A Punter’s Perspective: Random observations on the wide, weird world of folk from the side of the stage
No Such Things As Mistakes Part I
First published in Trad and Now magazine, March 2014
As has been the case from time to time in the seven years plus of A Punter’s Perspective, ’tis the night before deadline and all through the house, not a creature was stirring, not even a half-decent idea for a folk music magazine article.
Realising my dilemma on the train to work today, I turned to the world’s font of most knowledge (and funny cat videos): Twitter. And I asked publicly to all, and pointedly to three or four music bloggers, what might a good topic be.
The answer came from a former radio presenter now blogger/vlogger (a kindred spirit, then) from the Netherlands who goes by the title of ‘The Dutch Guy’ (@DutchGuyOnAir), and he suggested:
“How about talking about some mistakes indie artists might make?”
By curious coincidence, this is a topic I’d considered before and only pulled back from it at the risk of causing offence.
Causing offence is a service I do occassionally provide — usually unintentionally.
I’ve put enough noses out of joint in the music world in the past nine years by commission, omission, or at the very least, blind stupidity, and have no need to add to that tally by more inadvertent misadventure.
I often say that I can have my intelligence insulted without willfully watching certain TV programs or listening to certain radio stations. (And that I didn’t mention them by name is at least a sign that I’m learning — slowly.)
Therefore, some disclaimers.
I am totally in awe of musicians, artists and singer-songwriters.
The concept of playing a three to 20-stringed instrument (or one you blow, slap, or pump) while singing and possibly dancing (or at least a little light duck-walking), and then doing that from 20 minutes at a time, for up to three or four hours, leaves me absolutely breathless.