Darwin Muso Series is a string of an indeterminate number of mini to medium to mega interviews with Darwin-based musicians and performing artists. Starting in September 2019, and we’ll see how many we can cover over the next weeks/months/years.
You don’t have to go back too far ago to a time when Fun Machine were an energetic three-piece band making underground waves in Canberra’s lively, teeming independent music scene.
But in a couple of short years (as opposed to the long ones which sadly died out in the late 1800s), Fun Machine’s star has been rising, thanks in no small part to some solid support from the Canberra Musicians Club.
And the amazing advocacy provided by 666ABC (AM Radio) Canberra for all things Canberra indie, but specifically Fun Machine. I may be wrong, but I believe that breakfast announcer Ross Solly may want to adopt them all, which is no mean feat as over this time, the band has doubled in size.
At Canberra’s ‘One Very Big Day’ this week to celebrate the city’s centenary, Fun Machine played to a heaving, sweaty mess of young and old beautiful people, as the last of the fireworks fell away (some into the crowd, allegedly!) as they put a fairly massive stamp on their cross-genre and cross-market universal appeal.
Gigging around Canberra in various formats and bands, the members will rejoin as Fun Machine at this year’s National Folk Festival at EPIC in Canberra over the Easter Long Weekend.
If I were you, I’d…wonder whether those red pumps go with that skirt.
No, if I were giving you a serving suggestion for your Nash experience, I’d be taking a very brightly-coloured Spandex highlighter and putting a golden ring (eh you?) around Fun Machine in your programs.
On Tuesday last, as Canberra celebrated 100 years young with a mass of parties at the shops, I caught up with Bec Taylor and Chris Endrey from the band. Bec starts us off and that would be Chris you can hear crunching his way through the first of Canberra’s autumn leaves as we stood in salubrious surroundings outside the gents at O’Connor Shops. Bec and Chris had just done a stripped-back, rootsy, acoustic set under their duo moniker ‘Yes/No’.
At the Cobargo Folk Festival in February, Kim Churchill was the recipient of my vicarious joy at this news, and we spontaneously had a chat, leaning on someone’s trailer, outside a venue, out in the open — which was a bit of a mistake because as I now know: don’t try to do these things in a flukey, swirling breeze.
I’m sure you’ll cope. Muggins here did the best he could with the sound balance.
Kim’s remaining Australian dates:
Thursday 14 March — Beav’s Bar, Geelong (Vic)
Friday 15 March — Thornbury Theatre, Melbourne (Vic) Saturday 16 to Sunday 17 March — Blue Mountains Music Festival, Katoomba (NSW)
I’m one who normally shies away from imported phrases and clichés — until that phrase or word or even that cliché is the most appropriate and resonant to unpack whatever notion or feeling or thing (a technical term, beg pardon) you want to get out there.
Case in point: I arrived at the Illawarra Folk Festival roughly 20 hours before I’d planned, on Thursday night. And when I surfaced on Friday morning, with one eye open, one eye closed, and a third eye tied behind my back for safe-keeping, about half a dozen people then independently proceeded to tell me, and of their own volition bailed me up, tied me down, roped me off, and press-ganged me on board the good ship Dom Flemons.
“Maaaaaate, you gots to see him!”
When I did indeed see him, I kid you not: I was spell-bound.
I was not alone by a long chalk.
The Miners Camp venue was full to over-flowing x 2, and everyone was spell-bound for the duration. When even many young children around the age of four or five even stopped their fidgeting and drawing with crayons for a song or two — well, that’s a fairly good barometer of the appeal of a performer.
Before that performance, and the packed out stage at Slacky Flat Bar the next day, I took just a few minutes of Dom’s time, high above the dog track in the grandstand on Friday morning, to have a chat.
I present that interview: live, uncut and un-fiddled with. No editing or anything.
The typed out wordification will be along later this week.
If you are only roughly within a quarter turn of the earth’s orbit away from anywhere Dom is playing on this tour, just get there.