australia

EP release and tour dates for Co-cheòl (Victoria), October 2014

Overheard Productions Interviews, Music general , , , , , , , , , , ,
Co-cheol
Image courtesy of Co-cheòl

Victorian Celtic quartet Co-cheòl are launching their debut EP (‘Co-cheòl’) at the Boite World Music Café in North Fitzroy on Saturday 11 October 2014.

Boasting a wealth of instrumental skill and experience, a real strength of the group is in their vocal harmonising which comes to the fore in their EP. The group was also recognised with a runner-up award in the recent AUS-ACA A Capella Championships, plus awards for ‘Best Band’ and ‘Best Comedy Song’.

Co-cheòl made their festival debut in January 2014 at the ever-popular Cygnet Folk Festival in Tasmania to rapturous responses from audiences.

Co-cheòl EP cover
Co-cheòl EP cover

The group started singing together in October 2013 and this self-titled EP is their first recording.

Co-cheòl comprises Claire Patti (vocals/harp), Georgina Walton (vocals/ukulele), and twins Merrily Hansen (vocals/flute) and Ginger Hansen (vocals/accordion).

Claire Patti was recently awarded the 2014 Female Vocalist of the year in the Australian Celtic Music Awards.

Ginger Hansen provided a little more background on where the band originated and what makes them hum (no pun intended):

‘Claire, Merrily and I have all sung together in the past at one point or another in a community choir. Claire has her own solo career as well as singing with Taliska. She was doing a solo album and obviously can’t do harmonies with herself while performing!

So she asked Merrily and I if we could give her a hand with concerts.

We did the backing tracks on her album and thought this is a good thing; we’ll keep doing this.

Claire works at a school where Georgina works, and one day Claire was singing to herself at work and then this other voice, Georgina, joined in with a great harmony line – and that was it!

We want to do more original material. We have one or two original numbers, as well as some lyrics that are ready to be put to music. Aside from this, we do all our own arrangements of a mix of traditional and more modern stuff.’

Co-cheòl is pronounced ‘Co-shaal ‘ and appropriately means ‘harmony’ in Scots Gaelic. Ginger spoke briefly about the origins of the band’s chosen music.

Co-cheòl
Co-cheòl

‘We have a family connection with Celtic music to varying degrees. We’ve all just had different amounts of exposure to it.

The National A Capella Championships were great. The event was incredibly well-organised, really well-attended, and it was just amazing to get in contact and make friends with a lot of other musicians and groups.

Quite of lot of groups from New South Wales and South Australia as well. When we go to Adelaide we’ll be meeting up with those people.

It was great to be in the company of a lot of other music nerds who enjoy singing as much as we do!

A capella is definitely a buzzword at the moment, so people are focussing on that aspect which is fine. They don’t necessarily have a picture of our music when they think of our singing, so that’s a nice surprise for them when they come to see and hear us.’

Victorians and South Australians have several chances to see Co-cheòl perform starting with the EP launch:

Saturday 11 October — Boite World Music Café, North Fitzroy (Vic)
Saturday 18 October — Darebin Music Feast, Wesley Anne, Northcote (Vic)
21 to 22 November — Carnival of Music, Clare Valley (SA)
Sunday 23 November — Creatively Celtic, Church of Christ, Aldgate (SA) EP Launch

More details on these dates are on Co-cheòl’s gig page.

You can see and hear more of Co-cheòl on their Youtube channel, Facebook page and Soundcloud site.

The EP is available from 11 October 2014 and pre-sale details are at Bandcamp.

Interview: Lucie Thorne on tour, 2014

Overheard Productions Interviews, Music general , , , , , , , , , , ,
Image courtesy of Lucie Thorne
Image courtesy of Lucie Thorne

Lucie Thorne is doing one of the things she does best — touring around Australia, making her way into major centres, but also visiting a few places off the beaten track.

After two successful runs in Australia in recent times with Pieta Brown, showcasing the ‘Love Over Gold‘ album, Lucie is back on the road solo, albeit with long time collaborator percussionist Hamish Stuart, and teaming up for a double bill in Bacchus Marsh with Liz Stringer.

I should stop mentioning that the locations for doing these interviews are a little weird.

I can’t remember the last time I did a straight face-to-face interview in a studio. For this brief chat, I was in the salubrious surrounds of a Brisbane City Youth Hostels Association dormitory room, finishing the interview just a moment before house-keeping arrived with the bins, hose, and industrial leaf blower. Lucie, meanwhile, was in South Australia relaxing on a friend’s property complete with 3D cattle.

If you’re reading this on the day of publication (Tuesday 3 June 2014) you can tune in and hear Lucie live on air on ABC 774 Melbourne with Lindy Burns from around about 9pm AEST. You can listen online.

*** Audio file will be deleted at the end of February 2020 ***

LT1-PhotoByGraemeRuck
Photo by Graeme Ruck, courtesy of Lucie Thorne

Continue reading →

Ann Vriend: A Series of (Un)Fortunate Events — On Tour In Europe

Overheard Productions Miscellaneous, Music general , , , , , , , , ,
Ann Vriend: A Series of (Un)Fortunate Events -- On Tour In Europe
Ann Vriend: A Series of (Un)Fortunate Events — On Tour In Europe

Ann Vriend at The Basement in Sydney, March 2013 with Ted E. Quinn of Overheard Productions (chauffeur, cook, minder and police liaison)

Ann Vriend’s Tour Mishaps #3663 or How I Learned To Stop Worrying And Love BBC News In The Airport Hotel

Ann Vriend is at it again: touring relentlessly and sharing her sweet music, sumptuous lyrics and those wonderful ivories and keys in far flung locales. And she’s also up to her other signature move: having wonderfully Tati-like, British 70s comedy slapstick challenges, and farcical misadventures.

The ones that you can laugh about and blog about afterwards or during, but at the time they can be massively distressing and painful and expensive and inducing of tears of pain, tears of rage.

But with the crunchy comes the smooth. And Ann found that a rather stormy set of clouds did indeed have a silver lining.

Continue reading →

Eleanor McEvoy On Tour In Australia – Interview at Wollongong City Diggers, 2014

Overheard Productions Interviews, Music general , , , , , , , ,
Eleanor McEvoy with Danny Priestley and Lindsay Martin of Riogh. Image courtesy of Danny Priestley.
Eleanor McEvoy with Danny Priestley and Lindsay Martin of Riogh. Image courtesy of Danny Priestley.

Eleanor McEvoy landed in Australia this week on tour from now until…. well, until Ireland warms up again in roughly six weeks’ time.

On St Patrick’s night, Monday 17 March 2014, Eleanor was a very special guest of Riogh and the Illawarra Folk Club at what’s starting to look a lot like a St Paddy’s tradition in this south coast of New South Wales town centre. Accessible from anywhere and a short walk from the train station.

(Our correspondent Bill Quinn later that night ventured down the road to another raucous Irish venue, and couldn’t help but notice that, despite the number of prone young bodies decked out in over-sized corporate green Irish hats, the music on the tannoy was Canadian Scots.)

But before that, and after one or three very large jars of piping cold very special St Patrick’s Day tea, Bill spoke a little with Eleanor about the tour.

*** Audio file will be removed at the end of February 2020 ***

Bill Quinn: It’s getting on for 10.30pm on St Patrick’s Day in Australia, which means that over in Ireland, it’s roughly midday. People are at lunch, they’re settling into the snugs, they’re in the bars, they’re making St Patrick’s Day what it is.

Meanwhile, in the sweaty, sweaty, sweaty, hot climes of the Illawarra, at the back stage of the Diggers Club, I’m talking with Eleanor McEvoy. Hello, Eleanor.

Eleanor McEvoy: Hello, how’re you doing?

I can tell you that at home what they’re doing, they’re getting ready for the parade. The parade’ll be at midday.

BQ: Your home town/county is?

EM: Well, my home town where I was born is Dublin, a place called Cabra on the north edge of Dublin, but now I live in County Wexford in a more rural environment.

BQ: And so in all of these cities, all of these towns, in all of these places, they have their own separate parades?

EM: They all have their separate parades. The biggest one is in Dublin City, but I like to think the Wexford one is pretty cool too.

EM1
Image courtesy of Eleanor McEvoy

Continue reading →

Humph Hall: An Open Letter to Warringah Council (NSW, Australia)

Overheard Productions Miscellaneous, Music general , , , , , , , , , , , ,
Image courtesy of Humph Hall via NSW Folk Federation (www.jam.org.au)
Image courtesy of Humph Hall via NSW Folk Federation (www.jam.org.au)

### STOP PRESS. On Sunday 9 March 2014, I had a long chat with Wayne Richmond at Humph Hall about this epic saga.

There are two sides to every story, but this one’s more like a dodecahedron. Wayne was quick to acknowledge the positive input from Warringah councillors, mayor and even the personal attention of NSW planning portfolio.

Articles to come here and at Timber and Steel soon.

Humph Hall: An Open Letter to Warringah Council by Bill Quinn

Written on the E89 bus from Bilgola Plateau to Railway Square, Sydney NSW, Australia

Friday 7 March 2014

If a picture says a thousand words, here’s several million for you.

Go to Google Images — http://www.google.com/imghp — and search on ‘humph hall’ then scroll, view, scroll view, next page, etc. That will tell you the value of this venue more eloquently than I can. But do read on!

______________________________________________________

When it comes to angrily shaking my fists in a Peter Finch/Shaun Micallef ‘I’m mad as hell and I’m not gonna take it anymore’ style of protest, I prefer direct contact.

I just don’t online petition. I’m glad for you to do so, but don’t ask me to sign one.

So having read in The Manly Daily about the latest in the legal wrangle over fire and safety at Humph Hall, and the fact that Warringah Council is now dragging Wayne Richmond and Gial Leslie into court over the matter, I took time out from my morning ritual of staring inquisitively out the bus window along Barrenjoey Road to Haymarket, and tapped out the below, patiently navigating council’s rather confusing and limiting web-site to submit my two cents’ worth.

To contact Warringah Council, go to: http://www.warringah.nsw.gov.au/

“Liking Facebook pages and reposting memes is not enough in days like these.”
— Bill Quinn via Billy Bragg. Continue reading →

Interview: Billy Bragg previews his March 2014 Australian/New Zealand Tooth And Nail tour (text version)

Overheard Productions Interviews, Music general, Trad and Now , , , , , , , ,
Billy Bragg's Australian Tooth and Nail tour
Billy Bragg’s Australian Tooth and Nail tour, March 2014. Image courtesy of Billy Bragg.

Interview audio version first posted in Timber and Steel in September 2013.
Interview text version first published in January 2014 edition of Trad and Now magazine.

Recorded in the studios of community radio station 2XX-FM, Canberra.

Thanks as always to these three venerable institutions for the very fine work they do in supporting folk and independent music in Australia.

In March 2014, Billy Bragg will be touring Australia with band on his ‘Tooth and Nail’ tour, part of a worldwide expo of his latest studio album. Last year, I interviewed Billy as he made a whirlwind promotional tour to Australia. We revisited some old themes and looked forward to this year’s tour.

[For the time poor, the full audio file of this interview (including outtakes featuring gratuitous underwear references) is at: Timber and Steel.]

Having interviewed Billy a year and four days previously, I started by asking him what the last 369 days had comprised.

Melbourne Recital Hall, Melbourne. 19 October 2012.
Melbourne Recital Hall, Melbourne. 19 October 2012.

Continue reading →

Interview: Van Larkins (Queensland)

Overheard Productions Interviews, Music general , , , , , , ,
Image courtesy of Owen Van Larkins
Image courtesy of Owen Van Larkins

Interview with (Owen) Van Larkins

Progressive Acoustic Fusion — Finger-style Guitar

On one of those nights earlier this year where I could have pulled up stumps in Blackheath, Balmain or Bollongong, I opted for the middle option on a warm evening at a programmed open mic night (for want of a cleaner turn of phrase), one of many put on each week under the label ‘Songs On Stage‘.

It was an eclectic mix of local performers at The Cat and Fiddle that night but the gig was also host to a visiting performer: Owen Van Larkins (who puts his music out as Van Larkins).

Owen and I took a few minutes to catch up talk about music, touring and venues, and I apologise now for the charming backdrop of traffic on Darling Street, Balmain:

Title track from Wandering Hands by Van Larkins:

Interview: Trish and Sam the Jazz/Swing Dancers (Sydney)

Overheard Productions Interviews, Music general , , , , , , , ,

Interview with Trish and Sam

Swing/jazz dancers, Rock Lily, Sydney

Earlier this year I lobbed into The Star Casino and having no interest in the gambling diversions, I stumbled into the Rock Lily venue and a great little gig featuring Jordan C Thomas and Pia Andersen and Her Lonesome Playboys.

After recording interviews with both the headline and support acts, I then managed to grab a few minutes with two of the fabulous dancers who were providing such wonderful visual accompaniment to the music:

Vintage Allsorts dancers from Sydney Swing Katz and Swingtime dance troupes backed by the High Tops Brass Band at the re-launch of The Bourbon in Sydney:

Interview: Pia Andersen (Sydney)

Overheard Productions Interviews, Music general , , , , , , , ,
Pia Andersen
Pia Andersen

Interview with Pia Andersen (Sydney)

Jazz, swing and barrelhouse blues

This is the second of three interviews I did one steamy summer evening in Sydney earlier this year when I found myself strangely at a loose end at The Star Casino in Sydney. This is not a regular haunt for me and so to discover the Rock Lily venue down one end of the gaming floor was trés welcome.

While the crowd was modest to start with, a healthy dance-floor-full of swing dancers materialised as Pia Andersen and Her Lonesome Playboys took the stage and the music started.

It was a visually and musically arresting performance and I took the opportunity to interview Pia and sax player Frank Bennett afterwards:

Pia Andersen has a gig on Thursday 26 June at Palmer and Co in Sydney and you can find more information on other upcoming gigs and news at her Reverbnation page.

Interview: Tolka (Victoria)

Overheard Productions Interviews, Music general , , , , , , ,
Image courtesy of Tolka
Image courtesy of Tolka

Interview with Tolka (Victoria)

I was initially attracted to the sound of Tolka as they reminded me strongly of one of my favourite Australian folk bands. I won’t say which one, though it was mentioned in dispatches and a subject of some discussion when we spoke — press ‘Play’ below to find out more.

When we spoke earlier in the year, on a sultry Saturday evening when the Illawarra Folk Festival was fairly humming, strumming, beating and dancing, Tolka hadn’t at that point put one foot inside the recording studio for their debut album.

However, last weekend, ‘Tunes From The External Hard Drive’ was launched with appropriate fanfare in their hometown of Melbourne.

There are more chances for you to see Tolka for yourself via their gig listing. The album will be available soon at Bandcamp, or contact Tolka directly about where to snaffle a copy.

Upcoming festival gigs for Tolka:

3 to 4 June – Robert Burns Scottish Festival, Camperdown (VIC)
20 to 22 September – Turning Wave Festival, Yass (NSW)

There’s also an exhibition of the album’s artwork at the Brunswick Arts Space from 13 to 28 July.

Dr Gilbert’s Set from the National Celtic Festival, Victoria, 2013: