[Audio Interview] Interview with Matt Barker Radio: Podcasts and Digital Radio

mattbarkerradio2

Image courtesy of Matt Barker Radio

Matt Barker hails from Southend in Essex UK, which is a shame since most of the taxis won’t go further than Basildon.

That gag was an entry in the Morris Men-tal Institute Joke Competition of August 1936 and told repeatedly until a cease and desist order from the Greater London Department of Public Transport and Sun Beds in February 1937.

Where were we? Talking about Matt Barker and his two fabulous radio shows.

The Matt Barker Radio Show is two hours of finely organised chaos, going out to the world on Fridays at 6pm UK time, available on podcast from Mixcloud.

While the Deuce Radio Show is a tight little package (careful!) of the best new independent music to tumble onto Matt’s desk.

In this interview, Matt talks with Bill Quinn of Overheard Productions about the mechanics and motivations behind these shows, plus his future plans for well-funded world domination.

If you’ve got a favourite radio show that you believe deserves more earholes wrapped around its fruity, global goodness, drop Overheard Productions a line at bill.fj.quinn@gmail.com or leave a comment on this article.

Yours in great independent music

Bill Quinn
Brisbane, Australia – this week, unless the police catch up with me again…

These are SO much more notes than I usually use!
Advertisements

[Audio Interview] Michael Johnathon talks about the Woodsongs Front Porch Association and Gathering

Songfarmers-ad

The Woodsongs Front Porch Association (WFPA) is an amazingly and elegantly simple creature.

Based in Lexington, Kentucky and the brain child of Michael Johnathon, singer-songwriter and 36 other titles, it’s spreading its tendrils across the USA and the world.

I’ll not steal any WFPA thunder by block copying and pasting here – yet, but please follow the links, and your rewards shall be many and bountiful.

The Cliff Notes, as MJ would say: it’s a cheap-as-chips member association which opens everyone up to a world of information, resources and networking, and opens its arms and invites the world of art and artists in to share, share, share. Stop, collaborate and listen!

On Friday 23 and Saturday 24 September 2016, the WFPA is holding its second annual Gathering in Shaker Village, Pleasant Hill, Kentucky – see main picture for all the salient details of the wheres and whens.

Full details at www.songfarmers.org

It’s the how much that’s the real news story here. And it’s a good, good news story at a time when good news stories are pretty gosh-darned thin on the ground.

Choose your preference: click on a hyperlink or click on the audio file link below, and listen in as Michael explains WFPA and the Gathering in his signature succinct, clear, resonantly-voiced vocal stylings (even over the tech equivalent of two cans and a 9063 mile piece of string!)

ENDS (for now, but really it’s just the beginning!)

Some basic notes for the interview… which I never referred to!

 

songfarmers-org-woodsongs
Image courtesy of www.songfarmers.org

 

Talk With Everyone – Even With Limited Head Space

WP_20151121_015
Sitting like The So Not Littlest Hobo on Oxford Street, writing a story about an indie band.

This is Limited Head Space.

It’s fairly descriptive of how I feel right now!

C__Data_Users_DefApps_AppData_INTERNETEXPLORER_Temp_Saved Images_620363_676969865686690_1618321042_o
Image courtesy of Limited Head Space

Dashing up Oxford Street tonight to get to the BWS bottle shop by 9.55pm, because NSW liquor licensing: thou shalt not serve takeaway alcohol one second after 10pm.

Google Maps said I had 3.2kms to cover in 45mins. Yeah, try roughly a kilometre. I stopped and asked a Security dude outside The Paddington Inn at about 9.27pm how far it was, and he said, about 100 metres!

And it was at Paddo BWS that I met Denis, serving behind the counter, and he told me about his band, Limited Head Space.

And he wrote the band name down on the back of a docket.

Right now, Denis and his mate, also in the band, have just shut up shop. It’s 10pm and the grille went down at 9.55pm. NSW Liquor Licensing laws: thou shalt not vend takeaway alcohol after 9.55pm. I may have mentioned that before.

BWS are all over this like a cheap suit. I have been that guy who stormed away at 9.56pm, stormed back at 9.57pm, then fumed off into the night before the sweep hand had time for another full revolution.

BWS St Leonard’s, April 2014. Ah yes, I remember it well.

The original text above cut out because in the 36mins I was sat there, outside Astton Shoes and some indie Bed, Bath and Table shop, my browser had fallen over nine times.

Ten times. I’m going to embed their video then make this thing pretty later.

Eleven times. Farouk!

My wine 🍷 is getting warm!

Bill Quinn with “Neville” the Labrador

Oxford Street, Paddington

22:22 Saturn’s Day 21 Nova’s Embers 2015

12 times!

WP_20151121_016

 

[Audio Interview] Melissa Deaton-Johnathon’s Tribute To The Luke Bryan Memorial Car Park

Image courtesy of Melissa Deaton-Johnathon of PostMan Records. Photo by Michael Johnathon.
Image courtesy of Melissa Deaton-Johnathon of PoetMan Records. Photo by Michael Johnathon.

 

At the time of recording, this was still something of a developing story, as the ripples from a fairly large event snafu were still rippling outwards.

The press stories from Lexington Kentucky can tell the story better than a middle-aged music press writer from Sydney can. But put simply, there was a Luke Bryan concert at the Talon Winery and Vineyards in October 2015 that probably needed a better risk management plan. To say the least.

Risk: half or more of the audience stay stuck in traffic at the time the concert starts, throughout the concert, after the concert, and as late as 4am the next morning.

Likelihood: high.

Severity: parody songs are written in the event’s honour.

Image courtesy of Rick Deaton
Melissa Deaton-Johnathon. Image courtesy of Rick Deaton.

And so it transpired.

Continue reading

Radio ID Sting for Matt Barker’s Deuce Radio Show on The Radio Alternative

Deuce Radio Show. Image courtesy of Matt Barker.
Deuce Radio Show. Image courtesy of Matt Barker.

Have at this then, Matt Barker!

Catch Matt Barker’s fabulous Deuce Radio Show at any tick of the clock — plus download lots of old shows (well, they’re quite young and fresh, but they’re less recent) here at: http://mattbarker.podomatic.com/

The Deuce Radio Show can be heard on The Radio Alternative at www.theradioalternative.com from 6-9pm GMT/BST, Fridays.

I’m not going to even try to translate that into AEDT or PT or ET (phone home, your mother worries about you) as we’re in that state of flux period where it’s 10 hours from London to Sydney, but soon it will be 11 hours and then you switch on the idiot box and we’re already an hour into the Wallabies seeing off another bunch of hapless water buffaloes stuck in the mud* (e.g. Engerland or Scoterland) on their way to blousing out of the Rugby World Cup.

Too soon?!

* (c) HG Nelson and Rampaging Roy Slaven — for the uninitiated, wrap your shell-likes around this’un:

That is all!

Bill Quinn
Overheard Productions
Sydney, Australia (slightly sou’west today in temperate (not temporate) Holsworthy)

1:36am, Tuesday 20 October 2015
Which at GBP0.47 to the AUD = 5.36pm, Monday 19 October 2015 in London

[Text Interview] Check the water and oil! Lime and Steel on the road

Image courtesy of Lime And Steel
Image courtesy of Lime And Steel

A shorter version of this article appeared on Timber and Steel on 14 September 2015.
This article appeared in full in the September edition of Trad and Now magazine.

To tell the full tale of this article would be to sing you a mournful ballad of disappearing Facebook event shares and a 12 minute interview, ambitiously recorded on a Nokia dumb-phone so old it needs hand-cranking.

Suffice to say that the audio of that chat between the artist (in Katoomba, NSW) and the interviewer (in Nelson Bay, NSW) is available now on eBay on a listing called ‘Marcel Marceau’s Greatest Hits’.

Technology is a fickle mistress, sharing pain and pleasure in equal measure, and my thanks to Paddy Connor from Lime and Steel for his assistance and good humour.

Blue Mountains-based folk band Lime and Steel have hit the road, making sacrificial offerings to the gods of automobile reliability and ‘keepgoingability’ from Melbourne’s CBD up the east coast to Brisbane (with a stop-off in the nation’s capital).

Lime and Steel began as a rootsy folk duo of Paddy Connor and Ben Scott, but over the years, their composition has changed, and indeed, their compositions have changed. Continue reading

The BordererS: To Canberra Polish White Eagle Club and beyond

The BordererS Live
The BordererS Live

The BordererS from Adelaide have forged a reputation for frenetic, energetic live performances, built on the back of relentless touring.

September and October sees no let up, as having only recently returned from a very special performance at the Sydney Opera House (for the Sydney LifeForce Memorial Service on Suicide Prevention Day), the next few weeks has the band bouncing in and out of NSW, Victoria, then back to NSW for the Kangaroo Valley Folk Festival.

First cab off the rank is a performance in Canberra at the revitalised Polish White Eagle Club. This venue has long been a favourite of Canberra music aficionados, helped by the fact that the club has been for many years completely pokie-free. (A phrase to gladden the heart of many fine musicians — especially acousticos.)

The BordererS have been slowly building a loyal following of Canberra fans with repeat appearances at the National Multicultural Festival, and some memorable gigs at King O’Malley’s irish bar among others.

A BordererS favourite review from National Multicultural Festival 2015
A BordererS favourite review from National Multicultural Festival 2015

They’ve also chalked up five appearances at the National Folk Festival and are always keen to return for more of the same. “The late night sessions at the National (when the festival shuts down for the night) with all of the top performers and the public all seated and singing together have been some of the most memorable nights in the band’s career,” Jim Paterson says. Continue reading