Interview: Lucie Thorne on tour, 2014

Image courtesy of Lucie Thorne
Image courtesy of Lucie Thorne

Lucie Thorne is doing one of the things she does best — touring around Australia, making her way into major centres, but also visiting a few places off the beaten track.

After two successful runs in Australia in recent times with Pieta Brown, showcasing the ‘Love Over Gold‘ album, Lucie is back on the road solo, albeit with long time collaborator percussionist Hamish Stuart, and teaming up for a double bill in Bacchus Marsh with Liz Stringer.

I should stop mentioning that the locations for doing these interviews are a little weird.

I can’t remember the last time I did a straight face-to-face interview in a studio. For this brief chat, I was in the salubrious surrounds of a Brisbane City Youth Hostels Association dormitory room, finishing the interview just a moment before house-keeping arrived with the bins, hose, and industrial leaf blower. Lucie, meanwhile, was in South Australia relaxing on a friend’s property complete with 3D cattle.

If you’re reading this on the day of publication (Tuesday 3 June 2014) you can tune in and hear Lucie live on air on ABC 774 Melbourne with Lindy Burns from around about 9pm AEST. You can listen online.

*** Audio file will be deleted at the end of February 2020 ***

LT1-PhotoByGraemeRuck
Photo by Graeme Ruck, courtesy of Lucie Thorne

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Interview: Michael Johnathon of Woodsongs Old Time Radio Hour, 2014

Image courtesy of Woodsongs dot com and Michael Johnathon. Photo by Larry Neuzel.
Image courtesy of Woodsongs dot com and Michael Johnathon. Photo by Larry Neuzel.

Image courtesy of Woodsongs dot com and Michael Johnathon. Photo by Larry Neuzel.

From humble beginnings in 1998, from a small venue that sat just 20 people in the audience, Michael Johnathon has built the Woodsongs Old Time Radio Hour into a public broadcasting colossus. Woodsongs is heard and seen around the globe each week from its current home in the Lyric Theatre, Lexington KY.

The program showcases bands, performers and troupes from across the broad spectrum of bluegrass, Americana, roots, acoustic and alt-country, and a few others around the blurred edges of folk.

It’s a 100% community and volunteeer-run operation, making its longevity and sustainability all the more remarkable. And laudable.

It gets even better than that – but you’ll have to listen to the interview for the part that rocked me back on my heels.

And upturned kayak.

The show has reached an eye-watering 750+ episodes as of April 2014, many of which are freely available from the Woodsongs website in audio and video formats. Apart from its legion of individual listeners, Woodsongs has spawned a string of coffeehouse groups which meet to experience the show as a community.

The log cabin. Image courtesy of Michael Johnathon.
The log cabin. Image courtesy of Michael Johnathon.

And it’s not like Michael has anything else to do with his spare time.

Like being a singer-songwriter of many years standing. Or touring. Or arranging other concerts. Or building a log cabin and surrounding structures plus landscaping and bridges etc. bare-handed. Or being a father of two adult children (and two more on the way in one hit).

No, I lied. He’s all of that and more.

An just get a load of where he got his folk beginnings from. I can only interpret my silence at hearing who his neighbour was in upstate New York as a little mild shock and awe.

On a chilly autumnal morning in Sydney, I stepped off the Manly* Ferry and found a suitable-ish place to record an interview over the shaky airwaves from Australia to Lexington, Kentucky. A picture of my luxurious chair in the ‘recording studio’ appears below.

*¬†For international audiences, ‘Manly’¬†refers to a suburb and location on the north side of Sydney Harbour named ‘Manly’. We don’t believe in forcing gender stereotypes onto our aquatic transport vessels. Actually, if anything, we refer to them as ‘her‘ for the most part. Continue reading