The Travelling Sisters are a lot of fun. I mean, when you get to hang out in a caravan for a week in the middle of a busy festival precinct you’ve got to bring the happy haps a fair bit, yes/no?
Laura, Elle and Lucy are The Travelling Sisters. See if you can pick out which is which on the audio recording below. Hint: Laura is the blonde. Typing out the text from audio over five years later, I’m not going to even try. Soz.
Mixing music, theatre, improv and audience participation, The Travelling Sisters fill that little caravan-y void where some punters might remember a couple of late night clowns used to perform out back of ‘The Duck’ (the venue formerly known as ‘The Duck and Shovel’).
Albeit that they’re performing at the more universally awake hour of 5/5.30pm (see below for days and times).
Bill Quinn caught up with Laura, Elle and Lucy the morning after a very special and important day in the Woodford lives of these three young performers.
Please excuse the sound spills. We did ask for trouble by agreeing that if anyone interrupted we would treat it not as a problem but as an opportunity.
*** Audio will be deleted by the end of March 2020 ***
*** Audio will be deleted by the end of March 2020 ***
If you stopped, looked slightly up and right, and mused, “Sister act? But dude, they’re all dudes!” then score five points for Gryfindor.
Coming out of Canberra faster than the Federal Highway or a politician with a dog-eared credit card, BKBB will explode everything you ever thought about brass bands, unless those thoughts are sexy, fun, dance, sweaty and more sexy.
Yes, brass is definitely the new black and if you knew sousaphone like I knew sousaphone, oh oh, oh I’m getting too old for this site because that gag was told me to by the midwife. At my birth.
The audio from this interview was originally linked to a Timber and Steel article on 26 September 2013. This article is being added over six years down the track as part of a project to move most of Overheard Productions’ audio files to text.
Liz Frencham starts her Joy Spring tour in Newtown tonight, Thursday 26 September, and continues through September along the Eastern Coast and hinterland, stopping in at Newcastle, Canberra, Wollongong, Newtown, Glebe, Allambie Heights and Katoomba and then continues into Queensland with more dates to be announced.
Bill Quinn managed to get some time to chat to Liz Frencham about the tour and her upcoming recordings – listen to the interview below and check out her full list of tour dates (so far).
*** Audio file will be removed by end of February 2020 ***
Bill Quinn: On a very, very muggy afternoon in spring, it’s time for a spring tour, and who better to bring us that than the lovely Liz Frencham. Hello, Liz Frencham.
Liz Frencham: Hey, Bill. Nice to talk to you again.
BQ: Tell me about the tour.
LF: I’m a big spring fan; I’m such a fan of spring I moved to a very cold area in the central highlands of Victoria because the spring is so dramatic. You go from very, very misty, cold, no-sun type winters into this beautiful time where basically the whole town first of all gets peppered in snow drops, and then an explosion of colour as all the daffodils come up. And the little hyacinths with a red/purple colour.
You know it’s all happening; I like that. I feel like I can come to life at the same time too.
In July 2019 during the Darwin Fringe, I met a vibrant, funny, and larger than life character named Sveta* who was presenting her show ‘The Sickle Of Life’ as part of the Fringe lineup.
The next day, I met a pleasant, outgoing, chatty festival volunteer named Lana.
It took a good few minutes on that second meeting to realise that the performer and the volly were one in the same person. That’s a good as any recommendation for the skills of an actor as you could hope for.
The chance to see ‘The Sickle Of Life’ passed me by due to conflicting festival obligations, and as you’ll read below, it mostly passed others by due to circumstances beyond Lana’s and the audience’s control.
Not even the former Soviet Union’s security services could fix the problem.
But the show is coming to The Venue at Fannie Bay on Friday 6 December, and will hopefully return to the Darwin Fringe in 2020.
On a mercifully mild November Sunday morning, I met up with Sveta and Lana at The Fannie Bay Coolspot for a cup of coffee and a chat.
* See the bottom of this document for a very important security advice about this website.
Bill Quinn: I hope this interview goes OK, because the only Russian language I know I’ve learnt from Billy Joel: Live In Moscow and The Hunt For Red October. So I trust your English is better than my Russian.
Sveta Lyublyu Knokyablokov: Well, I’ve been learning English, so hopefully you can understand my accent.
BQ: When did you come to Australia and what brought you here?
SLK: I’ve only come recently because I have been in the search for love, and I know my true love is waiting for me. I’ve been looking for him all around Australia… well, maybe it last six months.
And I started in Adelaide, and then I went to the Brisvegas, then I went to the Gold Coast, and I’m searching for this man that I met in Moscow – that’s part of my story – and apparently, he is waiting for me here in Dariwnd.
That’s why I’m here.
BQ: Aha! Now are you talking [about looking for love] generally, or is there a specific person?
SLK: Specific man!
BQ: Ah, see I thought that the problem was you’d run out of men to find in Russia and had come here looking for love.
SLK: Oh, nyet, nyet, nyet. I am saving my treasure chest for special gem.
And you see, I am the last hope for virgin [pronounced ‘wirgin’] bride in Knokyablokov family. It’s getting a bit of a worry for the family, but I am saving myself for the right man, and that’s why I am here because I met him, and I’m here to find him.
Having almost finished the initial batch of interviews following the Passport To Airlie heat in September, Bella Maree answered my callout for other musos to step up and have a chat, emailling to say, ‘What About Me?’
(She didn’t literally use those words, but since she was recently on a lineup with Shannon Noll, it seemed like a bit of wordplay too good to resist.)
Bella Maree has been in Darwin for less than a year, but she’s already a regular on the scene, bringing her mix of originals and covers to the eyes and ears of Darwin’s welcoming audiences.
On a hot but breezy Friday morning, we sat outside at the Nightcliff Foreshore Restaurant and Cafe by the Arafura Sea and chatted over coffee, as Bella Maree unfolded quite the amazing tale of a pretty full life for someone so young.
Bill Quinn: So, Bella Maree, you’re not originally from Darwin?
Bella Maree: No. Before coming to Darwin, I was in Coffs Harbour for a couple of months. And before that, I was between Byron Bay and the Gold Coast for a couple of years.
But before that I was in Thailand for three years, so there’s not really one place that I’m from. I’ve moved around my whole life.
BQ: You’re a global citizen!
BQ: So when did the interest in music start?
BM: My brother Keanu is two years older than me. When I was about eight or nine, and he was ten or eleven, he started learning guitar and singing at school, and he’d come home and show me what he’d learnt.
And basically, that’s how it went: everything he’d learn two years ahead of me, he’d come home and teach me. So, that’s what got me in to music to start with. We started singing together and we had a duo: Strange Angels.
BQ: And bands at school? Did you get together with others there?
BM: When I was younger, yeah. In primary school, I was in a school rock band, and in high school – Grade 8 – me and my brother did a bunch of performances together for the school.
But then in Grade 9, I went into home schooling, and then just towards the end of Year 9, my brother, my parents and I moved to Thailand when I was 14.
BQ: Wow, so how did that go, getting into music and then moving to another culture?
BM: It was… life-changing!
Because I was still doing this home-schooling thing, and I was doing music theory, learning all that kind of stuff, and BOOM! We’re in Thailand, a totally different culture and language, etiquette and everything.
So it was a big learning experience, a life-changing thing.
We continued to do singing when we got there, when we first got to Chaing Mai. We were there for six months and my brother and I sang in restaurants there, and had a bunch of Thai and Burmese friends. We learnt languages from our friends.
Then we moved down south, moved to the islands, and that’s where I got into some bands. My brother moved away to Bangkok, and we were still on the island. Koh Samui was where I was mostly, singing in bands.
So the band members consisted of guys from Europe, America, all different places. Older dudes, and they taught me so much. They showed me all those older songs, older eras, older music. It just really taught me the old school way, and how to lead a band.
I had a lot of experience with them, and a lot of cool shows with them too.
[Tape pauses for the arrival of Bella Maree’s chai latte. And we continue..]
Darwin heavy metal band Summit have had a very busy 2019, and it’s about to get even busier as they prepare to head on the road to tour down the east coast of Australia in November.
With the release of a new single in the very near future, the time is ripe for the band to take their music to a wider audience, one that’s already been building off the back of a strong online streaming and Youtube presence.
Having met several band members at a MusicNT meet and greet in August, it was great to catch up with drummer Tom Heffernan and find out a bit more detail about the band’s activities.
Bill Quinn: You’re the new boy in the band, but you’re the spokesperson today. How much can you tell us about the background of Summit?
Tom Heffernan: The boys have been going since 2017. I worked for a couple of them on a major project up here and that’s how we met. I followed them around, watching their shows. They have a lot of talent, and it’s definitely up my alley.
They jumped on to the scene pretty quickly and left a pretty big footprint on the place. I just love their music.
Wes [Beck] is the leader of the band, and he organised it from the go. He was out of the scene for a long time before this band started. Greeny [Matt Greenaway] was over here working from Sydney way, New South Wales, and the two brothers [Jordan and James Atwill] are born and bred in Darwin.
I’m not sure how they got together, who spoke to who. I know Wes and Greeny worked together; that’s how they got together.
BQ: Coming from a number of backgrounds, it’s a Darwin band – but you’ve had a fair bit of interest from outside, even overseas.
TH: Yeah, we’ve had a lot of success with online stuff so far. The EP was brilliant, the first EP [Echoes Of Aberration]. (Obviously, I had nothing to do with that one.) That’s one of the best EPs I’ve seen from a first-time effort.
And the interest has really escalated from that point on.
There was a bit of a hole with a change of line-up for the boys, but we’re full steam ahead now.
BQ: And you mentioned your online presence – that’s the way you get your music out when you’re isolated like in Darwin. What’s that like? I’ve got to say I’m not a fan of the online streaming services because you don’t get much out of it in dollars and cents. But I notice that you get a lot of plays on Spotify; is that helping?
TH: Oh, it definitely helps get the music out. That and Youtube. Without it, I’d say it would be a lot harder. There’s not a lot of revenue in it, as you said, but that’s the way of the world today.
But the exposure’s nothing like it used to be. To see a band back in the day, or to hear a band, you had to go and see them or buy a CD. [Online streaming] is handy, but there’s no money in it.
But it’s great for the exposure side of things being in an isolated area like Darwin.
We haven’t ventured too far out of the territory, maybe not at all. So big things coming for us soon.
Darwin Muso Series is a string of an indeterminate number of mini to medium to mega interviews with Darwin-based musicians and performing artists. Starting in September 2019, and we’ll see how many we can cover over the next weeks/months/years.
Airlie Beach Festival of Music is held in November, however, in the lead-up, the organisers stage what is arguably* Australia’s biggest battle of the bands competition.
* If anyone wants to claim a bigger battle of the bands competition in Australia, kindly fill in the 36 page nomination form on the website and send to Overheard Productions with a non-refundable $200 admin fee.
Danger Den describe themselves as a pop rock group, though their sound definitely leans towards the heavier side. Danger Den are emerging artists in Darwin’s very diverse original music scene, but they’re already finding some traction and interest from live audiences, playing their own blend of punk and rock music.
I didn’t manage to catch up with Danger Den on the night at the Rails, but sometime later, I met up with vocalist Jeremy Uyloan to learn more about the band.
Bill Quinn: Tell me a little bit about the Danger Den story.
Jeremy Uyloan: Basically, me and my friend Donald – BigD; he’s the big guy with the man bun, the lead guitarist – we’ve been playing music since middle school. I’m 21 now, and he’s 22.
And we stopped around graduation, and we decided to either go to uni or work. But really that didn’t last long!
BQ: What, the uni or the work?
JU: Both, actually. Donald wanted to do IT, and I got into full time work. And I stepped down because I didn’t like it. Donald got a job and left studies.
So we formed Danger Den in early 2018. We were looking for drummers, so we looked at the Darwin Music Scene page [on Facebook]. That’s where we found Neil [Wright]; we were looking for any punk drummers out there, and Neil put his hand up.
We were a three-piece for a while, but then we eventually got our fourth member – our newest member who joined us is Callan [Power]. He also plays in the band Temperamental, who also competed at Passport To Airlie.