5.30PM

NINE (9) TIX ONLY… EIGHT (8) NOW.

See you if I’m looking at you.

Overheard Productions dot com

Tarntanya, Eora, Ngambri, Meanjin, Garramilla, Walyalup, Boorloo, Naarm, Mparntwe etc.

Adelaide, Sydney, Canberra, Brisbane, Darwin, Fremantle, Perth, Melbourne, Alice Springs, etc.

Folk On The Road – Endless Sky: A Personal, Musical Love Letter To Mparntwe

Alice Springs - First visit in March-April 2021
Anzac Hill at Alice Springs. From the author’s first visit in March-April 2021. Before I knew the word ‘Mparntwe’, definitely before I knew how to pronounce it. Thanks, Xavia for the video instruction during Endless Sky, recorded by 8CCC Community Radio et al on 21 August 2021 at Araluen Arts Centre, Mparntwe, transmitted on 13 September 2021 – see article for link.

This article also appeared in an edited format in the October 2021 edition no. 144 of Trad & Now magazine – available in good newsagents and some sketchy ones too. Or by subscription at www.tradandnow.com.

This article was principally written on the lands of the Central Arrernte people in Mparntwe (Alice Springs). I’m creating this online version on the lands of Western Arrernte people and doing the most recent of many edits in Walyalup (Fremantle) on the lands of the Whadjuk people. I pay respect to the traditional custodians of these lands: past, present, emerging, and those to come. The author of this rambling tome was born on Ngunnawal land.

Endless Sky – A Personal, Musical Love Letter to Mparntwe

by Bill Quinn

Darwin Festival 2021 went ahead from Thursday 4 to Sunday 22 August 2021, and as the song says, it was against all odds.

Well, not all odds, but many.

In these pages [of Trad & Now magazine] we’ve discussed the challenges (and strangely the opportunities) that Covid19 or corona virus or SARS2 has presented to the worlds of music, arts, entertainment, and hospitality.

For now, I have to tip all of my hats in the direction of Harbour View Plaza in McMinn Street, Darwin and say the sincerest and deepest of thanks to everyone at Darwin Festival who made DF21 happen. That it happened at all is remarkable. That it blossomed forth in such sparkling, memorable fashion is an incredible accomplishment.

If you were attending the festival from out of town, or were new to the festival, it may have appeared a seamlessly professional and comprehensive series of so many events covering all the aspects of the yarts imaginable. Apart from three days off for Darwin’s Lockdown Light III (17-19 August 2021), the show went on, and every spot on the program that I can recall was filled with sparkling talent.

Yeah, sadly many southern artists could not make it to the Top End to join in the joy and fun. That was a shame.

Festival CEO James Gough and Artistic Director Felix Preval, and the scores of production, box office, talent-wrangling, stallholder-herding, sales, corporate liaison, sponsor-schmoozers, and volunteer coordinator Mathilde Mercadier – all of them ducked, weaved, bobbed, re-organised, rescheduled, reordered, and (strike me down, I’m going to use the P word) yes, they pivoted. (There goes a dollar in the buzzword jar.)

Together they created an amazing event, a jewel in a groaning, heaving, bloated, glorious calendar of Darwin and Top End events.

Darwin Festival 2021. Image by Bill Quinn.
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Bill Quinn – Writer, MC, Radio Presenter

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Bill Quinn and John Schumann (Redgum, John Schumann & The Vagabond Crew), Concert Stage, Woodford Folk Festival, December 2007

Owner/operator of Overheard Productions, 2003 to present

Sponsor/singer in Born To Sing 1000 – 2023 at Perth Concert Hall, Sunday 11 June 2023.

And again on Saturday 28 June 2025 (sponsor only).


Sponsor of 102.1FM 8CCC Community Radio – Alice Springs & Tennant Creek (Dead Parrots Society and A Little Bit Country), 2021 to 2022.

Contributor to Trad & Now magazine (folk and anything roughly related), Ducks Crossing Publications, December 2006 – December 2024.

Festival and gig MC from 2005 onwards

Radio presenter:

2008 to 2012 – Artsound FM 92.7/90.3FM/artsound.fm  (ACT)

2019 to 2020 – 104.1 Territory FM/territoryfm.com (NT)

2020 – Guest presenter via phone, 107.5FM 2EAR-FM/2EARFM.weebly.com Thursdays at 7.15pm AEST on Ian Traynor’s Thursday evening show (6-10pm)

2022 to 2023 – 107.9FM Radio Fremantle, ‘Folking Around’, Mondays 9-11pm AWST and online at: https://radiofremantle.com.au/shows/folking-around 

2023 to 2024 – 102.1FM Radio Adelaide – Rich & Real. Filling in here and there for now with no regular program.

Trivia quiz host 1992 – 2012. Maybe again…

Peripatetic, interviewer, blatherer Ongoing. Always. Ever-present.

Gypsy. Effectively on the road from Kamberri (Canberra) since 18 March 2013, with a 2.5 year stop in Darwin (March 2019 to August 2021), just over a year in Fremantle, another 12 months plus in Adelaide, and now traipsing around New South Wales seeking my next base.

Currently in residence in Greater Sydney on the lands of the Dharug people, and I pay respect to the custodians past, present, and emerging. These are lands that are called ‘Australia’ and Terra Australis, a land of many nations, that were never ceded by the traditional owners.

More details at www.OverheardProductions.com/About

Bill The Housesitter
Bill Quinn, Bloke, v2011

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[VIDEO] The Great Overheard Productions Train Tomfoolery Continues: Tuesday Updates, September 2016

 

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Overheard Productions and the Queensland Police Service: trying to get our ducks in a row

This ongoing police procedural drama/situation comedy is sponsored by the makers of the Matt Barker Radio interview on Overheard Productions: 

https://overheardproductions.com/2016/09/12/audio-interview-with-matt-barker-radio-podcasts-and-digital-radio/

I’ve said it before and will keep saying it: you just cannot make this shit up!

Three days after the Friday night police incident where a whole passenger train was detained for ten minutes while members of the QPS swarmed around me at the Lota train station, and after many phone calls, I’m still in the dark.

I’ll give you the Wednesday updates later, but for now, here is where Ankerss Ahrr-Whey tracks down a neighbour of mine to find out what the heck is going on.

Garry briefs us for a short while until his meal starts to go cold and his accent ships off from north England to…. we’re not quite sure where.

And for those of you who saw the teaser, you know want some more of this:

(A little tip for amateur video-ers, Youtubers: if you’re recording a live performance, be sure to include even just a little of the applause at the end. Otherwise, it’s a bit like a door slamming shut in your face when you stop talking with a friend. I was going to go with a butt cheeks analogy; aren’t you glad I didn’t?)

And now that we’ve gone there, let’s go here. Muggins is there, front and centre at about 0:10. A time of my life when song just took me somewhere I’d never been before.

ENDS hopefully this century…

Interview with Matt Barker Radio: Podcasts and Digital Radio, September 2016

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Image courtesy of Matt Barker Radio

Matt Barker hails from Southend in Essex UK, which is a shame since most of the taxis won’t go further than Basildon.

(That gag was an entry in the Morris Men-tal Institute Joke Competition of August 1936 and told repeatedly until a cease and desist order from the Greater London Department of Public Transport and Sun Beds in February 1937.)

Where were we? Talking about Matt Barker and his two fabulous radio shows.

The Matt Barker Radio Show is two hours of finely-organised chaos, going out to the world on Fridays at 6pm UK time, available on podcast from Mixcloud.

While the Deuce Radio Show is a tight little package (careful!) of the best new independent music to tumble onto Matt’s desk.

In this interview, Matt talks with Bill Quinn of Overheard Productions about the mechanics and motivations behind these shows, plus his future plans for well-funded world domination.

 

 

Deuce Radio Show. Image courtesy of Matt Barker.
Deuce Radio Show. Image courtesy of Matt Barker.

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Police Halt Overheard Productions For 48 Hours: Saturday Updates, September 2016

On Friday 9 September 2016, at approximately 23:40, officers of the Queensland Flying Peleton Brigade boarded the train to Cleveland (which had been held at Lota station) and removed Bill Quinn.

Mr Quinn is current head of logistics for the Overheard Group, including big cheese of Overheard Productions and Tawp Dawg at Bill The Housesitter.

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Mr Quinn was spotted later that night in the comfy chair at #36.

Right now he’s talking Braille, so please check back at 11pm on Sunday 11 September (London time), 8am Monday 12 September (Brisbane time) or call +61-555-000-000 (for a good time).

Bill Quinn
Overheard Productions
Capalaba, Redlands Council District, Queensland, Australia

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Michael Johnathon talks about the Woodsongs Front Porch Association and Gathering, August 2016

Songfarmers-ad

WFPA-2016
Image courtesy of the Woodsongs Front Porch Association

The Woodsongs Front Porch Association (WFPA) is an amazingly and elegantly simple creature.

Based in Lexington, Kentucky and the brain child of Michael Johnathon, singer-songwriter, performer, producer, tour organiser, and 36 other roles, it’s spreading its tendrils across the USA and the world.

I’ll not steal any WFPA thunder by block copying and pasting here, but please follow the links and your rewards shall be many and bountiful.

The Cliff Notes, as MJ would say: it’s a cheap-as-chips member association which opens everyone up to a world of musical information, resources and networking, opens its arms, and invites the world of art and artists in to share, share, share.

On Friday 23 and Saturday 24 September 2016, the WFPA is holding its second annual Gathering in Shaker Village, Pleasant Hill, Kentucky – see main picture for all the salient details of the ‘wheres’ and ‘whens’.

Full details at www.songfarmers.org

It’s the ‘how much’ that’s the real news story here. And it’s a good, good news story at a time when good news stories are pretty gosh-darned thin on the ground.

Choose your preference: click on a hyperlink or click on the audio file link below, and listen in as Michael explains WFPA and the Gathering in his signature succinct, clear, resonantly-voiced vocal stylings (even over the tech equivalent of two cans and a 9063 mile piece of string).

*** Audio file will be removed by the end of March 2020 ***

*** Audio file will be removed by the end of March 2020 ***

Some basic notes for the interview… which I never referred to.

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[NSFW Video] Cooking At #36 With Billgella Lawsoote – Episode 2: White Whine Fillet Reduction Surprise [NSFW], December 2015

 

White Whine Fillet Reduction Surprise
White Whine Fillet Reduction Surprise

Originally published in December 2015.

Welcome to Episode 2 of Cooking At #36 with Billgella Lawsoote.

Our legal people have been combing through our initial agreement with M/s Lawsoote and it does indeed appear that a clerical error DID spin the series out from the original 3.6 episodes to an eye-watering 36 episodes.

With the caveat of ‘ne’er the same kitchen twice’.

Feck.

So.

We present to you, the uninformed swill at the bottom of a glass of a really gritty Bordeaux, the sort you want to finish off with a knife and fork, the second in our (slap me now for using this hackneyed term) journey — pronounced with four Js: jjjjourney around the kitchens of Australia.

Today for your information, edification and inebriation, we have ‘White Whine Fillet Surprise’.

Short on the whine, long on the wine.

Warning: Billgella works a little blue in this edition beamed live (and by live, we mean recorded three weeks ago) from Paddington, NSW.

Here’s what some food pundits are saying about Episode 2.

‘I kept falling off my chair’. – Matt from Basildon, Essex.

Surely faulty office furniture is an office services issue, not the kitchen’s.

“Where’s the bacon?” – Johnny RT from Sydney via Liverpool UK.

Have you ever crossed a Basa with a pig, JRT? We tried once, and the pig thrashed around in the shallows for half an hour. It took us twice that long just to get the smile off his face.

DISCLAIMER: Again, please note this edition is not safe for work (NSFW). We did road-test it on a pre-school group at the Sorbonne School For The Gifted Culinary Toddler and the feedback was unanimous: “We’re including you in our mandatory reporting to the relevant authorities.”

Billgella Lawsoote returns in the new year with a multicultural melting pot Episode 3 from the heart of Kebabland, Sydney.

Good morning!