Thank You And G’day Pt 2.0 – My Latest Article for Trad & Now

For want of anything more meaningful in a meandering, blathery article, all photos in this web version will be from my various trips taken so far in 2024 from Brisbane to Perth, from Colonel Light Gardens to Mparntwe

This article also appeared in the April 2024 Edition No. 162 of Trad & Now magazine.

Greetings from Tarntanya on Kaurna Lands, home of the red kangaroo dreaming. I’m Bill Quinn, the artist formerly known as the author of A Punter’s Perspective and Folk On The Road.

I published my last Trad & Now article in February 2023, and I had intended it to be about crowds and noise.

I say ‘last’, but to quote the Billy Bragg song, “[It] should have been the [second] last, but [it] was just the latest.”

Here then is the start of that latest article. I’ve gone for a title using what we call in some brands of written English, parallel structures. It was called, Thank You And Goodnight Pt 1.5.

Although if you’re the type of person who has kept every copy of Trad & Now magazine, plus most issues of its predecessor, Tapestry, and they’re sitting in the top cupboard in the spare room, or shoved under the bed where your first wain Gwenevieve slept from ages two to 22 before she graduated from Kikatinalong University and then moved to Wealabarrabac for post grad (and also that internship with the medical research group) – take a deep breath; I’m puffin – then you can search out the February 2023 edition.

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A Punter’s Perspective 25 — “Thanks! You’ve been a wonderful audience. Goodnight!”

"You've been a great audience. Goodnight!"
“You’ve been a great audience. Goodnight!”

A Punter’s Perspective

Random observations on the wide, weird world of folk from the side of the stage

#25 “Thanks! You’ve been a wonderful audience. Goodnight!”
First published in Trad and Now magazine, April 2011

Late last year, I witnessed a reasonably unsavoury moment in crowd behaviour at a folk gig. Countrified folk. Folkified country.

No, the genre labelling wasn’t the unsavoury bit. It was the mix of ‘crowd there for music’ vs ‘crowd there for tipping several vats of beer and/or pre-mixed drinks down their throats before collapsing somewhere outside the venue’.

Which got me to thinking about the whole performer/crowd interaction cocktail (no pun intended), and how that affects a performer’s mojo on stage.

Myriad questions sprang to mind, and I planned to pose them to those best-equipped to answer them.

Months later, and with deadline looming, I threw a vague question to the four winds (ok, Facebook) one Sunday night and got a whole heap of responses. So I’ll can the investigative essay for now and just give you some responses, because they’re many, varied and some quite entertaining. Continue reading