Valé Frank Hodges, late of Bicton, Radio Fremantle, and York Minster

This article appeared in edition 167 of Trad & Now magazine in December 2024.

It’s Stupid O’Clock on a Tuesday morning, a little after 3am, and I’m doing what I’ve done all my life when I need to process things beyond my ken and Barbie: writing it all down.

48 hours ago, my friend Frank Hodges died.

I was in the same city as him: Boorloo (Perth) at the time, but not permitted to see him nor even be given details of his condition by the staff in the palliative care unit of the hospital where only several weeks earlier I’d spent precious hours with him: Hollywood Private Hospital in Nedlands. A slightly weird-arse hospital, but that’s another story for another time.

The nurses on the Old MacDonald Had A Farm ward are aces.

Back in early October, I had just arrived in to Tarntanya (Adelaide) one Monday night after three weeks on the road to the east coast and back when I contacted Frank to see if he was on the radio that night: 107.9FM Radio Fremantle, in the spot where our media lives intersected for seven months on his show, Folking Around.

He was not, and over the space of the next hour of frantic phone calls and texts to several contacts, I got through to Frank and he told me he had five weeks to live.

In my first weeks in Walyalup (Fremantle, June 2022) I’d bowled up to the studio in Hamilton Hill, WA and offered my on-air services. I was keen to move away from folk in to more secular programming, but the station needed someone to operate the panel for Frank’s established folk show on Mondays at 9-11pm.

I was initially reluctant but agreed, and on Monday 13 June 2023 I met Frank.

4ft not a lot tall, he’d blow away in a stiff breeze, and I’m guessing he never ventured out much onto the Yorkshire moors or he would have caught an easterly wind into the Irish Sea ad never made it to Australia all those years ago. Or conversely, he could have saved his 10 pound fare, grabbed a parasol, Mary Poppins-styles, and aimed south towards the Roaring 40s.

On that first night, Frank offered me a lift back to where I was living in Melville and that started a seven month arrangement: I’d stand out on Williams Street, glancing nervously at my watch, wondering if we were going to make it in time to get to the studio in Hamilton Hill, and take the on-air baton from Alan Dawson and his now 37 or 38 years running Twilight Zone radio show highlighting local WA music (of which there is an embarrassment of riches).

You’ll never never know if you never never go, people. Western Australian local music is the duck’s nuts, the dog’s bollocks, and the bee’s knees. It’s stunning.

In my first year, I got late to the WAM Music Song Of The Year awards at Freo.Social and stood right up the back, tucked away in the corner in the only spot left, jammed up against the bar. The talent on-stage and the attention and fervour of the crowd was inspiring. You could have plugged a 240 volt cable into my earholes and lit up a small city with the energy I was taking in from that night. And I was there late.

Meanwhile, back on on-air Monday nights, a friendship developed. An ex of mine who worked as a counsellor to asylum seekers once clued me in on the value of driving with others. You don’t *have* to make eye contact, your voices and ears do the heavy lifting, and you’re both going in the same direction.

From Melville down Williams Street, up Marmion, past Woolies, turn left onto Cannington Road, all the way to Rockingham Road, turn left and turn right at the studio. Race up the stairs in time to do the football tips on air with Alan.

I treasured those rides so much because the real Frank came out as he’d light-heartedly mumble and grumble about the others on the road. Never mind the fact I often had to remind him to turn his lights on or turn his indicator off, he’d have a running patter on who was on the roads and all their ills.

It was on trip two or three that the five-star swear word tumbled out his wee mouth and I thought, right. Ok. A) Do you kiss your wife with that mouth? (Just jokes; I roll out the sailor-blushing blue words when needed.) and B) Now we’re getting to know the real Frank: plain speakin’, irreverent, and funny as [duck].

I ended up staying in Boorloo/ Walyalup (Perth/Fremantle) only 14.5 months, and I can honestly say I really only made one friend in that time. Sure, I met scores of people and went out often – up to five nights a week with various groups. But that was all superficial, and there was only one constant in my life: Frank Hodges.

Typical of many septuagenarians I’ve been privileged to know: they keep the live, original music scene going because they vote with their feet, their bum on a seat, and are keen to share their disposable income with independent artists.

We saw all sorts in that time. We went to two Albany International Folk and Shanty Festivals, one Nannup, and countless gigs north and south of the Swan. I never needed a gig guide: Frank kept me updated via phone and text and email multiple times during the week. He’d collect details of what was happening, and sometimes the first 20 minutes of our two hour show would be him, slowly reading out what I rebadged the ‘parish notices’ of who was playing where in the cities and the south west of the state.

I initially thought it went on a bit long but soon realised people loved it, whether it was to get the information or just to hear Frank’s mesmeric verging on somnambulistic voice in that gentle Yorkshire-Australian lilt. You can catch his last programs at www.radiofremantle.com.au/shows/folking-around while they’re still there.

Sadly, all our shows we did have now fallen off the publicly available rota. Those shows live in the mind’s eye and ear.

We had guests, we had live music, we bantered and carried on like a father and son – and called each other as such on air. At first it was genuine irritation at his scatter-brained habit of cutting across whatever I was saying with some random thought. Soon enough it became endlessly endearing and you might have been forgiven for thinking it was rehearsed like some radio version of The Last Of The Summer Wine.

My weeks and weekends were full of gigs and going out and going to festivals, but Monday nights were radio nights, and I treasure those half a dozen plus one short months dearly. I never once thought, oh stuff it; I’ll play hookey and give it a miss. I had to occasionally duck out with respiratory problems, and knowing Frank was ill and receiving ongoing treatment for his conditions, I didn’t play fast and loose with any viral germs I might have been harbouring.

Once I was struck down by a mystery men’s waterworks condition so savage I feared it was going to take me off the planet, and had to listen from my bed through gritted teeth with tears of pain streaming down my face as Frank (and Alan as stand-in) interviewed a constant in our musical time together: The Original Foc’s’le Firkins. We went to see their album launch in 2023, and I snuck in for the last song at their last gig only last month. Frank had broken himself out of Hollywood Private Hospital that evening just to be there.

It was the Firkins’ last gig and may have been Frank’s last gig too.

After I found out Frank was dying that fateful Monday night in early October, I immediately made plans to get to the west. I would have jumped on the first plane out of Tarntanya, but it was school holidays and a massive storm was ripping across the country from Albany to Malacoota. I waited it out then lassoed a relocation vehicle (a Renault motorhome) and set off up to Port Augusta via Port Germain, into Ceduna, across the Nullarbor, the Great Australian Bight, the Goldfields, the agricultural belt and slammed almost literally into Welshpool, taxi to Walyalup.

Seems like a long way there, but there’s something calming (for me) about hundreds of kilometres of open road matched with the novelty of crossing the open plains of the Nullarbor and further. Despite the four days’ drive I counter-intuitively arrived in the west rested and refreshed, and by and by I caught up four times with Frank in two weeks.

It wasn’t quantity but it sure was quality.

I will take to my own grave the memories of sitting by his hospital bed, watching two episodes of Would I Lie To You? which he’d never seen before, and then Akmal Saleh’s stand-up comedy show.

And hearing sounds of genuine laughter come from the man such as I’d never heard before.

He could chuckle at my or his own jokes, but to hear him in gaels of laughter at the comic inventions of Britain’s and Egypt’s finest minds was like warm treacle or golden syrup for the ears.

I would not trade those memories for all the tea in Tallahassee.

About two weeks before he died, I headed back across the continent, this time in a brand new Audi Q2 that the car company needed relocating to the west, and had a similar only very different trip. At some point on the Nullarbor, the contact with Frank dried up like the desert scrub. The calls and replies became as sparse and hard to find as open roadhouses off the highway.

And when I arrived in Perth on Wednesday 13 November 2024, noone was returning my calls. I finally called the hospital, but in his last days, they’d gone from chatty and obliging to, “If you’re not family, I can’t tell you anything except that he’s here”.

I hung up that last time in floods of tears, and in the very early hours of Monday morning 18 November in Adelaide, I awoke to the news via text that Frank had died 25 hours previously while I’d been sitting in a hotel room in Mundaring WA watching the UEFA Nations League and World Cup Qualifiers from Europe.

I really wish Frank’s Leeds United had gone that extra inch and made it back in the Premier League this season. They managed to do so in season 2024-2025.

Frank was a true friend to me in Perth. Maybe my one true Perth friend.

He was care, concern, a phone call when he hadn’t heard from me, an invitation most weeks to events new and old. He was fun, funny, had a turn of phrase that would charm the socks of a centipede or blast the clogs off a Dutchman. He could work blue and, like Billy Connolly, he was a joy to watch in full flight.

I’ll miss my friend but I feel truly privileged to have intersected with his life for the time I did. I’ve made eight trips back to WA this year, partly for singing and music, but in equal measure for Frank.

Rest easy, dear man.

I’ll see you when I’m looking at you.


Bill Quinn
Hyde Park, South Australia
04:17h Tuesday 19 November 2024 ACDT (followed by the usual several hundred edits)

Pub Choir Perth (Roe Street) – Monday 14 October 2024, 5.30pm – Free* Tix by Overheard Productions – * Ts&Cs Apply

I didn’t seriously expect this to work, but it was a sort of good Samaritan act for a very nice bloke who had $400 worth of tickets he needed to shift with very little notice.

I did make some efforts via several platforms to offload them, and would have gladly stood outside the venue and tossed them around like confetti, a tactic I’ve used in the past. But I was settled quite nicely into the Irish pub around the corner and the Guinness was going down nicely.

I wrote it off as a donation to the pub choir people and a kindness to the very nice bloke which he did not need to know about.

Pub Choir Perth (Roe Street) – Monday 14 October 2024, 5.30pm – Free* Tix by Overheard Productions – * Ts&Cs Apply

http://www.OverheardProductions.com/Contact

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  3. A (NOT THE) but A fave (one (1) or three (3)**) musical recording artist who gets your motor running, picks you up when you’re done, gets you inspired when you’re flagging

Your time starts now.

NO HOLDS – TIX IN PERSON ONLY AT JOHNNY FOX’S FROM 5.30PM

NINE (9) TIX ONLY… EIGHT (8) NOW.

See you if I’m looking at you.

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Tarntanya, Eora, Ngambri, Meanjin, Garramilla, Walyalup, Boorloo, Naarm, Mparntwe etc.

Adelaide, Sydney, Canberra, Brisbane, Darwin, Fremantle, Perth, Melbourne, Alice Springs, etc.

Chipping Away At A Catastrophic Backlog Meets Pete Stone From Walyalup Via City Of Melville

The embedded interview was played twice on air in December 2022 on 107.9 FM Radio Fremantle – The Sound Of Fremantle.

In about 15 minutes, I’ll find out if Pete Stone, Fremantle/Perth music legend and all-round good guy still work for the City Of Melville. I suspect not.

When we met in December 2022 at one of the fantastically popular City Of Melville Summer Music Series gigs in the glorious outdoors that, without looking, I’m guessing was Bull Creek, Pete was artistic and music director for the City Of Melville, but on my last visit there (all of a week ago), I saw a post on social media that suggested others now have this role.

Back then, I made ambitious claims about having an edited version of our chat and a transcription up on my website in days.

It’s 4.15pm on Friday 19 April 2024. And here we are.

Herewith the full, raw, unedited audio. I can’t swear there are no swear words. All from me if they’re there.

Have at it. I’ll get to the transcription a) in the fullness of time, or b) in May when I’m home for more than six days and hiring my latest PA.

Sorry for the ugly link, but WordPress is having conniptions, and the UN Help Ful page is in French. More soon.

Overheard Productions · Pete Stone – City of Melville Creative Producer.m4a

Overheard Productions · Pete Stone – City of Melville Creative Producer.m4a

Born To Sing 1000 – Thousand Voice Choir + More At Perth Concert Hall, 11 June 2023

Image courtesy of Born To Sing

Perth Concert Hall will play host to a very special event on Sunday 11 June 2023 from 5pm to 7.30pm when a 1000-voice choir and many others take over the venue for one evening only.

The Born To Sing 1000 event features:

– a 1000 voice choir encompassing several local and WA choirs plus many individuals in four-part harmonies
– 250 ukulele players
– seven-piece jazz band featuring Western Australian Academy of Performing Arts graduates
Perth Highland Pipe Band
– a few extra surprises some of which not even the choir knows about yet.

Image courtesy of Born To Sing

At the time of publishing this short article, about 80% of the tickets have been sold, and the rest will go quickly. So if you want to experience this amazing live event, go to: www.perthconcerthall.com.au/events/event/born-to-sing immediately if not sooner.

The concert runs from 5pm to 7.30pm with a 25-minute interval at 6pm. Food and beverages will be available.

Some funds raised through ticket prices will go to the Fiona Stanley Hospital Cancer Clinical Trials Fund.

Overheard Productions is a proud sponsor of Born To Sing 1000 – 2023.

Image courtesy of Born To Sing
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The Human Highway Celebrates 50 Years Of Neil Young’s ‘Harvest’

This article also appeared in Trad And Now magazine, issue no. 153, December 2022

2022 has been a big year for fans of Canadian folk-rocker Neil Young.

(Arguably it’s been a big year for Neil himself, but he wasn’t available for comment prior to press time.)

It’s been 50 years since Young’s seminal album ‘Harvest’ was released in February 1972. (The column author was in first grade at Rosary Demonstration School at the time and was sadly oblivious to this moment in musical history.) ‘Harvest’ was the best-selling album of 1972 in the USA and has remained Neil Young’s best-selling album to date.

‘Harvest’ was remastered and re-released on 2 December 2022, and not surprisingly in this digital, multi-platform age, it comes with a host of extras. The reissue comes in either vinyl or CD box set form, with both including two DVDs. Young’s much-bootlegged ‘BBC In Concert’ is included on CD and vinyl in the respective packages, and three ‘Harvest’ outtakes are also made available in physical form for the first time – on a third CD or a 7-inch record in the vinyl set.

And early December 2022 saw the debut limited release of the 1971 film ‘Harvest Time‘, a documentary covering the ‘Harvest Barn’ sessions at Young’s northern California farm, his performance with the London Symphony Orchestra in London, and in Nashville there are scenes of Young working on various album tracks.

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Mick Thomas’ Roving Commission in Western Australia

Image courtesy of Mic Thomas’ Roving Commission

Mick Thomas‘ Roving Commission are back in Western Australia for what’s becoming a festive season tradition.

The band are playing three dates this coming weekend:

Friday 16 December – The River, Margaret River
Saturday 17 December – Fremantle Navy Club
Sunday 18 December – The Oxford Hotel, Leederville

Support act is the wonderfully talented local singer-songwriter Carla Geneve.

MTRC have a new seven-track EP out and about – ‘Back In The Day’. It’s a mixture of reworked Weddings, Parties, Anything and Mick Thomas and the Sure Thing tracks, plus some others from The Saints, Johnny Thunders, and Neil Young & Crazy Horse. It’s a teaser for a 2023 album in the works titled ‘Where Only Memory Can Find You’.

On Monday 12 December in Fremantle time for the interviewers, and just a tick or three of the clock into Tuesday for the interviewee in Melbourne, Mick generously gave some of his time at the witching hour to talk with Frank Hodges and Bill Quinn from 107.9FM Radio Fremantle about the upcoming dates in WA.

Image courtesy of Mick Thomas’ Roving Commission

Bill Quinn: Hopefully on Saturday we can bung on some balmy weather, but joining as from the cold, Siberian-like/Arctic wasteland that is Melbourne, we can say hello, good evening, Mick Thomas.

Mick Thomas: Hello to you.

BQ: Is it as bad over there as we’re hearing? Is it really, really cold?

MT: It’s too cold for this time of year, in my opinion.

BQ: Mick, before we dive into questions about the EP and the upcoming album and the gigs, I’ve got a bit of a confession. In the last ten years or so, I’ve lost track of the Mick Thomas story since the days when I was part of the furniture at the Illawarra Folk Festival – where you were always a very welcome visitor to the Slacky Flat Pavilion.

Can you just fill us in with what you’ve been up to in the last ten years or so?

MT: I’ve been making records and putting together bands, different bands. Yeah, I just kept making music; that’s my thing. That’s why I keep making records.

The new thing is The Roving Commission which is me and Wally [‘Mark “Squeezebox Wally” Wallace] who was in the Weddings with me – Weddings, Parties, Anything. Wally came back into it and had a big part – a big role in it.

We thought we wanted a second singer in it, so we’ve run through a bunch from Shelley Short to Ayleen O’Hanlon to Jac Tonks to Brooke Russell. And we finally ended up with Brooke Taylor who’s there at the moment, and she’s sort of killing it, and we really like that.

So I really like that second singer. We’ve played lots, we’ve made some records during the lockdowns of Melbourne, which is something you guys in Perth didn’t get.

But we got it. It was pretty big and it was pretty strong, and it really affected us. But we made a couple of records. And we made them in our back rooms and we sent our files to each other. It was a big deal.

Image courtesy of Mick Thomas’ Roving Commission
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Fo’c’s’le Firkins – Shanties And Songs Of The Sea

Image courtesy of The Original Fo’c’s’le Firkins

This article also appeared in edition 151 of Trad And Now magazine in September 2022.

Here in south west Australia, and in niche but growing enclaves around the country and the world, many of us are starting to get a little excited for the upcoming Albany International Folk ‘n’ Shanty Festival which takes place from Friday 30 September to Sunday 2 October 2022.

“From fireside folk sessions and concerts, to full blown pub shanty singing, from tales of pirates, whales and shipwrecks; the Albany International Folk ‘n Shanty Festival turns historic Albany/Kinjarling into a playground of maritime culture.” – shantyfest.com

Albany may not lay claim to the most remote festival venue on the continent, but there would be few that could beat it. Albany is 3,335kms by road from Melbourne, 3,864kms from Sydney, and about a five hour drive south from Perth.

But more of the festival itself in a future edition. I mention it here for context to say I’ve been booked in to attend for a while, so when news of a CD launch of sea shanties and songs of the sea* bobbed up, my interest was already piqued.

* There’s a difference between the two. All shall be revealed hereunder.

The Original Fo’c’s’le Firkins launched their live CD in Fremantle at the Navy Club on Saturday 20 August 2022. It was a nice piece of musical recording symmetry as the album was recorded in 2021 at the same venue.

Band members were understandably taking any chance to plug the CD and gig around Fremantle in the lead-up, and group member Jon Cope spent some time during ‘Folking Around’ on Radio Fremantle to talk in detail about the recordings’ evolution and background.

Normally, I would have been one of the interviewers, however, I was struck down by a debilitating (non-plague) illness that week, so my colleagues of the airwaves manned the bridge and took the wheel: Frank Hodges (asking the lion’s share of the questions) and Alan Dawson (on the panel, knobs, buttons, and light comic relief).

Image courtesy of The Original Fo’c’s’le Firkins
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Perth Folk And Roots Club

This article also appeared in edition no. 150 of Trad & Now magazine, August 2022.

One of the joys of landing in a new locality is the gradual discovery of new venues, local watering holes, gigs, and music sessions.

After a self-imposed hermitical existence in Brisbane for three and a half months at the start of 2022, I jumped in to south west Australia with both boots upon arrival in April, and have since been to stacks of lively places for all manner of events.

It helps to be filling in as co-host of ‘Folking Around’ on 107.9FM Radio Fremantle on Mondays from 9-11pm AWST – go to www.radiofremantle.com.au to listen live or on-demand to months of previous shows. (Spot the subtle plug? No? Good.)

Host Frank Hodges starts every show with an extensive run-down on gigs in the Greater Perth and Fremantle areas, and it’s been great to zip out and experience some of these first-hand.

On a chilly July Sunday afternoon, I set off to the Inglewood Bowling Club in Mount Lawley. For the sensible, it’s a drive to the back of Inglewood Oval and a park right outside the venue on Stancliffe Street. For me, it was a bus to Fremantle, train to Perth Station, then a very pleasant hour’s walk north in pale, wintry, late afternoon sunshine.

Words to live by. Sign over the bar at the Inglewood Bowling Club.
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Fieldsy – A Divine Slice Of Dublin via WA

Image courtesy of Fieldsy

Folk On The Road – Fieldsy: A Divine Slice Of Dublin Via WA

This article also appeared in Trad & Now magazine in July 2022.

Back at last behind a typewriter (for Trad & Now) after a break of about six months.

Those months have gone by in something of a blur. Mparntwe, Brisbane, and Perth are all now in the rear view mirror. Darwin seems like a lifetime ago. (It’s been nine months in earth years).

Crash-landed in Fremantle in late May and looking to drop an anchor here for a while, it occurred to me I’d gone the year without any live original music gigs in the calendar. (With the exception of Bushtime at Woodfordia on New Year’s Day.)

Soon after making that realisation, social media chimed in with an alert to say that perennial favourite Daniel Champagne was appearing at Freo.Social in a few days’ time. One quick online transaction and some changed social plans later, and come the first Friday in June, I was plonked in the band room at this wonderful WA venue.

Just before the gig, I noticed the support act was ‘Fieldsy’, and with no other information to go on, I pictured a bald bloke in a blue singlet with three chords, six teeth, and the truth.

The reality was something (and someone) quite different.

Fieldsy comes from Dublin, from a large, rowdy family. A Catholic schoolgirl who went on to become a singer-songwriter recording artist in several guises. Then in the early 2010s when the Celtic Tiger had roared, reared up, and been well and truly tamed, Fieldsy and family decamped to Australia in search of better economic fortunes.

Cut forward to 2022, with even more musical incarnations under her belt, Fieldsy is making a return to performing after a few months off with vocal maladies and a dose of the dreaded corona plague.

Image courtesy of Fieldsy
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