Bill Quinn – Writer, MC, Radio Presenter

Overheard Productions Art and artists, Business Referrals, Festivals, Interviews, L-Plate Learning, MC, Music general, radio
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Bill Quinn and John Schumann (Redgum, John Schumann & The Vagabond Crew), Concert Stage, Woodford Folk Festival, December 2007

Owner/operator of Overheard Productions, 2003 to present

Sponsor/singer in Born To Sing 1000 – 2023 at Perth Concert Hall, Sunday 11 June 2023.

And again on Friday 6 and Saturday 7 December 2024.

Sponsor of 102.1FM 8CCC Community Radio – Alice Springs & Tennant Creek (Dead Parrots Society and A Little Bit Country), 2021 to 2022.

Contributor to Trad & Now magazine (folk and anything roughly related), Ducks Crossing Publications, December 2006 – present.

Festival and gig MC from 2005 onwards

Radio presenter:

2008 to 2012 – Artsound FM 92.7/90.3FM/artsound.fm  (ACT)

2019 to 2020 – 104.1 Territory FM/territoryfm.com (NT)

2020 – Guest presenter via phone, 107.5FM 2EAR-FM/2EARFM.weebly.com Thursdays at 7.15pm AEST on Ian Traynor’s Thursday evening show (6-10pm)

2022 to 2023 – 107.9FM Radio Fremantle, ‘Folking Around’, Mondays 9-11pm AWST and online at: https://radiofremantle.com.au/shows/folking-around 

2023 to present – 102.1FM Radio Adelaide – Rich & Real. Filling in here and there for now with no regular program.

Trivia quiz host 1992 – 2012. Maybe again…

Peripatetic, interviewer, blatherer Ongoing. Always. Ever-present.

Gypsy. Effectively on the road from Kamberri (Canberra) since 18 March 2013, with a 2.5 year stop in Darwin (March 2019 to August 2021).

Currently in residence in Tarntanya (Adelaide, South Australia), on the lands of the Kaurna people, and I pay respect to the custodians past, present, and emerging. These are lands that are called ‘Australia’ and Terra Australis, a land of many nations, that were never ceded by the traditional owners.

More details at www.OverheardProductions.com/About

Bill The Housesitter
Bill Quinn, Bloke, v2011

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Shark & Fox – But Which Is Which? The Answer May Be A 50/50 Proposition

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Image courtesy of Shark & Fox Music

First thing to say about this gig tonight at The Ellington Jazz Club is that after my first visit to this established Perth musical institution, I just wanted to go around and shake every audient’s hand and thank them for being brilliant humans.

Then somehow bottle them and market them as the ideal audience for most every venue, festival, gig, house concert, happening I’ve been to in the last 20 years.

I’m not kidding and I’m not exaggerating. One song in and I had to re-focus on the music; I was fixated on what an attentive, respectful, beautiful crowd of people had gathered on a Wednesday night on Beaufort Street to attend a gig from something of the unknown: a meeting of two musical minds and prowesses (Jaron from Canada, Emily-Rose from Sydney) with the backline of the sublime and silky smooth percussive chops of Rose Callaghan from [insert where Rose is from when you find out].

Image courtesy of The Ellington Jazz Club

Without dwelling on my attendance too much, I’ll just say I was there against not all odds but some odds. On the last night of a seven-night swing over to the west coast from Adelaide, I’d spent three nights in Perth but most of my activities were in Fremantle, then four nights in Fremantle and I was trying as much as I could to curtail my meanderings to just Walyalup and the port city.

However, on Sunday night at the main reason for my jaunt across the Nullarbor, I’d seen Shark & Fox perform at the Fairbridge Festival Showcase at Fremantle Arts Centre, hastily put together by Kaleidescope Multicultural Arts Management. as at least some way of marking what should have been the 2024 Fairbridge Festival, sadly cancelled in the great collapse of festivals of the 2020s.

Forza Fairbridge 2025.

Gathering crowds for the Fairbridge Festival Showcase at Fremantle Arts Centre
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Chipping Away At A Catastrophic Backlog Meets Pete Stone From Walyalup Via City Of Melville

Overheard Productions Fremantle and Perth, Interviews, Music general

The embedded interview was played twice on air in December 2022 on 107.9 FM Radio Fremantle – The Sound Of Fremantle.

In about 15 minutes, I’ll find out if Pete Stone, Fremantle/Perth music legend and all-round good guy still work for the City Of Melville. I suspect not.

When we met in December 2022 at one of the fantastically popular City Of Melville Summer Music Series gigs in the glorious outdoors that, without looking, I’m guessing was Bull Creek, Pete was artistic and music director for the City Of Melville, but on my last visit there (all of a week ago), I saw a post on social media that suggested others now have this role.

Back then, I made ambitious claims about having an edited version of our chat and a transcription up on my website in days.

It’s 4.15pm on Friday 19 April 2024. And here we are.

Herewith the full, raw, unedited audio. I can’t swear there are no swear words. All from me if they’re there.

Have at it. I’ll get to the transcription a) in the fullness of time, or b) in May when I’m home for more than six days and hiring my latest PA.

Sorry for the ugly link, but WordPress is having connections, and the UN Help Ful page is in French. More soon.

Overheard Productions · Pete Stone – City of Melville Creative Producer.m4a

Overheard Productions · Pete Stone – City of Melville Creative Producer.m4a

Thank You And G’day Pt 2.0 – My Latest Article for Trad & Now

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For want of anything more meaningful in a meandering, blathery article, all photos in this web version will be from my various trips taken so far in 2024 from Brisbane to Perth, from Colonel Light Gardens to Mparntwe

This article also appeared in the April 2024 Edition No. 162 of Trad & Now magazine.

Greetings from Tarntanya on Kaurna Lands, home of the red kangaroo dreaming. I’m Bill Quinn, the artist formerly known as the author of A Punter’s Perspective and Folk On The Road.

I published my last Trad & Now article in February 2023, and I had intended it to be about crowds and noise.

I say ‘last’, but to quote the Billy Bragg song, “[It] should have been the [second] last, but [it] was just the latest.”

Here then is the start of that latest article. I’ve gone for a title using what we call in some brands of written English, parallel structures. It was called, Thank You And Goodnight Pt 1.5.

Although if you’re the type of person who has kept every copy of Trad & Now magazine, plus most issues of its predecessor, Tapestry, and they’re sitting in the top cupboard in the spare room, or shoved under the bed where your first wain Gwenevieve slept from ages two to 22 before she graduated from Kikatinalong University and then moved to Wealabarrabac for post grad (and also that internship with the medical research group) – take a deep breath; I’m puffin – then you can search out the February 2023 edition.

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Overheard On The Road – March 2024 – North To Mparntwe

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I don’t know why I don’t do this more often. I go on this last minute, harem scarem, seat of the pants, make it up as I go trips, bust a gut and two to three download sources to update socail media that rarely gets looked out or is ridiculously ephemeral when I have this dodgy but useful website.

Herewith then, a work in progress: my current trip of indeterminate length. Not even 24hrs elapsed yet. I left Casa del Cabana en la Piscina at about 9.30-ish from memory – Google Maps will tell me exactly when. Talk among yourselves for half a mini.

9.30am on the dot. Also, here’s a funny thing. Normally around town and city, I have to make about half a dozen edits to my timeline as recorded by Google Maps. Why? Big buildings. Lots of users. Confuses the satellites. In town, lots of big old buildings with thick concrete and glass. It’s why you can’t get reception and follow your influencer mates on Instachat or Snapgram at your office desk in Grote Street, Bradley.

Out in the country, not such a problem.

Speaking of 9.30am, that’s coming soon and I want to get on the road. So a couple of pretty pics then I have to shoot off. Off like a bride’s nightie. Fun fact about my wedding night and nighties…. Let’s maintain a modicum of decorum, shall we? We shall.

(Big day. We consummated the marriage at home the next night. Hi, I’m Bill, I thought we’d met.)

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Born To Sing 1000 – Thousand Voice Choir + More At Perth Concert Hall, 11 June 2023

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Image courtesy of Born To Sing

Perth Concert Hall will play host to a very special event on Sunday 11 June 2023 from 5pm to 7.30pm when a 1000-voice choir and many others take over the venue for one evening only.

The Born To Sing 1000 event features:

– a 1000 voice choir encompassing several local and WA choirs plus many individuals in four-part harmonies
– 250 ukulele players
– seven-piece jazz band featuring Western Australian Academy of Performing Arts graduates
– Perth Highland Pipe Band
– a few extra surprises some of which not even the choir knows about yet.

Image courtesy of Born To Sing

At the time of publishing this short article, about 80% of the tickets have been sold, and the rest will go quickly. So if you want to experience this amazing live event, go to: www.perthconcerthall.com.au/events/event/born-to-sing immediately if not sooner.

The concert runs from 5pm to 7.30pm with a 25-minute interval at 6pm. Food and beverages will be available.

Some funds raised through ticket prices will go to the Fiona Stanley Hospital Cancer Clinical Trials Fund.

Overheard Productions is a proud sponsor of Born To Sing 1000 – 2023.

Image courtesy of Born To Sing
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Thank You And Goodnight Pt 1.5 – My Last Trad & Now Article

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A respectful, listening crowd for ‘Sea Swallow’ at Earl of Spencer Inn, Albany in October 2022

This article also appeared in Trad And Now magazine, issue no. 154, February 2023

Except for this bit in italics which did not appear, mostly because when I wrote this article as a lazy way of getting my column together at the last minute by effectively duplicating an old article, I did not realise it would be my last for Trad and Now. But a few weeks later, a few ripples had become waves, and those waves were starting to smash upon the shores of my frustration, patience, and perseverance. I tendered my notice to not contribute to the magazine from 13 March 2023.

Trad and Now is a great magazine, written by passionate and knowledgeable people who give so much on so many fronts for independent music. I remain a great supporter of it. If you have the time and interest, you can read a bit more about my 16yrs 3mths writing for the magazine in a later article here. But to the column that appeared in the actual magzine:

As I type, it’s the last day of January 2023, and last night I sang farewell to Walyalup. (Walyalup is the local Nyoongar word for the area known as Fremantle.) The venue was Clancy’s Fish Pub, the song was (of course, if it’s me), Rag and Bone by Ian Mackintosh of The Wheeze & Suck Band/Traditional Graffiti, and the crowd was glorious.

Also, this article is running late because after 16 years of A Punter’s Perspective/Folk On The Road, you don’t [muck] with tradition. Sliding in just in (or just after) time is kinda my thing.

This edition’s column was originally going to be about an unsavoury crowd/audience incident from late last year in Walyalup, and far too many similar occurrences. I need another month to process all that, though the audio version exists in the on-demand section of 107.9FM Radio Fremantle – Filling Around, Monday 9-11pm. (I’ve already resigned from that radio gig while waiting to raise my anchor and sail off from Fremantle. Also they’re not part of the overarching Community Broadcasting Association of Australia, and I took issue with some of their practices.)

So for now, here’s my column from April 2011, and I’ll organise my thoughts for March 2023. (Now a later entry here on this website.)

50th Top Half Folk Festival, Mary River Wilderness Retreat, NT in June 2021

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Greenacres Motel & Van Park, Benaraby

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BQ: Roughly a week ago, I came wandering up the path here at Greenacres Caravan Park and Motel, singing, “Greenacres is the place to be…!”

And there was a tall streak of pelican shit we’ll call ‘Les’, and he was there by the pool. He turned around and he saw this bloke walking up his drive and probably thought, ‘What fresh hell is this?’

He’s shaking his head and saying something I can’t repeat on tape!

Les from Greenacres, g’day and how’re you going?

LD: I’m very well, thank you.

BQ: Now Les, tell us about Greenacres Caravan Park and Motel, and how long you’ve been here for.

LD: Greenacres is a lovely place to relax. It’s 22kms south of Gladstone. It’s probably half way between Brisbane and Mackay. We’ve been here two years now (as of May 2017).

We kicked out a lot of permanents, a lot of dogs and a lot of cats.

BQ: So, it’s more of a tourist park and not so much a residential place, yeah?

LD: That’s right mate, yeah. We got rid of all the residentials!

BQ: Let me start by saying what I’ve observed from being here for a week. I have never spoken more Dutch in my life as this week. There was a family of three, then there were a couple of footballers from the south of the country, and then most recently, a lovely young couple were here the other night.

So, are they mostly backpackers? Are they travelers? Are they Aussies? Who are you getting in here?

LD: This time of the year, the last few months. It’s backpackers. And overseas people of different nationalities. And at the end of July, we’ll start getting all the grey nomads heading north.

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Roy Martinez (Chilali And The Chief) – Chatting On Air

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Roy Martinez (left) with Rose Parker and David Hyams, Freo.Social, 2022

Bill Quinn: This evening I’m joined by Roy Martinez. Now Roy, you and I go back a long way.

Roy Martinez: A long way back. A couple of days? A few days?

BQ: A long. long way. Last Thursday evening. We were there [at The Local Hotel] for Local Heroes with Bob Gordon to see the amazing David Hyams in conversation and performance. That was a really fantastic evening, wasn’t it?

RM: Yeah, well I’ve known Dave for a long time, but I actually learnt a whole lot more about his history. It was very informative.

BQ: It was, and let me just ease your mind about when we start talking, because I want to ask you some questions in a little while (after I’ve done the gig guide and the parish notices). Don’t worry; I’m not going to ask you what your first memories were and what you were doing when you were five or six years old.

Because we did find out a lot about David Hyams!

RM: Yes, that’s right, of course. I’m going to do one of those Local Heroes myself (as Chilali and The Chief).

BQ: Chilali was going to join us tonight, and we were going to have live music here in the studio, but she’s not able to join us.

RM: She’s not. She’s listening to us now, probably. Her voice hasn’t quite recovered from her bout of whatever lurgie’s going around.

BQ: I’m so sorry to hear that. Chilali, if you’re listening, get the manuka honey into you.

Now you’ve brought in this EP. Tell us more about Chilali and The Chief.

RM: Well, Chilali is my wife. We met because she was writing some songs and we were actually working together, and developed a relationship.

Here we are fourteen years later, and now we’ve finally got a bit of momentum and are trying to make it a career now, the both of us.

Image courtesy of Roy Martinez
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The Human Highway Celebrates 50 Years Of Neil Young’s ‘Harvest’

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This article also appeared in Trad And Now magazine, issue no. 153, December 2022

2022 has been a big year for fans of Canadian folk-rocker Neil Young.

(Arguably it’s been a big year for Neil himself, but he wasn’t available for comment prior to press time.)

It’s been 50 years since Young’s seminal album ‘Harvest’ was released in February 1972. (The column author was in first grade at Rosary Demonstration School at the time and was sadly oblivious to this moment in musical history.) ‘Harvest’ was the best-selling album of 1972 in the USA and has remained Neil Young’s best-selling album to date.

‘Harvest’ was remastered and re-released on 2 December 2022, and not surprisingly in this digital, multi-platform age, it comes with a host of extras. The reissue comes in either vinyl or CD box set form, with both including two DVDs. Young’s much-bootlegged ‘BBC In Concert’ is included on CD and vinyl in the respective packages, and three ‘Harvest’ outtakes are also made available in physical form for the first time – on a third CD or a 7-inch record in the vinyl set.

And early December 2022 saw the debut limited release of the 1971 film ‘Harvest Time‘, a documentary covering the ‘Harvest Barn’ sessions at Young’s northern California farm, his performance with the London Symphony Orchestra in London, and in Nashville there are scenes of Young working on various album tracks.

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