One of the great joys of music (and the yarts in general) is making new discoveries. Hence this blog and so, so many Overheard Productions and related social media pages.
When I went to my first National Folk Festival in hometown Canberra, Australian Capital Territory in 2005, it was a journey of only 2.7kms from my first home into another world or planet. (And 2.9kms from the second abode ages 4-18; we moved from no.20 to no.34 in 1970 – #DownerRepresent).
When driving through Sydney and listening to FBi Radio 94.5FM, I love mostly hearing only music and artists whom I’ve never heard before.
Same syndrome applied last night at Monte’s Lounge in Mparntwe Alice Springs, Northern Territory during the 8CCC Community Radio 102.1fm – Alice Springs & Tennant Creek Sunday Sessions. All bangers, all new to my ears.
I’d never heard of Xavia before August 2021 when the first draw of her bow across her cello reduced me to a watery pile of salty liquid on the dusty grounds of the Sunset Stage of Darwin Festival in Garramilla Darwin, Larrakia country.
But much as I didn’t know Dave Crowe Music either (also performing in the same concert that night as Resin Moon), I’ve probably heard Xavia’s music before but didn’t know it. Various gods (especially sun gods) thank the moguls of film, TV, and other media that love to pay phat or medium stacks to independent artists to licence their art.
(Not every Australian would know the band Flight Facilities, but I’d wager that about 80% of Terra Australians could instantly recognise one of their songs.)
I should also tip my Stetson to the others on stage that night: Casii Williams, Paul Ah Chee, Bambadino, and the magnificent Alice Sings under the direction of Ed Gould. If the performance of Endless Sky at Araluen Arts Centre is totally new news to you, then hi. I’m Bill ‘Quinny’ Quinn. I thought we’d met! (I’ve mentioned it just a few times on social media in the last two months. Just a few.) 😉
Ok, muggles. Strap yourselves in, and be prepared to slap your Mparntwe mates with a bunch of lightly-dampened celery and bellow, ‘Why did you not tell me this was happening in August? What am I to you? Chopped liver? A block of flats? A ham sandwich? Why don’t you love me anymore?’
Ok, admittedly that’s at the top of the dial for intensity of response. Let’s move on, shall we?
We shall. Click here, and don’t thank me later. Thank THEM!
Back to Xavia. This is her song ‘Horizons’ – the original version.
Through the wonders of technology, you can experience many different versions of ‘Horizons’ with just a few clicks of a keyboard, or twitches of your thumbs on your preferred device.
I inwite you to do just that. Then if so motivated, go to http://www.xaviamusic.com/ as I did and hoover up her music for less than you’d spend on a great meal and a craft beer at Monte’s Lounge in Todd Street, Alice Springs. My personal recommendations: Chicken Mesquite, a Dawn Patrol, and Xavia’s current single Saule – and I’m still working on how I add the acute on the ‘e’ on this laptop that doesn’t have a numbers pad…
No, wait. I came up with a solution last week. It helps if you speak French, but that’s not a pre-requisite. Once more with feeling: Saulé. Formidable! Facile!! (French for ‘wonderful’ and ‘simple’.)
^^^^ My Favourite Song and Record of 2021.
My opus ex animo article in the October 2021 edition no. 144 of Trad And Now magazine is called ‘Endless Sky – A Personal, Musical Love Letter to Mparntwe. It’s ok as articles go, but the online version is more polished, eye-wateringly longer, and contains embedded photos, videos, and links. I mean, it will do when I finish playing with it in draft. Two weeks and one day now.
It’s coming like Christmas, but hopefully before. 😉
Bill ‘Quinny’ Quinn
Central Arrente NT
As with all my articles, it’s a living, breathing, evolving, ever-changing beastie, and I’ll tinker and tweak it for days to years to decades to come. If a link is busted, or some detail is wrong or could be improved on, please post a comment or get in touch via the Contact page. BQ.