Welcome to Overheard Productions as it currently stands, and has stood, since 6 December 2003.
However, after 36 reboots, and reduxes, and not a little redacting, we’re now in a transition phase to splut up…
Splut up? Ok, I’ve been hanging around with a LOT of Kiwis lately.
We’re splitting into a number of reasonably well-defined entities, some of which will carry the red, white, and black livery that you currently se, others that will be similar in look and feel, and others that will be duck-diving under the surface, away from view, such that if you see them, you won’t recognise they come from the same stable.
We’ll be the Woolworths or Coles of the music/entertainment/arts and toilet-cleaning world! 😉
Stay tuned! We won’t try to put a timeframe on this changeover, as that usually ends in tears. As recently as last week.
But definitely… maybe… possibly…
Surely be to goodness, mercy and light by Saturday 21 July 2017. Say around 7pm-ish at the Yacht Club! 😉 Call it a present to ourselves…
Various gods willing, inshallah, the creeks don’t rise, and the crops don’t fail.
In more recent times, Karen Green has been very active on Twitter, sharing thoughts, links and events about social justice. It was this interest that led to a chain of events that saw her enter a portrait of Kon Karapanagiotidis of the Melbourne-based Asylum Seekers Resource Centre in the 2016 Archibald Prize.
Kon Karapanagiotidis by Karen Green. Entry in 2016 Archibald Prize. Reprinted with kind permission of Karen Green.Continue reading →
Adam is based in Cobar and is getting his fledgling art business off the ground. He creates the most amazing art and as you’ll hear, he uses a fairly unconventional ‘palette’ and ‘brushes’.
His scenes range from rural to Paris street-scapes to portraiture to musicians.
On a Friday about three weeks ago, I was having breakfast with a friend at Sprout Café in Dubbo. (Do yourself a massive favour, your taste-buds and wallet/purse/money-belt will thank you. If the accoutrements continue to talk with you, I suggest seeking professional assistance and possibly lay off the cinnamon.)
My position right at the back of the venue was not smart: all the sound of a happily busy breakfast crowd was washing over me like an uppity surf swell. I just about had my earphones into my ears to let The Clash take over the noise delivery contract when I heard the young barista talk with a man whose back was to me, and I heard these individual words: ‘my’ ‘art’ ‘shear’ ‘comb’.
My interest was more than piqued.
I put the earphones down, asked Joe, Mick, Topper and the other one…….Paul — to take five, and cautiously approached the speaker.
One hour and one pot of very good chai later, and all I wanted to do was to kill about another five pots of chai and talk through the day with Adam Maidens. But we had by this stage recorded this interview.
Currently on 99 likes; I’d like to see that well and truly smashed. You’ll have to listen to the interview to see what he draws/paints with. Something’s up because a few hours later and he’s on 108.
2. Mining. Also covered in the interview: the guy works in an office. 600m+ underground.
3. Farming background. Born on the land and you should hear the world and political perspective that has given him. Maybe not what you’re thinking. Or maybe so.
4. Critical communication. Oh lawdy lawdy lawdy. If ever there was a role model for how to critically assess mass media, Adam Maidens is your man. We covered all this after I switched off the recorder, but you should purchase one of his creations or have something commissioned by Adam, if only to discuss media ownership and media content production with him.
What a breath of fresh air.
Meeting Adam came at precisely the right time. Coming towards a fairly wild 12 days on the road and starting to think about future directions (geographical, career-wise and metaphorical) for meself, this meeting was made in heaven.
Thank you, Adam. Check out his art and eloquent speechificationing: