Planning A Very Simple Marking Of The Very Meaningless Milestone That Is Twenty One (21) Years Of Overheard Productions
Overheard Productions Is Turning 21 Years Old (Twenty One Long – Very Long – Years)
At various intervals, I’ve planned launches and re-launches and meaningless milestones for Overheard Productions.
None of them have really worked, which is more of a reflection of either the effort or forethought that have gone in to each event.
21 Years seemed like a good way to mark not only a milestone, but also a seismic shift I’m planning from 2025 onwards.
And Canberra seemed like a good place because our major 1000 Voice singing event for the end of the first week of December (plus three weeks of rehearsals) got moved to 29 March 2025.
But folks, I’m exhausted. Spent. Pretty much out on my feet. Having been through the mill for the past few months, the last few days in Adelaide (Tuesday night to Saturday sparrow fart) nearly finished me right off.
So I have rebadged it: BFD MMS Day: Big [Ducking] Deal Meaningless Mile Stone Day.
I *will* be at Old Canberra Inn from 6pm to 9pm-ish on Tuesday 3 December 2024, only without the cake, streamers, merch, and party poppers. Nor the musicians. BUT I do have a table booked for trivia, so let me know if you want to join the team. Otherwise I shop my big brain services around to other teams with spare seats.
I’ll be sat in that regular spot near the big TVs and the piano with a copy of The Canberra Times and lots of sport and maybe some cheesy music on the tannoy. <== That was when the meetup was to be at Dickson Tradies.
Apart from that, I will be updating this article with a stack of touristy things I’m doing between now (Sunday 11am; you might have just heard me mentioned in dispatches on 666 ABC Canberra making plans to be a tourist in my own town all week).
My accommodation booking comes with it a stack of discounts to stuff I’ve either never done before OR adore and want to go back and do again.
If you’re around and available, I’ll see you if I’m looking at you.
Bill Quinn aka Bill The Gypsy Staying near the Old Homesteads in Downer, ACT Sunday 1 December 2024, 1120h AEDT
This article appeared in edition 167 of Trad & Now magazine in December 2024.
It’s Stupid O’Clock on a Tuesday morning, a little after 3am, and I’m doing what I’ve done all my life when I need to process things beyond my ken and Barbie: writing it all down.
48 hours ago, my friend Frank Hodges died.
I was in the same city as him: Boorloo (Perth) at the time, but not permitted to see him nor even be given details of his condition by the staff in the palliative care unit of the hospital where only several weeks earlier I’d spent precious hours with him: Hollywood Private Hospital in Nedlands. A slightly weird-arse hospital, but that’s another story for another time.
The nurses on the Old MacDonald Had A Farm ward are aces.
Back in early October, I had just arrived in to Tarntanya (Adelaide) one Monday night after three weeks on the road to the east coast and back when I contacted Frank to see if he was on the radio that night: 107.9FM Radio Fremantle, in the spot where our media lives intersected for seven months on his show, Folking Around.
He was not, and over the space of the next hour of frantic phone calls and texts to several contacts, I got through to Frank and he told me he had five weeks to live.
In my first weeks in Walyalup (Fremantle, June 2022) I’d bowled up to the studio in Hamilton Hill, WA and offered my on-air services. I was keen to move away from folk in to more secular programming, but the station needed someone to operate the panel for Frank’s established folk show on Mondays at 9-11pm.
I was initially reluctant but agreed, and on Monday 13 June 2023 I met Frank.
4ft not a lot tall, he’d blow away in a stiff breeze, and I’m guessing he never ventured out much onto the Yorkshire moors or he would have caught an easterly wind into the Irish Sea ad never made it to Australia all those years ago. Or conversely, he could have saved his 10 pound fare, grabbed a parasol, Mary Poppins-styles, and aimed south towards the Roaring 40s.
On that first night, Frank offered me a lift back to where I was living in Melville and that started a seven month arrangement: I’d stand out on Williams Street, glancing nervously at my watch, wondering if we were going to make it in time to get to the studio in Hamilton Hill, and take the on-air baton from Alan Dawson and his now 37 or 38 years running Twilight Zone radio show highlighting local WA music (of which there is an embarrassment of riches).
You’ll never never know if you never never go, people. Western Australian local music is the duck’s nuts, the dog’s bollocks, and the bee’s knees. It’s stunning.
In my first year, I got late to the WAM Music Song Of The Year awards at Freo.Social and stood right up the back, tucked away in the corner in the only spot left, jammed up against the bar. The talent on-stage and the attention and fervour of the crowd was inspiring. You could have plugged a 240 volt cable into my earholes and lit up a small city with the energy I was taking in from that night. And I was there late.
Meanwhile, back on on-air Monday nights, a friendship developed. An ex of mine who worked as a counsellor to asylum seekers once clued me in on the value of driving with others. You don’t *have* to make eye contact, your voices and ears do the heavy lifting, and you’re both going in the same direction.
From Melville down Williams Street, up Marmion, past Woolies, turn left onto Cannington Road, all the way to Rockingham Road, turn left and turn right at the studio. Race up the stairs in time to do the football tips on air with Alan.
I treasured those rides so much because the real Frank came out as he’d light-heartedly mumble and grumble about the others on the road. Never mind the fact I often had to remind him to turn his lights on or turn his indicator off, he’d have a running patter on who was on the roads and all their ills.
It was on trip two or three that the five-star swear word tumbled out his wee mouth and I thought, right. Ok. A) Do you kiss your wife with that mouth? (Just jokes; I roll out the sailor-blushing blue words when needed.) and B) Now we’re getting to know the real Frank: plain speakin’, irreverent, and funny as [duck].
I ended up staying in Boorloo/ Walyalup (Perth/Fremantle) only 14.5 months, and I can honestly say I really only made one friend in that time. Sure, I met scores of people and went out often – up to five nights a week with various groups. But that was all superficial, and there was only one constant in my life: Frank Hodges.
Typical of many septuagenarians I’ve been privileged to know: they keep the live, original music scene going because they vote with their feet, their bum on a seat, and are keen to share their disposable income with independent artists.
We saw all sorts in that time. We went to two Albany International Folk and Shanty Festivals, one Nannup, and countless gigs north and south of the Swan. I never needed a gig guide: Frank kept me updated via phone and text and email multiple times during the week. He’d collect details of what was happening, and sometimes the first 20 minutes of our two hour show would be him, slowly reading out what I rebadged the ‘parish notices’ of who was playing where in the cities and the south west of the state.
I initially thought it went on a bit long but soon realised people loved it, whether it was to get the information or just to hear Frank’s mesmeric verging on somnambulistic voice in that gentle Yorkshire-Australian lilt. You can catch his last programs at www.radiofremantle.com.au/shows/folking-around while they’re still there.
Sadly, all our shows we did have now fallen off the publicly available rota. Those shows live in the mind’s eye and ear.
We had guests, we had live music, we bantered and carried on like a father and son – and called each other as such on air. At first it was genuine irritation at his scatter-brained habit of cutting across whatever I was saying with some random thought. Soon enough it became endlessly endearing and you might have been forgiven for thinking it was rehearsed like some radio version of The Last Of The Summer Wine.
My weeks and weekends were full of gigs and going out and going to festivals, but Monday nights were radio nights, and I treasure those half a dozen plus one short months dearly. I never once thought, oh stuff it; I’ll play hookey and give it a miss. I had to occasionally duck out with respiratory problems, and knowing Frank was ill and receiving ongoing treatment for his conditions, I didn’t play fast and loose with any viral germs I might have been harbouring.
Once I was struck down by a mystery men’s waterworks condition so savage I feared it was going to take me off the planet, and had to listen from my bed through gritted teeth with tears of pain streaming down my face as Frank (and Alan as stand-in) interviewed a constant in our musical time together: The Original Foc’s’le Firkins. We went to see their album launch in 2023, and I snuck in for the last song at their last gig only last month. Frank had broken himself out of Hollywood Private Hospital that evening just to be there.
It was the Firkins’ last gig and may have been Frank’s last gig too.
After I found out Frank was dying that fateful Monday night in early October, I immediately made plans to get to the west. I would have jumped on the first plane out of Tarntanya, but it was school holidays and a massive storm was ripping across the country from Albany to Malacoota. I waited it out then lassoed a relocation vehicle (a Renault motorhome) and set off up to Port Augusta via Port Germain, into Ceduna, across the Nullarbor, the Great Australian Bight, the Goldfields, the agricultural belt and slammed almost literally into Welshpool, taxi to Walyalup.
Seems like a long way there, but there’s something calming (for me) about hundreds of kilometres of open road matched with the novelty of crossing the open plains of the Nullarbor and further. Despite the four days’ drive I counter-intuitively arrived in the west rested and refreshed, and by and by I caught up four times with Frank in two weeks.
It wasn’t quantity but it sure was quality.
I will take to my own grave the memories of sitting by his hospital bed, watching two episodes of Would I Lie To You? which he’d never seen before, and then Akmal Saleh’s stand-up comedy show.
And hearing sounds of genuine laughter come from the man such as I’d never heard before.
He could chuckle at my or his own jokes, but to hear him in gaels of laughter at the comic inventions of Britain’s and Egypt’s finest minds was like warm treacle or golden syrup for the ears.
I would not trade those memories for all the tea in Tallahassee.
About two weeks before he died, I headed back across the continent, this time in a brand new Audi Q2 that the car company needed relocating to the west, and had a similar only very different trip. At some point on the Nullarbor, the contact with Frank dried up like the desert scrub. The calls and replies became as sparse and hard to find as open roadhouses off the highway.
And when I arrived in Perth on Wednesday 13 November 2024, noone was returning my calls. I finally called the hospital, but in his last days, they’d gone from chatty and obliging to, “If you’re not family, I can’t tell you anything except that he’s here”.
I hung up that last time in floods of tears, and in the very early hours of Monday morning 18 November in Adelaide, I awoke to the news via text that Frank had died 25 hours previously while I’d been sitting in a hotel room in Mundaring WA watching the UEFA Nations League and World Cup Qualifiers from Europe.
I really wish Frank’s Leeds United had gone that extra inch and made it back in the Premier League this season. They managed to do so in season 2024-2025.
Frank was a true friend to me in Perth. Maybe my one true Perth friend.
He was care, concern, a phone call when he hadn’t heard from me, an invitation most weeks to events new and old. He was fun, funny, had a turn of phrase that would charm the socks of a centipede or blast the clogs off a Dutchman. He could work blue and, like Billy Connolly, he was a joy to watch in full flight.
I’ll miss my friend but I feel truly privileged to have intersected with his life for the time I did. I’ve made eight trips back to WA this year, partly for singing and music, but in equal measure for Frank.
Rest easy, dear man.
I’ll see you when I’m looking at you.
Bill Quinn Hyde Park, South Australia 04:17h Tuesday 19 November 2024 ACDT (followed by the usual several hundred edits)
FOLK ON THE ROAD – I’LL TAKE THE MUSIC TO GO By Bill Quinn
The first draft of this article appeared in edition 166 of Trad & Now magazine in October 2024.
In December 2024, it will have been 18 years in elapsed time that I’ve been writing for the national publication: Trad & Now magazine.
It feels like a lot longer.
Which is ironic in some ways, as those 18 years have included some extended breaks for various reasons.
Mostly because there’s a chunk of life from April 2014 to March 2019 when I barely had two brass razoos* to rub together, and I was wandering like a gypsy up and down the east coast of Australia. (Chris Bath from Channel 10 news but then from ABC Sydney and NSW radio dubbed me ‘Bill The Gypsy’ when I called in from the 366th different location and she threw her hands up and gave me the sobriquet.)
* WordPress is suggesting I change that to ‘brass kazoos’.
For four of those years, I was doing what our former LNP government said that we unemployed ne’erdowells must do: if you can’t find a job, move to a location where you can. So I took these clueless, gormless, careless, charmless, unempathetic cretins at their word, and started being a hobo, Boxcar Willie styles at times.
From April 2014, when I left the house and bed of a well-meaning but slightly broken** woman in Greater Sydney, until late March 2019 when I tumbled off a plane in Garramilla (Darwin), I hit the roads and for a time, music took either a backseat or went missing in action all together.
** spinal injury and resultant depression
(Interesting parallel with the experiences of one Myf Warhurst who, in her quirky, music-laden autobiography of sorts, talks about eschewing all music for months and months during Covid lockdowns.)
I bummed around the country living on fumes and in housesits, or backpacker hostels, or couch-surfing on a few isolated occasions when I had to.
I’ll go out on a limb, dear reader, and take an educated guess that if you’re reading this now, music is something you may also turn to in times of great challenges and calls on your emotional resources.
There may or may not have been a point to this random collection of images – several of which have since self-destructed – but a year later, I have less than zero idea what it is or was.
Duck.i.am trying to get Telstra reception at Yamba, SA, Australia Does She? Does She really love me? Because I’ve been chowing down on münchen shiezen sandwiches lately, and I don’t believe she gives a flying duck about me.
I didn’t seriously expect this to work, but it was a sort of good Samaritan act for a very nice bloke who had $400 worth of tickets he needed to shift with very little notice.
I did make some efforts via several platforms to offload them, and would have gladly stood outside the venue and tossed them around like confetti, a tactic I’ve used in the past. But I was settled quite nicely into the Irish pub around the corner and the Guinness was going down nicely.
I wrote it off as a donation to the pub choir people and a kindness to the very nice bloke which he did not need to know about.
A (NOT THE) but A fave (one (1) or three (3)**) musical recording artist who gets your motor running, picks you up when you’re done, gets you inspired when you’re flagging
Your time starts now.
NO HOLDS – TIX IN PERSON ONLY AT JOHNNY FOX’S FROM 5.30PM
NINE (9) TIX ONLY… EIGHT (8) NOW.
See you if I’m looking at you.
Overheard Productions dot com
Tarntanya, Eora, Ngambri, Meanjin, Garramilla, Walyalup, Boorloo, Naarm, Mparntwe etc.
Adelaide, Sydney, Canberra, Brisbane, Darwin, Fremantle, Perth, Melbourne, Alice Springs, etc.
First thing to say about this gig tonight at The Ellington Jazz Club is that after my first visit to this established Perth musical institution, I just wanted to go around and shake every audient’s hand and thank them for being brilliant humans.
Then somehow bottle them and market them as the ideal audience for most every venue, festival, gig, house concert, happening that I’ve been to in the last 20 years.
I’m not kidding and I’m not exaggerating. One song in and I had to re-focus on the music; I was fixated on what an attentive, respectful, beautiful crowd of people had gathered on a Wednesday night on Beaufort Street to attend a gig from something of the unknown: a meeting of two musical minds and prowesses (Jaron from Canada, Emily-Rose from Sydney) with the backline of the sublime and silky smooth percussive chops of Rose Callaghan from [insert where Rose is from when you find out].
Image courtesy of The Ellington Jazz Club
Without dwelling on my attendance too much, I’ll just say I was there against not all odds but some odds. On the last night of a seven-night swing over to the west coast from Adelaide, I’d spent three nights in Perth but most of my activities were in Fremantle, then four nights in Fremantle and I was trying as much as I could to curtail my meanderings to just Walyalup and the port city.
However, on Sunday night at the main reason for my jaunt across the Nullarbor, I’d seen Shark & Fox perform at the Fairbridge Festival Showcase at Fremantle Arts Centre, hastily put together by Kaleidescope Multicultural Arts Management. as at least some way of marking what should have been the 2024 Fairbridge Festival, sadly cancelled in the great collapse of festivals of the 2020s.
Forza Fairbridge 2025.
Gathering crowds for the Fairbridge Festival Showcase at Fremantle Arts Centre
The embedded interview was played twice on air in December 2022 on 107.9 FM Radio Fremantle – The Sound Of Fremantle.
In about 15 minutes, I’ll find out if Pete Stone, Fremantle/Perth music legend and all-round good guy still work for the City Of Melville. I suspect not.
When we met in December 2022 at one of the fantastically popular City Of Melville Summer Music Series gigs in the glorious outdoors that, without looking, I’m guessing was Bull Creek, Pete was artistic and music director for the City Of Melville, but on my last visit there (all of a week ago), I saw a post on social media that suggested others now have this role.
Back then, I made ambitious claims about having an edited version of our chat and a transcription up on my website in days.
It’s 4.15pm on Friday 19 April 2024. And here we are.
Herewith the full, raw, unedited audio. I can’t swear there are no swear words. All from me if they’re there.
Have at it. I’ll get to the transcription a) in the fullness of time, or b) in May when I’m home for more than six days and hiring my latest PA.
Sorry for the ugly link, but WordPress is having conniptions, and the UN Help Ful page is in French. More soon.
For want of anything more meaningful in a meandering, blathery article, all photos in this web version will be from my various trips taken so far in 2024 from Brisbane to Perth, from Colonel Light Gardens to Mparntwe
This article also appeared in the April 2024 Edition No. 162 of Trad & Now magazine.
Greetings from Tarntanya on Kaurna Lands, home of the red kangaroo dreaming. I’m Bill Quinn, the artist formerly known as the author of A Punter’s Perspective and Folk On The Road.
I published my last Trad & Now article in February 2023, and I had intended it to be about crowds and noise.
I say ‘last’, but to quote the Billy Bragg song, “[It] should have been the [second] last, but [it] was just the latest.”
Here then is the start of that latest article. I’ve gone for a title using what we call in some brands of written English, parallel structures. It was called, Thank You And Goodnight Pt 1.5.
Although if you’re the type of person who has kept every copy of Trad & Now magazine, plus most issues of its predecessor, Tapestry, and they’re sitting in the top cupboard in the spare room, or shoved under the bed where your first wain Gwenevieve slept from ages two to 22 before she graduated from Kikatinalong University and then moved to Wealabarrabac for post grad (and also that internship with the medical research group) – take a deep breath; I’m puffin – then you can search out the February 2023 edition.
I don’t know why I don’t do this more often. I go on this last minute, harem scarem, seat of the pants, make it up as I go trips, bust a gut and two to three download sources to update social media that rarely gets looked out or is ridiculously ephemeral when I have this dodgy but useful website.
Herewith then, a work in progress: my current trip of indeterminate length. Not even 24hrs elapsed yet. I left Casa del Cabana en la Piscina at about 9.30-ish from memory – Google Maps will tell me exactly when. Talk among yourselves for half a mini.
9.30am on the dot. Also, here’s a funny thing. Normally around town and city, I have to make about half a dozen edits to my timeline as recorded by Google Maps. Why? Big buildings. Lots of users. Confuses the satellites. In town, lots of big old buildings with thick concrete and glass. It’s why you can’t get reception and follow your influencer mates on Instachat or Snapgram at your office desk in Grote Street, Bradley.
Out in the country, not such a problem.
Speaking of 9.30am, that’s coming soon and I want to get on the road. So a couple of pretty pics then I have to shoot off. Off like a bride’s nightie. Fun fact about my wedding night and nighties…. Let’s maintain a modicum of decorum, shall we? We shall.