Fremantle

Shark & Fox – But Which Is Which? The Answer May Be A 50/50 Proposition

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Image courtesy of Shark & Fox Music

First thing to say about this gig tonight at The Ellington Jazz Club is that after my first visit to this established Perth musical institution, I just wanted to go around and shake every audient’s hand and thank them for being brilliant humans.

Then somehow bottle them and market them as the ideal audience for most every venue, festival, gig, house concert, happening that I’ve been to in the last 20 years.

I’m not kidding and I’m not exaggerating. One song in and I had to re-focus on the music; I was fixated on what an attentive, respectful, beautiful crowd of people had gathered on a Wednesday night on Beaufort Street to attend a gig from something of the unknown: a meeting of two musical minds and prowesses (Jaron from Canada, Emily-Rose from Sydney) with the backline of the sublime and silky smooth percussive chops of Rose Callaghan from [insert where Rose is from when you find out].

Image courtesy of The Ellington Jazz Club

Without dwelling on my attendance too much, I’ll just say I was there against not all odds but some odds. On the last night of a seven-night swing over to the west coast from Adelaide, I’d spent three nights in Perth but most of my activities were in Fremantle, then four nights in Fremantle and I was trying as much as I could to curtail my meanderings to just Walyalup and the port city.

However, on Sunday night at the main reason for my jaunt across the Nullarbor, I’d seen Shark & Fox perform at the Fairbridge Festival Showcase at Fremantle Arts Centre, hastily put together by Kaleidescope Multicultural Arts Management. as at least some way of marking what should have been the 2024 Fairbridge Festival, sadly cancelled in the great collapse of festivals of the 2020s.

Forza Fairbridge 2025.

Gathering crowds for the Fairbridge Festival Showcase at Fremantle Arts Centre
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The Human Highway Celebrates 50 Years Of Neil Young’s ‘Harvest’

Overheard Productions Fremantle and Perth, Interviews, Music general, Trad and Now , , , , , , , , , ,

This article also appeared in Trad And Now magazine, issue no. 153, December 2022

2022 has been a big year for fans of Canadian folk-rocker Neil Young.

(Arguably it’s been a big year for Neil himself, but he wasn’t available for comment prior to press time.)

It’s been 50 years since Young’s seminal album ‘Harvest’ was released in February 1972. (The column author was in first grade at Rosary Demonstration School at the time and was sadly oblivious to this moment in musical history.) ‘Harvest’ was the best-selling album of 1972 in the USA and has remained Neil Young’s best-selling album to date.

‘Harvest’ was remastered and re-released on 2 December 2022, and not surprisingly in this digital, multi-platform age, it comes with a host of extras. The reissue comes in either vinyl or CD box set form, with both including two DVDs. Young’s much-bootlegged ‘BBC In Concert’ is included on CD and vinyl in the respective packages, and three ‘Harvest’ outtakes are also made available in physical form for the first time – on a third CD or a 7-inch record in the vinyl set.

And early December 2022 saw the debut limited release of the 1971 film ‘Harvest Time‘, a documentary covering the ‘Harvest Barn’ sessions at Young’s northern California farm, his performance with the London Symphony Orchestra in London, and in Nashville there are scenes of Young working on various album tracks.

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Mick Thomas’ Roving Commission in Western Australia

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Image courtesy of Mic Thomas’ Roving Commission

Mick Thomas‘ Roving Commission are back in Western Australia for what’s becoming a festive season tradition.

The band are playing three dates this coming weekend:

Friday 16 December – The River, Margaret River
Saturday 17 December – Fremantle Navy Club
Sunday 18 December – The Oxford Hotel, Leederville

Support act is the wonderfully talented local singer-songwriter Carla Geneve.

MTRC have a new seven-track EP out and about – ‘Back In The Day’. It’s a mixture of reworked Weddings, Parties, Anything and Mick Thomas and the Sure Thing tracks, plus some others from The Saints, Johnny Thunders, and Neil Young & Crazy Horse. It’s a teaser for a 2023 album in the works titled ‘Where Only Memory Can Find You’.

On Monday 12 December in Fremantle time for the interviewers, and just a tick or three of the clock into Tuesday for the interviewee in Melbourne, Mick generously gave some of his time at the witching hour to talk with Frank Hodges and Bill Quinn from 107.9FM Radio Fremantle about the upcoming dates in WA.

Image courtesy of Mick Thomas’ Roving Commission

Bill Quinn: Hopefully on Saturday we can bung on some balmy weather, but joining as from the cold, Siberian-like/Arctic wasteland that is Melbourne, we can say hello, good evening, Mick Thomas.

Mick Thomas: Hello to you.

BQ: Is it as bad over there as we’re hearing? Is it really, really cold?

MT: It’s too cold for this time of year, in my opinion.

BQ: Mick, before we dive into questions about the EP and the upcoming album and the gigs, I’ve got a bit of a confession. In the last ten years or so, I’ve lost track of the Mick Thomas story since the days when I was part of the furniture at the Illawarra Folk Festival – where you were always a very welcome visitor to the Slacky Flat Pavilion.

Can you just fill us in with what you’ve been up to in the last ten years or so?

MT: I’ve been making records and putting together bands, different bands. Yeah, I just kept making music; that’s my thing. That’s why I keep making records.

The new thing is The Roving Commission which is me and Wally [‘Mark “Squeezebox Wally” Wallace] who was in the Weddings with me – Weddings, Parties, Anything. Wally came back into it and had a big part – a big role in it.

We thought we wanted a second singer in it, so we’ve run through a bunch from Shelley Short to Ayleen O’Hanlon to Jac Tonks to Brooke Russell. And we finally ended up with Brooke Taylor who’s there at the moment, and she’s sort of killing it, and we really like that.

So I really like that second singer. We’ve played lots, we’ve made some records during the lockdowns of Melbourne, which is something you guys in Perth didn’t get.

But we got it. It was pretty big and it was pretty strong, and it really affected us. But we made a couple of records. And we made them in our back rooms and we sent our files to each other. It was a big deal.

Image courtesy of Mick Thomas’ Roving Commission
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Fo’c’s’le Firkins – Shanties And Songs Of The Sea

Overheard Productions Fremantle and Perth, Interviews, Music general, radio, Trad and Now , , , , , ,
Image courtesy of The Original Fo’c’s’le Firkins

This article also appeared in edition 151 of Trad And Now magazine in September 2022.

Here in south west Australia, and in niche but growing enclaves around the country and the world, many of us are starting to get a little excited for the upcoming Albany International Folk ‘n’ Shanty Festival which takes place from Friday 30 September to Sunday 2 October 2022.

“From fireside folk sessions and concerts, to full blown pub shanty singing, from tales of pirates, whales and shipwrecks; the Albany International Folk ‘n Shanty Festival turns historic Albany/Kinjarling into a playground of maritime culture.” – shantyfest.com

Albany may not lay claim to the most remote festival venue on the continent, but there would be few that could beat it. Albany is 3,335kms by road from Melbourne, 3,864kms from Sydney, and about a five hour drive south from Perth.

But more of the festival itself in a future edition. I mention it here for context to say I’ve been booked in to attend for a while, so when news of a CD launch of sea shanties and songs of the sea* bobbed up, my interest was already piqued.

* There’s a difference between the two. All shall be revealed hereunder.

The Original Fo’c’s’le Firkins launched their live CD in Fremantle at the Navy Club on Saturday 20 August 2022. It was a nice piece of musical recording symmetry as the album was recorded in 2021 at the same venue.

Band members were understandably taking any chance to plug the CD and gig around Fremantle in the lead-up, and group member Jon Cope spent some time during ‘Folking Around’ on Radio Fremantle to talk in detail about the recordings’ evolution and background.

Normally, I would have been one of the interviewers, however, I was struck down by a debilitating (non-plague) illness that week, so my colleagues of the airwaves manned the bridge and took the wheel: Frank Hodges (asking the lion’s share of the questions) and Alan Dawson (on the panel, knobs, buttons, and light comic relief).

Image courtesy of The Original Fo’c’s’le Firkins
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