A Punter’s Perspective #43: Overheard at the 2013 National Folk Festival

The iconic National Folk Festival bunting
The iconic National Folk Festival bunting

A Punter’s Perspective

Random observations on the wide, weird world of folk from the side of the stage

#43 Overheard at the 2013 National Folk Festival

First published in Trad and Now magazine, April 2013

I usually stop short of epithets like ‘the best’, ‘the greatest’ or such like. But in a relatively short experience of the National Folk Festival (my ninth of a possible 47), this year’s was definitely the most anticipated Nash I’ve personally known of.

A number of variables made the lead up to this one a little tantalising.

The organisers made no bones about the fact that it’s been testing times for the National. Some may shudder at words they’ve used like ‘consolidation’, ‘challenge’ and ‘sustainable’, but I’m actually a bit of a fan.

If there are threats to a festival’s viability, you can either fix a smile and adopt a ‘Move on, nothing to see here, all is well’ approach. Or squat on your heels, furrow brows, chew bits of bark and declare we’ll all be rooned.

Or you can call a spade a spade (not a manual earth-moving device) and accept there are indeed challenges and forge ahead.

Disclaimer: I’m observing all of this from some distance, and am NOT privy to any of the National’s internal machinations. Continue reading

A Punter’s Perspective #42: 2013 Cobargo Folk Festival

2013 Cobargo Folk Festival
2013 Cobargo Folk Festival — it were a wee bit wet!

A Punter’s Perspective

Random observations on the wide, weird world of folk from the side of the stage

#42 2013 Cobargo Folk Festival

First published in Trad and Now magazine, March 2013

Like many festivals I include in my yearly routine, I’m not even going to approximate any sort of objectivity here.

I love the Cobargo Folk Festival.

It’s been an irregular destination for six years, but what a place to end up at?

Whether you’re coming from the north or the south, the approaches through gently rolling green hills and valleys are captivating. Despite having familial ties in the Eurobodalla Shire slightly to the north, it was only on way to my first Cobargo that I drove past Lake Corunna, and nearly ran off the road as I sucked all the oxygen from the surrounding atmosphere.

It’s a stunning part of the world.

And the festival site looks like it was placed there by an inspired land surveyor/geo-spatial technician/landscape art historian. I will never tire of simply drifting around the site from top to bottom, over the ridge and back again, finding some new perspective, some new aspect, some new way the light has hit the trees or crept through a cloud outside the venue, at just the right time and just the right angle.

And all that before the music’s even started. Continue reading

A Punter’s Perspective #41: Sometimes You Can’t Make It On Your Own II

Belting out drivel on a smartphone at the Carrington Hotel, Katoomba.
Belting out drivel on a smartphone at the Carrington Hotel, Katoomba.

A Punter’s Perspective

Random observations on the wide, weird world of folk from the side of the stage

#41 Sometimes You Can’t Make It On Your Own II

First published in Trad and Now magazine, February 2013

This is where the text goes. Normally.

This article was written in the bar of the Carrington Hotel one Tuesday morning as I stretched the monthly friendship with Trad and Now’s very personable editor to get something vaguely printable in by the sometimes usually rubbery marker some people refer to as a deadline.

I had several challenges that day, not the least of which was a dead laptop.

So over the course of about two and a half hours, I wrote and submitted my article in text on a Samsung Galaxy I.

It was a bit silly. Nay, it was a lot silly.

I didn’t think I still had it, but it’s there in my sent emails on Gmail. I’ll probably save a copy into Dropbox for posterity’s sake.

But I don’t see any need to regurgitate it here now. It’s more for continuity than anything else.

I had a timely and amusing reminder of my publisher’s good humour and brevity of phrase when I told him some weeks later that normal service would be resumed in the March edition. His response was simply:

“Good.”

The Carrington Hotel, Katoomba.
The Carrington Hotel, Katoomba.

A Punter’s Perspective #40: Don’t Mention The Wall! (Interview)

Don't Mention The Wall! Rob and Deta Rayner. Image courtesy of Rob and Deta.
Don’t Mention The Wall! Rob and Deta Rayner (Germany). Image courtesy of Rob and Deta Rayner.

A Punter’s Perspective

Random observations on the wide, weird world of folk from the side of the stage

#40 Don’t Mention The Wall!

First published on the Timber and Steel blog on 2 January 2013
Second published in Trad and Now magazine, January 2013

Berlin folk pop band The Beez have been frequent visitors to Australia in recent years with their latest tour taking place at the start of 2012. The band is now taking a short break at the start of 2013, however, band members Rob and Deta Rayner will be coming to Australia very shortly with a new show: Don’t Mention The Wall! – songs and stories  from the fall of the Berlin Wall and beyond.

On a variously muggy mid-summer’s Australian morning or frosty Berlin midnight hour, depending on your hemispherical perspective, I spoke with Rob Rayner on the line from Berlin about the show.

Bill Quinn: The Beez left our shores back in April, was it?

Rob Rayner: It was May. It was the epic tour of four months. We never thought we’d get through four months but we did. AND the amazing thing is that we’re still talking to each other! Continue reading

A Punter’s Perspective #39: Warren “Arch” Bishop: Bush folklore for the kids

Arch Bishop (centre) at 2012 Illawarra Folk Festival with Peter 'Pearl' McLeod, Rick Saur, Rosie McDonald and Billy Arnett
Arch Bishop (centre) at 2012 Illawarra Folk Festival with Peter ‘Pearl’ McLeod, Rick Saur, Rosie McDonald and Billy Arnett. Photo by Bill Quinn.

A Punter’s Perspective

Random observations on the wide, weird world of folk from the side of the stage

#39 Warren “Arch” Bishop: Bush folklore for the kids

First published in Trad and Now magazine, December 2012

When I was introduced to “Arch Bishop” at Cobargo Folk Festival in 2007, it took a while to confirm there wasn’t some sort of wind-up going on. (After I’d genuflected, crossed myself, mumbled ‘Your Excellency’, and kissed his ring – just in case).

Warren Bishop (universally known as Arch or Archie) is a master of the straight-face. He even got me hook, line and sinker when I rang for this interview, though I can’t repeat the story here until ‘Trad and Now’ magazine develops a sealed section.

“Arch” is a larger than life part of the New South Wales folk festival scene as a poet, story-teller and raconteur. He’s a man who loves to laugh – especially if he’s sharing the joke with others.

And stories. He’s got more stories than….. a very tall building that has lots of floors. Lately he’s been finding new horizons for this mastery of the spoken word, and it was these developments and potential new pursuits I was keen to talk with him about. Continue reading