Shark & Fox – But Which Is Which? The Answer May Be A 50/50 Proposition

Image courtesy of Shark & Fox Music

First thing to say about this gig tonight at The Ellington Jazz Club is that after my first visit to this established Perth musical institution, I just wanted to go around and shake every audient’s hand and thank them for being brilliant humans.

Then somehow bottle them and market them as the ideal audience for most every venue, festival, gig, house concert, happening I’ve been to in the last 20 years.

I’m not kidding and I’m not exaggerating. One song in and I had to re-focus on the music; I was fixated on what an attentive, respectful, beautiful crowd of people had gathered on a Wednesday night on Beaufort Street to attend a gig from something of the unknown: a meeting of two musical minds and prowesses (Jaron from Canada, Emily-Rose from Sydney) with the backline of the sublime and silky smooth percussive chops of Rose Callaghan from [insert where Rose is from when you find out].

Image courtesy of The Ellington Jazz Club

Without dwelling on my attendance too much, I’ll just say I was there against not all odds but some odds. On the last night of a seven-night swing over to the west coast from Adelaide, I’d spent three nights in Perth but most of my activities were in Fremantle, then four nights in Fremantle and I was trying as much as I could to curtail my meanderings to just Walyalup and the port city.

However, on Sunday night at the main reason for my jaunt across the Nullarbor, I’d seen Shark & Fox perform at the Fairbridge Festival Showcase at Fremantle Arts Centre, hastily put together by Kaleidescope Multicultural Arts Management. as at least some way of marking what should have been the 2024 Fairbridge Festival, sadly cancelled in the great collapse of festivals of the 2020s.

Forza Fairbridge 2025.

Gathering crowds for the Fairbridge Festival Showcase at Fremantle Arts Centre
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Chipping Away At A Catastrophic Backlog Meets Pete Stone From Walyalup Via City Of Melville

The embedded interview was played twice on air in December 2022 on 107.9 FM Radio Fremantle – The Sound Of Fremantle.

In about 15 minutes, I’ll find out if Pete Stone, Fremantle/Perth music legend and all-round good guy still work for the City Of Melville. I suspect not.

When we met in December 2022 at one of the fantastically popular City Of Melville Summer Music Series gigs in the glorious outdoors that, without looking, I’m guessing was Bull Creek, Pete was artistic and music director for the City Of Melville, but on my last visit there (all of a week ago), I saw a post on social media that suggested others now have this role.

Back then, I made ambitious claims about having an edited version of our chat and a transcription up on my website in days.

It’s 4.15pm on Friday 19 April 2024. And here we are.

Herewith the full, raw, unedited audio. I can’t swear there are no swear words. All from me if they’re there.

Have at it. I’ll get to the transcription a) in the fullness of time, or b) in May when I’m home for more than six days and hiring my latest PA.

Sorry for the ugly link, but WordPress is having connections, and the UN Help Ful page is in French. More soon.

Overheard Productions · Pete Stone – City of Melville Creative Producer.m4a

Overheard Productions · Pete Stone – City of Melville Creative Producer.m4a

Thank You And G’day Pt 2.0 – My Latest Article for Trad & Now

For want of anything more meaningful in a meandering, blathery article, all photos in this web version will be from my various trips taken so far in 2024 from Brisbane to Perth, from Colonel Light Gardens to Mparntwe

This article also appeared in the April 2024 Edition No. 162 of Trad & Now magazine.

Greetings from Tarntanya on Kaurna Lands, home of the red kangaroo dreaming. I’m Bill Quinn, the artist formerly known as the author of A Punter’s Perspective and Folk On The Road.

I published my last Trad & Now article in February 2023, and I had intended it to be about crowds and noise.

I say ‘last’, but to quote the Billy Bragg song, “[It] should have been the [second] last, but [it] was just the latest.”

Here then is the start of that latest article. I’ve gone for a title using what we call in some brands of written English, parallel structures. It was called, Thank You And Goodnight Pt 1.5.

Although if you’re the type of person who has kept every copy of Trad & Now magazine, plus most issues of its predecessor, Tapestry, and they’re sitting in the top cupboard in the spare room, or shoved under the bed where your first wain Gwenevieve slept from ages two to 22 before she graduated from Kikatinalong University and then moved to Wealabarrabac for post grad (and also that internship with the medical research group) – take a deep breath; I’m puffin – then you can search out the February 2023 edition.

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