Darwin Muso Series: Alice Cotton, September 2019

Darwin Muso Series is a string of an indeterminate number of mini to medium to mega interviews with Darwin-based musicians and performing artists. Starting in September 2019, and we’ll see how many we can cover over the next weeks/months/years.

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Image courtesy of Alice Cotton

Alice Cotton

The Darwin Railway Club played host to the Darwin regional final of the Passport To Airlie competition in mid-September 2019.

Airlie Beach Festival of Music is held in November, however, in the lead-up, the organisers stage what is arguably* Australia’s biggest battle of the bands competition.

* You’d be doing very well to beat 12-13 major locations across half the continent.

Alice Cotton is an emerging artist who has returned to Darwin to ply her musical trade(s). Alice has a unique twist on folk-country music with original songs steeped in warmth and humour. Her songs draw influence from old-time American music, with a nod to growing up in humid climes amongst a tight-knit community in the Northern Territory. Alice is recording her first EP in late 2019.

Bill Quinn: What’s the Alice Cotton story? With music!

Alice Cotton: I was actually studying classical music; I used to play classical flute, but I just found it a bit of an elitist culture.

And then I really got into music therapy. It was through that I started song-writing and doing my own stuff.

I found it gave me more space to be more creative and do what I wanted to do and do gigs more easily.

BQ: Is that your ‘rent gig’? Do you do music therapy during the day?

AC: Yeah.

BQ: That seems to be a bit of a theme!

AC: Yeah, Crystal [Robins] as well! We actually studied together through University of Melbourne [Alice in Melbourne, Crystal in Sydney].

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Image courtesy of Alice Cotton

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Darwin Muso Series: Ben Evolent, September 2019

Darwin Muso Series is a string of an indeterminate number of mini to medium to mega interviews with Darwin-based musicians and performing artists. Starting in September 2019, and we’ll see how many we can cover over the next weeks/months/years.

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Image courtesy of Ben Evolent Music

Ben Evolent

The Darwin Railway Club played host to the Darwin regional final of the Passport To Airlie competition in mid-September 2019.

Airlie Beach Festival of Music is held in November, however, in the lead-up, the organisers stage what is arguably* Australia’s biggest battle of the bands competition.

* If you can find a bigger one, I want it stuffed and mounted on display at ARIA or APRA headquarters, please.

Opening the batting for muso chats on the night (and for this series of interviews) was Josh Tarca of Ben Evolent.

(Just a quick Overheard At Passport To Airlie from my notes here. My mate leaned over as the third act came on and said, “I think the announcer said this band is from the Netherlands”.

Me: “No, the band’s name is ‘Ben Evolent’!)

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Ben Evolent performing in Passport To Airlie – Darwin at Darwin Railway Club

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Passport To Airlie – 2019 Darwin Heat (Darwin Railway Club)

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Image courtesy of Airlie Beach Festival of Music

Passport To Airlie – Darwin Heat (Darwin Railway Club)
Friday 13 September 2019, Darwin Railway Club

The Darwin Railway Club played host to the Darwin regional final of the Passport To Airlie competition in mid-September 2019.

Airlie Beach Festival of Music is held in November, however, in the lead-up, the organisers stage what is arguably Australia’s biggest battle of the bands competition.

And you’d have to argue very convincingly to beat this: regional finals in (take a deep breath): Darwin, Cairns, Townsville, Mackay, Sunshine Coast, Brisbane, Gold Coast, Nimbin, Newcastle, Sydney, Illawarra, Melbourne and Adelaide.

It’s huge.

And budding musos are all vying for the chance to participate in the final at Airlie Beach in November.

As well as the performance opportunity in 2019, the overall winner gets to return to play the main stage the following year, receiving four nights’ accommodation, VIP main tent passes, a $1000 performance fee, and a spot on Music View TV (Cairns).

If you’re a regional muso aiming to get your music to a wider audience, it’s well worth a shot.

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Mensch, Monique in Australia, 2019

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Image courtesy of Mensch, Monique!

Folk On The Road

Mensch Monique!: Interview at Cobargo Folk Festival

Mensch, Monique! were in Australia earlier in 2019, playing gigs, house concerts and festivals. I caught up with Jule and Georg at Cobargo Folk Festival to find out how musical and family life had been treating them since the days of The Beez.

We spoke under a blazing sun, with welcome shade from the café marquee, perched
precariously on milk crates, sipping on ginger and lemongrass over cubed
ice (just brilliant on a baking hot day).

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Cobargo Folk Festival 2019

Bill Quinn: How long has Mensch, Monique! been going? What are you doing? How is it going?

Jule Schroder: Well, actually, Georg and me, we have been playing since 2007.

BQ: And how about music?

JS: Exactly! Playing music! (And we’ve been playing together longer than that!) But I was in a band called ‘The Beez’; for such a long time.

BQ: The Beez? Can you spell that? I’m not familiar with this band.

[If you can’t pick up the irony in that sentence, go to https://overheardproductions.com/?s=The+beez where you can read just one or two articles about this band by the authour over the past decade.]

JS: Tee Hahr Eeh Bee Double Eeh Zsedh. We were one Australian, one American, and two Germans.

BQ: And one of the Deutshes is now Australierin!

JS: That’s right. Deta got married to Rob a long time ago and now she’s got her spouse visa.

So, anyway, I was playing with The Beez, being busy. And there was just no point [after the birth of first child]. We couldn’t play gigs. Or we could, but it was just too hard.

So when I left The Beez in 2014, we said, “Let’s write some songs together”. And why not in German? And that’s what we did!

And it just takes a long time. You know, we’ve got two kids now. But we do it in our own tempo. Our own speed, you know? And we love it!

BQ: That’s very interesting that you do your songs in German, with English being the lingua franca for the world, the language that the majority of the planet understands. Tell me about when you perform in Germany. Is it 100% in German? Or do you mix it up a bit?

JS: We mix it up, but it’s really interesting because I talk to a lot of musician friends from Germany, and we came to the… schluss? … conclusion that we just HAVE to write songs in German because it’s our language.

It just doesn’t make sense that we only write songs in English, because that’s not our language.

And it’s a bit hard to sing in German, I must say. And what is really interesting for me is, because I write most of the melodies, I don’t think in German when I write the melodies. I can’t do that. It’s really interesting.

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Bush Gothic – Looking Forward To A Festival In The Past, May 2018

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Image courtesy of Bush Gothic

Back in early February 2018, I interviewed Jenny Thomas from Melbourne-based folk band Bush Gothic, at a time when both of us were looking forward to attending the National Folk Festival in Canberra at Easter.

One of us got there. It wasn’t me.

It was to have been my first National since 2013, a year when I barely felt like I was there. Some nights I was tucked up in the tent by 10.30pm. It happens sometimes.

But of course, your worst day at a festival beats your best day doing many other things, so…

Events transpired that at the 2018 festival, instead of running around with various recording devices, filing copy for a small coterie of publications, I was roughly 400kms north on Lake Macquarie, providing various gardening and handyman services for a friend.

If you want to give your (or any) god a good laugh, make some plans!

Back to the subject at hand.

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Image courtesy of Bush Gothic

It’s been an absolute delight and pleasure to not only see Jenny Thomas and Jenny M. Thomas and Jenny Thomas and the System and the current incarnation of Bush Gothic perform, but also to interview Jenny several times, both here on the blog and also on radio in Canberra.

It’ll be great to see Bush Gothic perform again, down one of many dusty roads, but for now, here’s the interview we did in February. You’ll just have to put your headspace into some sort of cerebral TARDIS and pretend we are looking forward to another five or six days of magic at an upcoming National Folk Festival.

*** Sound file will be removed by the end of March 2020 ***

*** Sound file will be removed by the end of March 2020 ***

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Image courtesy of Bush Gothic

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Karen Green Artist (Canberra) talks about art, social justice, and Grey Woman Matters, October 2016

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Grey Matters Woman exhibition, 2014. Image reprinted by kind permission of Karen Green.

Audio of interview with Karen Green Artist also of Grey Matters Woman.

Karen Green talks with Bill Quinn of Overheard Productions about art, entering the Archibald Prize 2016, and expressing her passion for social justice through art and Twitter.

Karen Green first came to our attention via her art on display at the Tuggeranong Arts Centre.

Karen came into the studio with fellow artist Gosia Orzechowska one morning for a chat, and Overheard Productions has been interested in her works ever since.

*** Audio file will be removed by the end of March 2020 ***

*** Audio file will be removed by the end of March 2020 ***

In more recent times, Karen Green has been very active on Twitter, sharing thoughts, links and events about social justice. It was this interest that led to a chain of events that saw her enter a portrait of Kon Karapanagiotidis of the Melbourne-based Asylum Seekers Resource Centre in the 2016 Archibald Prize.

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Kon Karapanagiotidis by Karen Green.
Entry in 2016 Archibald Prize. Image courtesy of Karen Green. Continue reading

Harry Manx – 2016 Australian Tour

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Image courtesy of Harry Manx

To tell the story of Harry Manx would take several lifetimes, and hopefully a progression of life-form hierarchies over those lives to tell the story, because the story is so mesmerising and complex that we would not be very present and in the moment of most of those lives, and that could put the telling of the tale at risk as we would not be making gradual and continuous improvement as…

Moving on…

Harry Manx performs at the 2012 National Folk Festival
Harry Manx performs at the 2012 National Folk Festival

Harry Manx has already begun his 2016 Australian tour which will take him from Sydney down to Victoria (where he is on stage tonight, Friday 23 September in Frankston) then around to Queensland, South Australia, Perth and up to Broome and Darwin, ending in the beautiful, lovely, gorgeous, I-may-be-a-little-hereditarily-biased New South Wales locales of Katoomba.

Ah, Katoomba. If there’s a more intimate, special venue than Clarendon Guest House, I want it stuffed, mounted, and hung above my fireplace – or I at least want an invite to your venue if it can go close to kicking the Clarendon into a cocked hat. Or any poultry millinery for that matter.

And finally wrapping it all up at Club Saffire in Merimbula.

So it’s a very eclectic path Harry treads, and look, I’d draw you a picture if I had a free hand, but imagine a much-twisted paper clip that’s been sitting on your desk all day on a slow Friday when you’ve been watching the clock since 9:36am – now you’re in the ballpark.

OR picture a moose that somehow wandered into your yard, found your sippin’ liquor in the shed, and is now making a bedraggled, loquacious, and somewhat winding stagger back to the forest by a circuitous route, two-thirds of it sideways.

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