The Long Run – A Redgum-inspired Kick Start To 7 O’Clock On A Monday Morn by Bill Quinn of Overheard Productions

John Schumann and the Vagabond Crew - the artists some of whom were formally and formerly known as Redgum
John Schumann and the Vagabond Crew – the artists some of whom were formally and formerly known as Redgum

[This is an early and first draft. I’m dropping it in here in case Zuckerberg decides in his infinite wisdom to 8636 as in kill my post. It has happened before.]

Friends have been a bit thin on the ground and hard to come by since I returned to my ancestral home country of Ngunnawal/Ngambri in the Australian Capital Territory.

(That’s in Australia. Head south from Nouvelle Caledonie, go past Norfolk Island, and hang a right. If you hit Queenstown in Aotearoa you’ve really overshot the mark. Best to ask a right whale, or a left porpoise, for directions when you going through the Coral Sea.)

I’m not mob, not privileged to call myself a traditional custodian. I acknowledge elders past, present, future, and emerging, but I am not authorised to welcome anyone to country. And if you’re the type who whinges, whines, moans, gripes, and belly-aches, “Awww, geez I’m fargin’ sicka bean well cummed to me own cuntree!” then Barry, Persephone, Gwenevieve, and Nigel – I invite you to go and do your own research, because my god, you lot do like to bang on about how you do your own research (mostly while you’re camped on the porcelain, dropping a Hanson and Murdoch off at the pool).

But go do some research on what Welcome To Country in the current era means. I’ll leave that one there. Cf. next post on Overheard Productions for a possible starting point. Invitation only. You’re allegedly an adult. Feel free to slosh about in the shallow end of ignorance and blind stupidity if you prefer.

No, I’m a gubba and a boat person. The Quinns sailed into Terra Australis in 1840. Australia wasn’t officially a thing until 1901, and we whiteys who allegedly “grew here” were British subjects until somewhere around 1948. Which is partly why I find white power racists and Hanson/RWFW LNP flag-wavers feckin’ hilarious – and I can, will, and do laugh in their faces.)

Anyway, I’m tossing around ideas to haul in the anchor and set sail again in the next not too distant. Much like 2024 when I was allegedly resident on Kaurna country in Tarntanya on the Adelaide plains, home of the red kangaroo dreaming, well to quote a song I recently sung with the lovely, adorable, joyful Mixtape Chorus by the band Cake (band):

You’re never, ever, ever, ever there.

Which in some sort of coincidental or ironic twist (I’ll work out which, throw your two cents if you wanna) is why I started losing friends hand over first when I was resident here from 1966 to 2013, with time off for good behaviour in 1978-79 (being Billy Bunter in Herefordshire, England), bad behaviour in 1998 (pretending I could possibly physically live in Sydney and commute to a global IT company consultant job with a wife and two kids – #SpoilerAlert: I failed at both), and various sorties to SE Asia, Europe, the Middle East, USA, PNG and such along the way.

Q: Where’s Bill? Isn’t he coming to the thing?

A: Ferk Nose! Woodford or Gundagai or Slacky Flat or Kikatinalong or Flemington Rd, Mitchell (EPIC) or Whoop Whoop… Hoo No’s? We’ve stopped inviting him!

See? Master of my own disaster. Nobody’s fault but mine. Whack that last sentence plus: RAPT into your YouTube search bar. That’s one of my theme songs.

Wrap it up, Fireball; we’re burning daylight.

Yeah, back to where it all began for, in some respects eight months, in others 16 months. I’m surprised and saddened I’ve failed to connect or reconnect with so many, but as always, I look in the mirror to sort out why. I’m a communications specialist and practitioner.

But as I told Namba Wan Sun and second heir to the WFJ Quinn family hundreds (plus a tatty music collection and about 60 t-shirts):

Some master plumbers have leaky taps. Brilliant mechanics have shitbox cars. And physical security specialists are having their gaffes knocked over while they’re down the pub with their mates because a) they talk to loud, and b) they like routines and predictability.

(Predictability and having a routine is the natural enemy of not having your mansion ransacked. Don’t take my word for it; it’s pretty well-documented.)

So much for another short post.

I’m scoping out the next move. And unlike last July when I said, fuck it, Awabakal country looks ok and lobbed into Newy for a week to scout properties and decided four days later, yeah nah! (I saw out the week. Stayed in the wrong part. Decided to trust my gut at the time. Serving suggestion: if you’re a real estate agent, best not to a) tell the eager young renter who’s just walked in to piss off and search the online app, and b) in your printed material, spell ‘accommodation’ with one ‘c’.

I am not making that up. Not a deal breaker, but the last of a fistful of straws in just four days minus a few hours.

This time, baby, I’ll be bullet-proof. Big-ups to two amazing young serving types down at Canberra Southern Cross Club in Jamo who sang that song with me, glory, Sunday before last as I was having a nightcap after dinner after a restorative and unexpected near collapse and some quality time with St John Ambulance ACT and ACT Government Health and Community Services at North Canberra Hospital.

So much to say about the health people. I just need to find a big chunk of time to craft the sincere, grateful, loving words of appreciation for every single individual involved in that episode from 12.30pm to 17:35h Sunday 24 June (5hr05m total) from the bistro of Mercure Canberra to ambulance to triage to short stay A&E/ED to tap-dancing out the front doors. (Not making that up; I may request the CCTV of my doing that, and of the sashay away/do my little dance on the catwalk I did to prove I could walk again while my bloodwork was coming back from the lab.

Sounds like a weird-arse script on the cutting room floor of a TV production house. Nuh. That happened.

AND as mentioned in dispatches previously, E. the ambulance driver joined me in a duet of Comfortably Numb by Pink Floyd, and poor old R. the senior paramedic and at that stage my primary caregiver wondered what fever dream she was witnessing but soon was cheering on her colleague who is welcome any time down at Gorman House Arts Centre on a Thursday evening 7.30-9pm for pop songs and cake.

Yes, we had cake after Cake. It’s an assortment every week. I usually bring Anzac biscuits, Macadamia biscuits, Dutch or Mexican Almond chip cookies/keuken. Bring your own mug if you wanna cuppa before we do a full run of the song. Last week it was Teardrop by Massive Attack.

Dunno what’s on the menu for this Thursday. Whatever the lovely Isabelle and Dan plus musical guests whip up under the direction of Alice and the song selection cadre, it’s always (wow, I am using one of my swear words!) it’s always been fab in my eight-ish months of mucking in with the BOMs (mix of basses and tenors, and yes, we have one or three of the singeresses join us if that’s in their range).

Click on the link, don’t let fear hold you back, all are welcome. Web page sets it all out beautifully – drop them an email with any specific questions.

Now. What did I come in here for? It’s nine fifteen ay ehm on Monday 1 June 2026 – hallo winter! Sixteen degrees outside, up to a top of twenty one around two pee ehm, winds west to south west at five kilometres an hour, humidity six tee puh scentt, barrow metric pressure is one thou’s end and six ten hector pascals and falling so it’s looking pretty settled for a while. Great day for hanging out the washing and going for a nice walk. Very low pollen count here on Turrbal Country so hay fever sufferers, fear not and breathe easy.

I’ve got one more song for you before I get out of the studio and make way for Gwenevieve Wheelbarrow to come in and take you through to midday with her Klezmer Hits Of The Balkans, Ukraine, and Sunshine Coast – I can see her now itching to get into the chair and spin in some mad arse hammered dulcimer from Latvia, Donesk Region, and Mooloolaba.

This song is a dedication to one of my old muckers from business groups and now friendship. She’s one of about three friends who has been there in 3D as we catch up for a feed, a coffee, and chats about life, the universe, and everything. Lee Corrigan, thanks for sharing with me your musical preferences. Here’s a return serve with one of mine. From the amazing live video concert collection: Mylo Xyloto – Cold Play Live 2012, this is Will Champion’s song featuring Chris, Guy, and Jonny.

Lee, old mate: it’s us against the world.

I’ll catch you next time on Overheard Radio 99.36. Bill Quinn signing off and I’ll see you when I’m looking at you.

Bye for now.

DISCLAIMER: Yes, much like many things in my life, this post needs a bloody good edit. I’ll fix it in post. I’m late for breakfast.*

Valé Frank Hodges, late of Bicton, Radio Fremantle, and York Minster

This article appeared in edition 167 of Trad & Now magazine in December 2024.

It’s Stupid O’Clock on a Tuesday morning, a little after 3am, and I’m doing what I’ve done all my life when I need to process things beyond my ken and Barbie: writing it all down.

48 hours ago, my friend Frank Hodges died.

I was in the same city as him: Boorloo (Perth) at the time, but not permitted to see him nor even be given details of his condition by the staff in the palliative care unit of the hospital where only several weeks earlier I’d spent precious hours with him: Hollywood Private Hospital in Nedlands. A slightly weird-arse hospital, but that’s another story for another time.

The nurses on the Old MacDonald Had A Farm ward are aces.

Back in early October, I had just arrived in to Tarntanya (Adelaide) one Monday night after three weeks on the road to the east coast and back when I contacted Frank to see if he was on the radio that night: 107.9FM Radio Fremantle, in the spot where our media lives intersected for seven months on his show, Folking Around.

He was not, and over the space of the next hour of frantic phone calls and texts to several contacts, I got through to Frank and he told me he had five weeks to live.

In my first weeks in Walyalup (Fremantle, June 2022) I’d bowled up to the studio in Hamilton Hill, WA and offered my on-air services. I was keen to move away from folk in to more secular programming, but the station needed someone to operate the panel for Frank’s established folk show on Mondays at 9-11pm.

I was initially reluctant but agreed, and on Monday 13 June 2023 I met Frank.

4ft not a lot tall, he’d blow away in a stiff breeze, and I’m guessing he never ventured out much onto the Yorkshire moors or he would have caught an easterly wind into the Irish Sea ad never made it to Australia all those years ago. Or conversely, he could have saved his 10 pound fare, grabbed a parasol, Mary Poppins-styles, and aimed south towards the Roaring 40s.

On that first night, Frank offered me a lift back to where I was living in Melville and that started a seven month arrangement: I’d stand out on Williams Street, glancing nervously at my watch, wondering if we were going to make it in time to get to the studio in Hamilton Hill, and take the on-air baton from Alan Dawson and his now 37 or 38 years running Twilight Zone radio show highlighting local WA music (of which there is an embarrassment of riches).

You’ll never never know if you never never go, people. Western Australian local music is the duck’s nuts, the dog’s bollocks, and the bee’s knees. It’s stunning.

In my first year, I got late to the WAM Music Song Of The Year awards at Freo.Social and stood right up the back, tucked away in the corner in the only spot left, jammed up against the bar. The talent on-stage and the attention and fervour of the crowd was inspiring. You could have plugged a 240 volt cable into my earholes and lit up a small city with the energy I was taking in from that night. And I was there late.

Meanwhile, back on on-air Monday nights, a friendship developed. An ex of mine who worked as a counsellor to asylum seekers once clued me in on the value of driving with others. You don’t *have* to make eye contact, your voices and ears do the heavy lifting, and you’re both going in the same direction.

From Melville down Williams Street, up Marmion, past Woolies, turn left onto Cannington Road, all the way to Rockingham Road, turn left and turn right at the studio. Race up the stairs in time to do the football tips on air with Alan.

I treasured those rides so much because the real Frank came out as he’d light-heartedly mumble and grumble about the others on the road. Never mind the fact I often had to remind him to turn his lights on or turn his indicator off, he’d have a running patter on who was on the roads and all their ills.

It was on trip two or three that the five-star swear word tumbled out his wee mouth and I thought, right. Ok. A) Do you kiss your wife with that mouth? (Just jokes; I roll out the sailor-blushing blue words when needed.) and B) Now we’re getting to know the real Frank: plain speakin’, irreverent, and funny as [duck].

I ended up staying in Boorloo/ Walyalup (Perth/Fremantle) only 14.5 months, and I can honestly say I really only made one friend in that time. Sure, I met scores of people and went out often – up to five nights a week with various groups. But that was all superficial, and there was only one constant in my life: Frank Hodges.

Typical of many septuagenarians I’ve been privileged to know: they keep the live, original music scene going because they vote with their feet, their bum on a seat, and are keen to share their disposable income with independent artists.

We saw all sorts in that time. We went to two Albany International Folk and Shanty Festivals, one Nannup, and countless gigs north and south of the Swan. I never needed a gig guide: Frank kept me updated via phone and text and email multiple times during the week. He’d collect details of what was happening, and sometimes the first 20 minutes of our two hour show would be him, slowly reading out what I rebadged the ‘parish notices’ of who was playing where in the cities and the south west of the state.

I initially thought it went on a bit long but soon realised people loved it, whether it was to get the information or just to hear Frank’s mesmeric verging on somnambulistic voice in that gentle Yorkshire-Australian lilt. You can catch his last programs at www.radiofremantle.com.au/shows/folking-around while they’re still there.

Sadly, all our shows we did have now fallen off the publicly available rota. Those shows live in the mind’s eye and ear.

We had guests, we had live music, we bantered and carried on like a father and son – and called each other as such on air. At first it was genuine irritation at his scatter-brained habit of cutting across whatever I was saying with some random thought. Soon enough it became endlessly endearing and you might have been forgiven for thinking it was rehearsed like some radio version of The Last Of The Summer Wine.

My weeks and weekends were full of gigs and going out and going to festivals, but Monday nights were radio nights, and I treasure those half a dozen plus one short months dearly. I never once thought, oh stuff it; I’ll play hookey and give it a miss. I had to occasionally duck out with respiratory problems, and knowing Frank was ill and receiving ongoing treatment for his conditions, I didn’t play fast and loose with any viral germs I might have been harbouring.

Once I was struck down by a mystery men’s waterworks condition so savage I feared it was going to take me off the planet, and had to listen from my bed through gritted teeth with tears of pain streaming down my face as Frank (and Alan as stand-in) interviewed a constant in our musical time together: The Original Foc’s’le Firkins. We went to see their album launch in 2023, and I snuck in for the last song at their last gig only last month. Frank had broken himself out of Hollywood Private Hospital that evening just to be there.

It was the Firkins’ last gig and may have been Frank’s last gig too.

After I found out Frank was dying that fateful Monday night in early October, I immediately made plans to get to the west. I would have jumped on the first plane out of Tarntanya, but it was school holidays and a massive storm was ripping across the country from Albany to Malacoota. I waited it out then lassoed a relocation vehicle (a Renault motorhome) and set off up to Port Augusta via Port Germain, into Ceduna, across the Nullarbor, the Great Australian Bight, the Goldfields, the agricultural belt and slammed almost literally into Welshpool, taxi to Walyalup.

Seems like a long way there, but there’s something calming (for me) about hundreds of kilometres of open road matched with the novelty of crossing the open plains of the Nullarbor and further. Despite the four days’ drive I counter-intuitively arrived in the west rested and refreshed, and by and by I caught up four times with Frank in two weeks.

It wasn’t quantity but it sure was quality.

I will take to my own grave the memories of sitting by his hospital bed, watching two episodes of Would I Lie To You? which he’d never seen before, and then Akmal Saleh’s stand-up comedy show.

And hearing sounds of genuine laughter come from the man such as I’d never heard before.

He could chuckle at my or his own jokes, but to hear him in gaels of laughter at the comic inventions of Britain’s and Egypt’s finest minds was like warm treacle or golden syrup for the ears.

I would not trade those memories for all the tea in Tallahassee.

About two weeks before he died, I headed back across the continent, this time in a brand new Audi Q2 that the car company needed relocating to the west, and had a similar only very different trip. At some point on the Nullarbor, the contact with Frank dried up like the desert scrub. The calls and replies became as sparse and hard to find as open roadhouses off the highway.

And when I arrived in Perth on Wednesday 13 November 2024, noone was returning my calls. I finally called the hospital, but in his last days, they’d gone from chatty and obliging to, “If you’re not family, I can’t tell you anything except that he’s here”.

I hung up that last time in floods of tears, and in the very early hours of Monday morning 18 November in Adelaide, I awoke to the news via text that Frank had died 25 hours previously while I’d been sitting in a hotel room in Mundaring WA watching the UEFA Nations League and World Cup Qualifiers from Europe.

I really wish Frank’s Leeds United had gone that extra inch and made it back in the Premier League this season. They managed to do so in season 2024-2025.

Frank was a true friend to me in Perth. Maybe my one true Perth friend.

He was care, concern, a phone call when he hadn’t heard from me, an invitation most weeks to events new and old. He was fun, funny, had a turn of phrase that would charm the socks of a centipede or blast the clogs off a Dutchman. He could work blue and, like Billy Connolly, he was a joy to watch in full flight.

I’ll miss my friend but I feel truly privileged to have intersected with his life for the time I did. I’ve made eight trips back to WA this year, partly for singing and music, but in equal measure for Frank.

Rest easy, dear man.

I’ll see you when I’m looking at you.


Bill Quinn
Hyde Park, South Australia
04:17h Tuesday 19 November 2024 ACDT (followed by the usual several hundred edits)

The Human Highway Celebrates 50 Years Of Neil Young’s ‘Harvest’

This article also appeared in Trad And Now magazine, issue no. 153, December 2022

2022 has been a big year for fans of Canadian folk-rocker Neil Young.

(Arguably it’s been a big year for Neil himself, but he wasn’t available for comment prior to press time.)

It’s been 50 years since Young’s seminal album ‘Harvest’ was released in February 1972. (The column author was in first grade at Rosary Demonstration School at the time and was sadly oblivious to this moment in musical history.) ‘Harvest’ was the best-selling album of 1972 in the USA and has remained Neil Young’s best-selling album to date.

‘Harvest’ was remastered and re-released on 2 December 2022, and not surprisingly in this digital, multi-platform age, it comes with a host of extras. The reissue comes in either vinyl or CD box set form, with both including two DVDs. Young’s much-bootlegged ‘BBC In Concert’ is included on CD and vinyl in the respective packages, and three ‘Harvest’ outtakes are also made available in physical form for the first time – on a third CD or a 7-inch record in the vinyl set.

And early December 2022 saw the debut limited release of the 1971 film ‘Harvest Time‘, a documentary covering the ‘Harvest Barn’ sessions at Young’s northern California farm, his performance with the London Symphony Orchestra in London, and in Nashville there are scenes of Young working on various album tracks.

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Albany International Folk’n Shanty Festival 2022

This article also appeared in edition 152 of Trad And Now magazine in November 2022.

Having not ventured from Perth/Fremantle since landing in Western Australia in April 2022, it was great to zip off for two weeks in a rented campervan to see the great south west, mostly to take in the 2022 Albany International Folk ‘N Shanty Festival. Heading off towards a weekend of music, song, and good people is hard to beat.

It was my first time driving in Western Australia and proved quite the revelation. WA for me conjures up images of stark rocky ranges, miles of pindan dust, and a harsh, dry climate. But Freo to Albany and return via Denmark, Nannup, and Margaret River has the look and feel of south east NSW or Victoria. Dairy cow, vineyard, and tall tree country.

Albany is quite stunning. Turning up early and staying late was wise. A boat across Oyster Harbour and up Kalgan River, a morning zip around King George Sound on a whale-spotting boat, a spin out to the wind farm, and wanderings around the tops of Mounts Melville and Clarence (Corndarup) – all recommended diversions. Bring a jumper.

Add in a trip to a local brewery and the giniversity and that was a pretty full first visit. Now add 2.5 days of a shanty festival and stir liberally.

Albany Town Hall
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Folk On The Road – Endless Sky: A Personal, Musical Love Letter To Mparntwe

Alice Springs - First visit in March-April 2021
Anzac Hill at Alice Springs. From the author’s first visit in March-April 2021. Before I knew the word ‘Mparntwe’, definitely before I knew how to pronounce it. Thanks, Xavia for the video instruction during Endless Sky, recorded by 8CCC Community Radio et al on 21 August 2021 at Araluen Arts Centre, Mparntwe, transmitted on 13 September 2021 – see article for link.

This article also appeared in an edited format in the October 2021 edition no. 144 of Trad & Now magazine – available in good newsagents and some sketchy ones too. Or by subscription at www.tradandnow.com.

This article was principally written on the lands of the Central Arrernte people in Mparntwe (Alice Springs). I’m creating this online version on the lands of Western Arrernte people and doing the most recent of many edits in Walyalup (Fremantle) on the lands of the Whadjuk people. I pay respect to the traditional custodians of these lands: past, present, emerging, and those to come. The author of this rambling tome was born on Ngunnawal land.

Endless Sky – A Personal, Musical Love Letter to Mparntwe

by Bill Quinn

Darwin Festival 2021 went ahead from Thursday 4 to Sunday 22 August 2021, and as the song says, it was against all odds.

Well, not all odds, but many.

In these pages [of Trad & Now magazine] we’ve discussed the challenges (and strangely the opportunities) that Covid19 or corona virus or SARS2 has presented to the worlds of music, arts, entertainment, and hospitality.

For now, I have to tip all of my hats in the direction of Harbour View Plaza in McMinn Street, Darwin and say the sincerest and deepest of thanks to everyone at Darwin Festival who made DF21 happen. That it happened at all is remarkable. That it blossomed forth in such sparkling, memorable fashion is an incredible accomplishment.

If you were attending the festival from out of town, or were new to the festival, it may have appeared a seamlessly professional and comprehensive series of so many events covering all the aspects of the yarts imaginable. Apart from three days off for Darwin’s Lockdown Light III (17-19 August 2021), the show went on, and every spot on the program that I can recall was filled with sparkling talent.

Yeah, sadly many southern artists could not make it to the Top End to join in the joy and fun. That was a shame.

Festival CEO James Gough and Artistic Director Felix Preval, and the scores of production, box office, talent-wrangling, stallholder-herding, sales, corporate liaison, sponsor-schmoozers, and volunteer coordinator Mathilde Mercadier – all of them ducked, weaved, bobbed, re-organised, rescheduled, reordered, and (strike me down, I’m going to use the P word) yes, they pivoted. (There goes a dollar in the buzzword jar.)

Together they created an amazing event, a jewel in a groaning, heaving, bloated, glorious calendar of Darwin and Top End events.

Darwin Festival 2021. Image by Bill Quinn.
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Barry Skipsey – Singer, Songwriter, Photographer

Image courtesy of Barry Skipsey

Overheard On The Road
Observations, interviews, and stories from the backroads, main roads, and city streets of Terra Australis and the world
– This article appeared in Trad & Now magazine in early 2021.

Barry Skipsey – Photographer, Singer-songwriter, Northern Territorian
by Bill Quinn with Madison Collier

In June 2021, the Central Australian Folk Society (CAFS) and Top End Folk Club (TEFC) held their slightly delayed 50th Top Half Folk Festival at Mary River, NT.

You can read all about it in Trad & Now edition 143, September 2021. Mentioned in dispatches is Barry Skipsey, a man of many talents, with a story to tell that’s in many ways a common tale: come to Australia’s Northern Territory for a few weeks; stay for decades.

But in the most important way, it’s unique to Barry Skipsey.

A man who just yesterday (as I type in late 2021) appeared on stage in Alice Springs with no less than Scotty Balfour, Ross Muir, and David Evans in the ‘Living Histories’ show: stories and songs from the legendary band Bloodwood, plus their solo adventures outside the band.

On a Sunday afternoon in June, The Shavings had finished their singing workshop and the afternoon concert was kicking in, we had a chat with Barry, dressed in his territory rig and leaning against his territory rig. (First rig is a clothes reference, the second is a mighty automobile that ploughs the Stuart Highway and beyond).

Image courtesy of Barry Skipsey

Bill Quinn: Barry, you’ve been doing folk for about 145 years?

Barry Skipsey: (Laughs) Seems like it. I’m only 64 but yeah, we’ve all got aches and pains. I’ve got a couple of brand new knees in recent years.

BQ: But you’re not originally from the Northern Territory?

BS:  No, I was actually born on King Island. I’m a Tasmanian, technically.

I left there when I was about six years old. My father was over there building soldier settler homes. My brother and I were born there, and I left there when I was six. And I often say that we came to Australia. We came to Melbourne.

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Top Half Folk Festival Turns 50

Top Half Folk Festival celebrated its 50th in time-honoured tradition: with cake.

This article also appeared in Trad & Now magazine in August 2021.

Absence makes the heart grow fonder, and almost three hundred hearts were filled with music, song, poetry, and good cheer in June as the Top Half Folk Festival (THFF) returned – after a year on sick leave – to celebrate their milestone 50th annual event.

Covid19 had cancelled the festival in 2020, and conditions were still dicey in the lead-up (meaning some interstate visitors could not make the trek north). But it all kicked off in brilliant conditions and sublime surroundings at the Mary River Wilderness Retreat on the June long weekend.

While I’m not on commission for the venue, I highly recommend you add this little accommodation gem to your itinerary if you’re headed to the top end.

Situated just over 100kms east of Darwin along the Arnhem Highway, the cabins and sprawling campgrounds are tailor-made for a folk festival or a stopover. And the management have been generous and constant supporters of THFF since it moved to that locality in 2000.

Well, half of it moved there. Let’s go back a step.

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Daniel Champagne – Live In The Time Of Corona – Interview

Daniel Champagne playing at the Darwin Railway Club, Saturday 23 January 2021. Pic: Bill Quinn.

This article also appeared in Trad & Now magazine in mid 2021.

While the world is in various stages, tiers, and iterations of lockdown thanks to corona virus, Australia is one nation that’s managed to escape relatively lightly with restrictions.

That’s doubly or even more so for Darwin.

After what I’ve termed ‘Lockdown Lite’, hospitality venues were starting to open here again in May 2020, gigs were on again from June 2020, festivals with some restrictions were on in July 2020, and open air music festivals were live and kicking by the end of the year that dare not speak its name. (Even though I have. Others still call 2020 ‘Voldemort’.)

It’ll be a while yet before we see international touring acts flooding back to our shores, but nationally, musicians are starting to shake the mothballs and cobwebs off their touring paraphernalia, and live music is limping back to life.

A welcome returnee to the north, Daniel Champagne is a hometown boy from Brogo, New South Wales. Brogo for me was always a bit blink-and-miss-it on the map, and be careful to slow down quick because the highway takes a mighty dogleg off the end of the bridge, though Daniel is a font of information about this fascinating part of the far NSW coast. (That all came over a dinner of Darwin music-related people on a monsoonally wet top end night, and before the recorder went on. Ask him about it sometime.)

The last time I interviewed Daniel was in a radio studio roughly 4000kms away, and ten or so years and a half dozen lifetimes ago, so as the wet season rains poured down in Nightcliff NT, we sat at an outside table under the awning and got a more up to date state of play.

Daniel Champagne playing at the Darwin Railway Club, Saturday 23 January 2021. Pic: Bill Quinn.

Bill Quinn: Daniel, as a temporary resident I can say: Welcome to Darwin!

Daniel Champagne: Thank you. It’s good to be here.

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Providing Food During Pandemic – Interview with Peter Pilt (CEO, Foodbank NT)

Image courtesy of Foodbank NT

The Foodbank Hunger Report makes for sobering reading as we tuck into our smashed avo breakfast and second chai latte, or rip into a chicken parmigiana and included pint of tap beer. That bar bill you’re stumping up for could put food into the mouths of many starving Australians who might not have the luxury of three square meals a day.

If you’ll crave an indulgence, the author spent several years in the mid 2010s when $10 could and did provide enough groceries to keep going for three days. Necessity is the mother of invention, and you might be amazed at the creative ways some people are forced to employ just to provide themselves with the most essential sustenance to keep alive.

“Foodbank is Australia’s largest food relief organisation, operating on a scale that makes it crucial to the work of the front line charities who are feeding vulnerable Australians. Foodbank provides more than 70% of the food rescued for food relief organisations nation-wide.” – What We Do, Foodbank website, https://www.foodbank.org.au/hunger-in-australia/what-we-do/

In late June 2020, I met with Peter Pilt at the Berrimah warehouse of Foodbank NT to find out more about their operations with special interest in their work during the pandemic of Covid19. No further preamble is necessary. Peter is one of the most eloquent, passionate, and driven individuals I’ve had the pleasure to interview, and the audio needed no editing:

Peter Pilt, CEO of Foodbank NT talks about their operations

Bill Q: Good morning from beautiful Berrimah in the Northern Territory.

Now, for anybody who might be listening in around the country, it’s the start of winter in Australia, and I’ve got to tell you it’s currently 29 degrees and feels like 31 degrees. So if you’re suffering in the cold, hunched around the fire, so sad for you.

But anyway that’s enough of that. I’m speaking with Peter Pilt, and Peter runs the Foodbank NT out here at Berrimah.

G’day Peter.

Peter Pilt: Hey, how’re you doing? And hi to everyone listening.

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Folk On The Road: Jeremiah Johnson (Qld) Talks About Indie Music In The Time Of Pandemic

Image courtesy of Jeremiah Johnson

In late June 2020, Jeremiah Johnson and I tried to do what I term a ‘guerrilla interview’: an off-the-cuff chat, no interminable plans to talk at some point in the future which may get moved up to 36 times, just a wham-bam, thank you, man for the good talk.

We got snookered twice. The first time by a dodgy connection from Coconut Grove, NT (me) and somewhere near Mareeba, Qld (Jeremiah), and we gave up after two or three minutes.

The second time worked a charm a few days later, this time from Bellamack, NT (me) and Cairns, Qld (Jeremiah). Most of that went out as a live Facebook video which you can view now at www.facebook.com/OverheardProductions, but you’ll have to scroll down or use the search function, or just click on the hyperlink earlier on this sentence. I’m all over WordPress like a cheap suit. Not so much. :-/

The process of getting the interview onto the website – www.OverheardProductions.com – took a little longer. Let’s just leave the ‘guerrilla’ title for Facebook and call this version: Jeremiah Johnson Talks About Indie Music In The Time Of Pandemic. Fun Fact: I just went to Facebook to check the actual broadcast date, and Facebook helpfully reports it was: ‘About two weeks ago’. Great.

Bill Quinn: It is Wednesday the 20-somethingth of June. It doesn’t really matter that much since it will be in the text.

I’m speaking with Jeremiah Johnson in Cairns. G’day Jeremiah.

Jeremiah Johnson: G’day Bill, how’re you going?

BQ: Very good. Now despite pandemic, you’ve been a fairly busy boy lately. Tell us about that.

JJ: Well, I’ve just been consolidating probably about 40 songs in the music catalogue, trying to navigate the rest of the year as far as bookings go, and I have just taken a booking for my first live show in Cairns on the 24th of July, so that’s very exciting.

BQ: That is exciting.

Up here in Darwin, we’re a little bit spoilt because gigs have been back on for a little while. We try not to chuck it in other people’s faces. But what’s it been like there in Cairns? How have people been feeling about not having live gigs, both as performers and also the punters?

JJ: I can only speak from my point of view and that is that it’s been a really weird feeling to not be able to pursue your work and to not play music in front of people.

I mean, that’s what we like to do the most, so as far as the rest of the community is concerned, I’m not sure but I know that people love live music, they love getting out with their friends, and I’m sure that would be difficult, yeah.

Image courtesy of Jeremiah Johnson
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