Actually, the sun was long gone by the time Fantuzzi closed out proceedings. And as they finished their last number, the vollys were just getting going and took responsibility for their own entertainment.
I was professionally torn. My obligations were long since dispensed with. I wanted to capture some vision of the band, but……….
2014-15 is only my fourth trip to Woodfordia, so there are others who are 25 visits ahead of me.
The first three festivals I attended as a volunteer, and like my introduction into the world wide weird of folk merely two years previously, I could not have made a better choice than to join the ranks of vollys, as they/we are affectionately known.
I have very little if anything to compare with the frissons of excitement I had as a wide-eyed young 41 year old, reduced by an event to a gibbering little schoolboy.
(Except when on stage; always a professional behind the microphone, of course!)
I was in a trippy paradise of heaven. Everything was new, everything was bigger and more colourful, more musical, more stunning, than anything else I’d encountered in music and art to that date.
Sorry, Bayern State Opera, but Woodford takes the strudel!
(It even proved to be a sorting hat for me, because my partner at the time came with me (to her first Woodford). In stark contrast, she whinged and whined and moaned and griped and complained. It was too hot, too cold, too wet, too dry, too expensive, too cheap, too too too much. I put her at an arm’s distance, revelled in my then very patchy mobile phone reception, and on 31 December when she texted me to say she’d gone home to mother near Chermside, I punched the air, danced a jig, yodelled from the Hilltop, and dived right back into the festival. A week later we were over for good and she ended up marrying the sound guy. Good luck to them both!)
I left home several days before the festival started and made a savage hook turn trip from Canberra down to Bodalla then later from Moruya to north Brisbane in one Christmas Day non-stop haul. Google Maps informs me that’s about 1450kms on the black-top. Another 74kms to the front gate of Woodfordia, in near carpark conditions on the Bruce Highway.
Travel north from Brisbane to the festival on Boxing Day at your own peril.
The taste of service station sausage rolls still lingers to this day. Nothing on the highway of any higher gastronomic fare was on offer in 2007, apart from days-old sandwiches in those hideous plastic containers that look like they’d been washed and glazed for display.
Before I’d heard much of anything about Woodford Folk Festival, back in the unenlightened days of roughly 2006, I’d sure heard about the Fire Event. Attending between 2007-2010, I joined the Fire Choir each year, initially with the tenors then the bass-baritones, and loved it to bits.
BUT being able to sit in the audience with a smashing view, able to take in the full spectacle and stunning sound and light production, I was like an excited 10yo boy.
Heightening the experience just behind me was an almost two year old who was in paroxysms and frissons of delight and was joining in, improv-style, during the choral bits.
Wonderful. An absolutely stunning achievement.
My favourite part, and a moment for me that seemed to encapsulate Woodford, was when the cast on the ground just got stuck in hoe-down style while the tragic-comedy drama face burned.
However, I still have a stack of video to share, and a notebook overflowing with observations, gags, anecdotes and stories.
I’ll bring those to you very soon, though right now I’m a little tech-challenged.
I’m writing this in a tent. To get reception, I’m holding one phone balanced on my stomach pointing towards Maleny while typing on the other.
During the day, I either walk down to the road and lean one phone against a fence post, OR I have now found if I place it in the tree in the forecourt, I get a good data flow, but it’s no good for phone calls.
Youtube has a simple facility where at the push of a button, your shaky video is stabilised and appears much more professionally-recorded than you could manage when you were adding some extra jigginess via mundane bodily functions such as breathing or sneezing.
Or as I was here, weeping uncontrollably.
Let’s go back a few years.
At probably my first Woodford Folk Festival, I got a treasured copy of the then very new ‘The Next Turn‘ album by Trouble in the Kitchen. As I set off down the D’Aguilar Highway on 3 January, processing eight days’ worth of festy wonderfullness, I was in an emotional, impressionable state, making listening to the 14 tracks all the more powerful.
(Some of my most treasured and loved folk albums have seared straight into the deepest levels of my cerebrum by dint of being absorbed in post-festival drives.)
However, my attention must have wandered on Track Five as I didn’t pick up all the lyrics nor their significance. I acquired and adopted a handful of mondegreens, and ran with those for many months until one day I sat with a stack of 20-25 Woodford-collected/purchased CDs and…
After packing them in at The Bazaar today, Fred is going to take it easy, put his feet up and have a chat on the couch with Melanie Tait from ABC Radio National.
It takes place tonight in the Greenhouse at 8pm, so that gives you plenty of time to shovel down a plate of Govinda’s indian goodness or some gozleme or a plato spaghetti up the Junction, and wash it down with a quenching beverage at the Tokyo Bar before joining Fred and Melanie.
If they’re still hanging around at that hour of the day, be sure to have a chat to the lovely Michael just outside the Greenhouse about Future Super (getting all ethical on yo’ asses about where you put your retirement pesos) and the other green stall whose number plate I just can’t recall right now.
Fred’s other remaining gigs at Woodford folk Festival:
Wednesday 31 December, 3.30pm – Small Hall
Thursday 1 January, 11am – Concert Stage