Mensch, Monique in Australia, 2019

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Image courtesy of Mensch, Monique!

Folk On The Road

Mensch Monique!: Interview at Cobargo Folk Festival

Mensch, Monique! were in Australia earlier in 2019, playing gigs, house concerts and festivals. I caught up with Jule and Georg at Cobargo Folk Festival to find out how musical and family life had been treating them since the days of The Beez.

We spoke under a blazing sun, with welcome shade from the café marquee, perched
precariously on milk crates, sipping on ginger and lemongrass over cubed
ice (just brilliant on a baking hot day).

CFF
Cobargo Folk Festival 2019

Bill Quinn: How long has Mensch, Monique! been going? What are you doing? How is it going?

Jule Schroder: Well, actually, Georg and me, we have been playing since 2007.

BQ: And how about music?

JS: Exactly! Playing music! (And we’ve been playing together longer than that!) But I was in a band called ‘The Beez’; for such a long time.

BQ: The Beez? Can you spell that? I’m not familiar with this band.

[If you can’t pick up the irony in that sentence, go to https://overheardproductions.com/?s=The+beez where you can read just one or two articles about this band by the authour over the past decade.]

JS: Tee Hahr Eeh Bee Double Eeh Zsedh. We were one Australian, one American, and two Germans.

BQ: And one of the Deutshes is now Australierin!

JS: That’s right. Deta got married to Rob a long time ago and now she’s got her spouse visa.

So, anyway, I was playing with The Beez, being busy. And there was just no point [after the birth of first child]. We couldn’t play gigs. Or we could, but it was just too hard.

So when I left The Beez in 2014, we said, “Let’s write some songs together”. And why not in German? And that’s what we did!

And it just takes a long time. You know, we’ve got two kids now. But we do it in our own tempo. Our own speed, you know? And we love it!

BQ: That’s very interesting that you do your songs in German, with English being the lingua franca for the world, the language that the majority of the planet understands. Tell me about when you perform in Germany. Is it 100% in German? Or do you mix it up a bit?

JS: We mix it up, but it’s really interesting because I talk to a lot of musician friends from Germany, and we came to the… schluss? … conclusion that we just HAVE to write songs in German because it’s our language.

It just doesn’t make sense that we only write songs in English, because that’s not our language.

And it’s a bit hard to sing in German, I must say. And what is really interesting for me is, because I write most of the melodies, I don’t think in German when I write the melodies. I can’t do that. It’s really interesting.

MM1

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Nina Lipscombe Art – ‘Witch’ Exhibition, Katoomba, March 2019

Image courtesy of Nina Lipscombe Art

Interview with Nina Lipscombe, Katoomba (NSW)

Arriving in the Blue Mountains for a few days at short notice, I consulted the font of all knowledge on what was going on in most regions (Facebook Events), and it turned up an exhibition in Katoomba called ‘Witch’ by local artist Nina Lipscombe.

The paranormal, mythological, and mystical aren’t things that normally pique my interest, but increasingly, I’ll have a look at subject matter outside of normal interests.

I’m glad I did.

‘Witch’ is an intriguing exploration of themes that may not exactly leap off the promo flyer or internet page. Speaking of our friend social media, a comment on the event page led to an exchange with the artist Nina Lipscombe, and a few days later, we were sitting in the leather-padded comfort of the guest lounge at the Carrington Hotel.

Bill Quinn: Just for my background, can you tell me a bit about how you came to be involved in art.

Nina Lipscombe: It’s an interesting story, because I didn’t do it very much in high school. I was doing theatre and television, but right after high school, I decided to dabble in it.

So I bought a kit from Hobby Lobby! It was Bill Alexander; he was the original happy painter. He’s the one that actually taught Bob Ross, with the happy clouds and the trees and everything else.

I bought this oil painting video, went to my garage, started painting, and I fell in love with it.

From then on, I started to make acrylics, water colours – mostly oils still – and it just kind of evolved from there.

I didn’t really get too involved with the arts scene in Tennessee at the time. But later in 2011, I moved to Argentina, and it kind of thrived from there.

I had exhibitions, I did workshops, I had private classes with really amazing teachers there, and I took off.

BQ: When I think about art around the world, Argentina definitely is on that list. I’m gonna say that the Tennessee art scene is not one that immediately springs to mind. What was that like?

NL: Yeah, you’re right about that! I’m not 100% sure; I never got highly involved with it. They do have some good art galleries, and really good art has come from Memphis. But the art scene there compared to Argentina and compared to here in the Blue Mountains is not quite as big.

Image courtesy of Nina Lipscombe Art

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Folk On The Road – 2019 Cobargo Folk Festival

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All images in this article by Bill Quinn

Folk On The Road

A highly irregular series reflecting on the wide, weird world of folk from the side of the stage

Back to Cobargo

Cobargo Folk Festival (CFF) in early March 2019 was a breath of fresh air for many who made their way to the beautiful green valleys and rolling hills just north of Bega, New South Wales. Not too far south of Narooma, and within a five iron of a heaven.

For this peripatetic scribe, it was a homecoming of sorts to the world of Australian folk festivals. A temporary one, as it transpired.

CFF came towards the end of a week or so in the Eurobodalla/Sapphire Coast region, just after the last member of my immediate family had left their home of almost twenty years in Bodalla, on an estate overlooking the quite stunning ranges of the Deua National Park.

But it was also a proper return to folk festivals after roughly five and a half years of continually wandering up and down the Australian east coast, from the deep south of New South Wales to the middling far north of Queensland.

(A handful of hours at Slacky Flat, Bulli in 2016 and 2019 doesn’t really count, does it?)

In those intervening years, the closest I’d come to our festival culture was random assorted gigs, and attendances, media, and volunteering/MC-ing at regional Queensland festivals in Cleveland, Stones Corner, and Boyne Island.

Though all events had minor folk elements, it was wonderful to be back among the campers, revellers, singers, musos, and so, so many familiar faces in a dedicated folk festival.

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Bill Quinn – Writer, MC, Radio Presenter

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Bill Quinn and John Schumann (Redgum, John Schumann & The Vagabond Crew), Concert Stage, Woodford Folk Festival, December 2007

Owner/operator of Overheard Productions, 2003 to present

Sponsor/singer in Born To Sing 1000 – 2023 at Perth Concert Hall, Sunday 11 June 2023.

And again on Saturday 28 June 2025 (sponsor only).


Sponsor of 102.1FM 8CCC Community Radio – Alice Springs & Tennant Creek (Dead Parrots Society and A Little Bit Country), 2021 to 2022.

Contributor to Trad & Now magazine (folk and anything roughly related), Ducks Crossing Publications, December 2006 – December 2024.

Festival and gig MC from 2005 onwards

Radio presenter:

2008 to 2012 – Artsound FM 92.7/90.3FM/artsound.fm  (ACT)

2019 to 2020 – 104.1 Territory FM/territoryfm.com (NT)

2020 – Guest presenter via phone, 107.5FM 2EAR-FM/2EARFM.weebly.com Thursdays at 7.15pm AEST on Ian Traynor’s Thursday evening show (6-10pm)

2022 to 2023 – 107.9FM Radio Fremantle, ‘Folking Around’, Mondays 9-11pm AWST and online at: https://radiofremantle.com.au/shows/folking-around 

2023 to 2024 – 102.1FM Radio Adelaide – Rich & Real. Filling in here and there for now with no regular program.

Trivia quiz host 1992 – 2012. Maybe again…

Peripatetic, interviewer, blatherer Ongoing. Always. Ever-present.

Gypsy. Effectively on the road from Kamberri (Canberra) since 18 March 2013, with a 2.5 year stop in Darwin (March 2019 to August 2021), just over a year in Fremantle, another 12 months plus in Adelaide, and now traipsing around New South Wales seeking my next base.

Currently in residence in Greater Sydney on the lands of the Dharug people, and I pay respect to the custodians past, present, and emerging. These are lands that are called ‘Australia’ and Terra Australis, a land of many nations, that were never ceded by the traditional owners.

More details at www.OverheardProductions.com/About

Bill The Housesitter
Bill Quinn, Bloke, v2011

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