Darwin Muso Series is a string of an indeterminate number of mini to medium to mega interviews with Darwin-based musicians and performing artists. Starting in September 2019, and we’ll see how many we can cover over the next weeks/months/years.
Airlie Beach Festival of Music is held in November, however, in the lead-up, the organisers stage what is arguably* Australia’s biggest battle of the bands competition.
* Try saying, ‘Heats in Darwin, Cairns, Townsville, Mackay, Sunshine Coast, Brisbane, Gold Coast, Nimbin, Newcastle, Sydney, Illawarra, Melbourne and Adelaide’ ten times fast.
Emma Rowe grew up here in tropical Darwin and went from being a “sad teenager” with a cheap guitar to developing a unique talent for crafting quirky contemporary rock songs that combine lust, hope, frustration and joy in a surprisingly complicated but completely relatable style. Emma is a regular on the Darwin music scene as a headliner and support for touring artists.
After her set in the Passport to Airlie competition, Emma joined me in the beer garden to have a chat.
Bill Quinn: Tell us the Emma Rowe story!
Emma Rowe: Oh god, that’s a big question.
Basically, I guess it started when I was a sad teenager, and my mum noticed. And she brought home this cheap guitar from Cash Converters, and was like, ‘Here! Put your sadness into this!’
And it worked!
BQ: Was that here in Darwin?
ER: Yeah, I grew up here. Technically not born here, but I moved here when I was really young.
BQ: So many people I’ve spoken to have come here from other places. What was it like growing up with music in Darwin?
ER: I loved it. I really loved growing up here. It’s really communal and that’s really reflective in the music scene.
That’s what I love about the music scene here. We all know and love each other, we’re all really supportive, and I love that feeling: I love feeling supported by my scene.
BQ: I’m glad you said that because I’ve only been here for less than six months, and I actually wrote this down tonight. I’m picking up on a really big, supportive vibe amongst musicians, so it’s something that’s very important here.
ER: Oh yeah, for sure, it’s everywhere, and it’s wonderful. And I think that actually goes for the whole NT as well. We know all the musos in Alice Springs and in Katherine, and we’re all just really connected and really communal. It’s lovely.