From The Vault: The Woodford Files 2014-2015 – John Smith (UK), January 2015

john-smith
Image courtesy of John Smith

Originally posted on Timber and Steel blog: https://timberandsteel.wordpress.com/2015/01/02/the-woodford-files-john-smith-uk/

John Smith is performing at Woodford Folk Festival, and at the time of writing has just finished his last show at The Duck.

While that’s bad news for anyone on site who missed his gigs, or for anyone who got along and just wants to see more, the good news for John is that he can now find a shady tree and try to keep cool for the rest of the festival.

“This weather is too hot for my blood!” he observed to the lunchtime crowd of Duck Eggs, as he referred to them, in a friendly way.

While pumping up the nachos at The Chef’s Table and their other gastronomical delights.

Bill Quinn was phonetically challenged….

I’m sorry, I’ll read that again.

Bill Quinn was challenged in terms of phone access which left John with some extra time to enjoy the shade of the Coopers Bar, but they eventually caught up for a chat:

*** Audio file will be deleted by end of March 2020 ***

*** Audio file will be deleted by end of March 2020 ***

JS1
Image courtesy of John Smith

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From The Vault: Interview with Myf Warhurst, Spicks and Specktacular, December 2011

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In eight days’ time (Sunday 30 October 2016), Overheard Productions is closing its doors OR it might be transitioning into something similar only different.

Yeah, I’d put money on the latter!

Hold on. 30/10/2016 = 13 = 4 = death. Strangely appropriate in one way, but a bit final given my plans! Meh, that numbers game is like a horoscope to me. Interesting for shizs and giggles, but not to be taken overly serious.

[Just look over there while I throw some salt over my left shoulder and turn around three times.]

Over the next eight days, I’m going to (as time permits) resurrect some old interviews and sound files. I’m paying these days for unlimited Soundcloud space, so I might as well make use of it.

This is one that I strangely never attached to a WordPress document, which is very weird since it’s one of my favourites with one of my all-time favourite on air/screen people.

When the Spicks and Specks offered me a choice of Alan Brough or Myf to interview, I did think that Alan would be a fascinating man to speak with given his encyclopaedic knowledge of music and his brilliantly dry and funny wit.

But dude. Myf Warhurst. MYF WARHURST!!!

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I was like a cat on a hot tin roof, though not as alley cat-like as my daughter figured (as mentioned in the interview).

Enjoy.

Myf is currently presenting the lunch show (11am to 2pm ADST) on Double J radio (digital radio, online and Channel 200 on Free To Air television). Though at the time of writing (Saturday 22 October 2016), I believe she may still be overseas and the chair is being skillfully warmed by the aforementioned Alan Brough.

No, that must have been a pack of lies, as my late mother would say. Looks like she’s back!

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Karen Green Artist (Canberra) talks about art, social justice, and Grey Woman Matters, October 2016

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Grey Matters Woman exhibition, 2014. Image reprinted by kind permission of Karen Green.

Audio of interview with Karen Green Artist also of Grey Matters Woman.

Karen Green talks with Bill Quinn of Overheard Productions about art, entering the Archibald Prize 2016, and expressing her passion for social justice through art and Twitter.

Karen Green first came to our attention via her art on display at the Tuggeranong Arts Centre.

Karen came into the studio with fellow artist Gosia Orzechowska one morning for a chat, and Overheard Productions has been interested in her works ever since.

*** Audio file will be removed by the end of March 2020 ***

*** Audio file will be removed by the end of March 2020 ***

In more recent times, Karen Green has been very active on Twitter, sharing thoughts, links and events about social justice. It was this interest that led to a chain of events that saw her enter a portrait of Kon Karapanagiotidis of the Melbourne-based Asylum Seekers Resource Centre in the 2016 Archibald Prize.

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Kon Karapanagiotidis by Karen Green.
Entry in 2016 Archibald Prize. Image courtesy of Karen Green. Continue reading

Harry Manx – 2016 Australian Tour

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Image courtesy of Harry Manx

To tell the story of Harry Manx would take several lifetimes, and hopefully a progression of life-form hierarchies over those lives to tell the story, because the story is so mesmerising and complex that we would not be very present and in the moment of most of those lives, and that could put the telling of the tale at risk as we would not be making gradual and continuous improvement as…

Moving on…

Harry Manx performs at the 2012 National Folk Festival
Harry Manx performs at the 2012 National Folk Festival

Harry Manx has already begun his 2016 Australian tour which will take him from Sydney down to Victoria (where he is on stage tonight, Friday 23 September in Frankston) then around to Queensland, South Australia, Perth and up to Broome and Darwin, ending in the beautiful, lovely, gorgeous, I-may-be-a-little-hereditarily-biased New South Wales locales of Katoomba.

Ah, Katoomba. If there’s a more intimate, special venue than Clarendon Guest House, I want it stuffed, mounted, and hung above my fireplace – or I at least want an invite to your venue if it can go close to kicking the Clarendon into a cocked hat. Or any poultry millinery for that matter.

And finally wrapping it all up at Club Saffire in Merimbula.

So it’s a very eclectic path Harry treads, and look, I’d draw you a picture if I had a free hand, but imagine a much-twisted paper clip that’s been sitting on your desk all day on a slow Friday when you’ve been watching the clock since 9:36am – now you’re in the ballpark.

OR picture a moose that somehow wandered into your yard, found your sippin’ liquor in the shed, and is now making a bedraggled, loquacious, and somewhat winding stagger back to the forest by a circuitous route, two-thirds of it sideways.

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Interview with Matt Barker Radio: Podcasts and Digital Radio, September 2016

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Image courtesy of Matt Barker Radio

Matt Barker hails from Southend in Essex UK, which is a shame since most of the taxis won’t go further than Basildon.

(That gag was an entry in the Morris Men-tal Institute Joke Competition of August 1936 and told repeatedly until a cease and desist order from the Greater London Department of Public Transport and Sun Beds in February 1937.)

Where were we? Talking about Matt Barker and his two fabulous radio shows.

The Matt Barker Radio Show is two hours of finely-organised chaos, going out to the world on Fridays at 6pm UK time, available on podcast from Mixcloud.

While the Deuce Radio Show is a tight little package (careful!) of the best new independent music to tumble onto Matt’s desk.

In this interview, Matt talks with Bill Quinn of Overheard Productions about the mechanics and motivations behind these shows, plus his future plans for well-funded world domination.

*** Audio file will be removed by the end of March 2020 ***

*** Audio file will be removed by the end of March 2020 ***

Deuce Radio Show. Image courtesy of Matt Barker.
Deuce Radio Show. Image courtesy of Matt Barker.

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Interview: Yeshe Reiners — 505, Surry Hills (Sydney), Wed 17 December 2014

Image courtesy of Yeshe Reiners
Image courtesy of Yeshe Reiners

Yeshe Reiners makes Byron Bay his home, but he tours extensively from NSW to Europe, the North Americas, and back again.

Yeshe is immersed in the rhythms, culture and instruments of Africa, and in a raw interview using a couple of cans and a piece of hemp string stretched from Liverpool to the far north coast of NSW, Yeshe explained a bit about what’s going in his musical world, and what Sydney audiences can expect on Wednesday 17 December at 505 in Surry Hills.

Presented by ihearmusic.com

For Facebookers, the event is here: https://www.facebook.com/events/1517429601848385/

*** Audio file will be removed at the end of February 2020 ***

YR1
Image courtesy of Yeshe Reiners

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Interview: Van Larkins (Queensland)

Image courtesy of Owen Van Larkins
Image courtesy of Owen Van Larkins

Interview with (Owen) Van Larkins

Progressive Acoustic Fusion — Finger-style Guitar

On one of those nights earlier this year where I could have pulled up stumps in Blackheath, Balmain or Bollongong, I opted for the middle option on a warm evening at a programmed open mic night (for want of a cleaner turn of phrase), one of many put on each week under the label ‘Songs On Stage‘.

It was an eclectic mix of local performers at The Cat and Fiddle that night but the gig was also host to a visiting performer: Owen Van Larkins (who puts his music out as Van Larkins).

Owen and I took a few minutes to catch up talk about music, touring and venues, and I apologise now for the charming backdrop of traffic on Darling Street, Balmain:

Title track from Wandering Hands by Van Larkins: